Virtual Book Festival 2019: Event 2 – An interview with John Hudspith Book Editor

Photo by Andrew Neel on Unsplash

The Alchemist of Prose

Hello and welcome to the second event of the Put it in Writing Virtual Book Festival.

I know that before I was a novelist, I never gave a great deal of thought – as a reader – as to how a book comes to be ready for publication – other than the author writing it and the publisher publishing it. But now of course I know better. Many authors will tell you that writing the first draft of a novel is the easy part, and that having done so, that’s when the hard work begins. First of all there will be several redrafts and then when you think it’s perfect the manuscript goes off to the editor. And that’s when you discover your masterpiece is far from perfect.

Editors do an amazing job – spotting plot holes, inconsistencies, waffle and a whole lot more

So, today I’m pleased to welcome book editor, John Hudspith, to the festival to tell us a bit more about what the job involves.

John is the editor of all my novels and of hundreds more by other authors. And to me is the alchemist of prose. He’s a highly talented and skilled wrangler of messy manuscripts and I know that not only have I learned a lot from working with him over the last decade, but also that my books are infinitely better than they would have been without his unforgiving eye.

So, John, welcome! And let’s get started:

How did you get into editing in the first place and do you edit across all genres or stick to specific ones?

A request from a friend to ‘help’ with a novel over a decade ago saw me hooked on the editing process and from there my love for the creative storytelling mind soon had me changing my day job. And yes, I enjoy editing across all genres.

 

What does the editing process involve when you’re working on a client’s manuscript?

This depends on the individual writer. Some writers come to me after having spent a great deal of time and effort ensuring that, diligent research, multiple drafts, input from beta readers and so on, has brought them a wonderfully shiny product and thus my contribution will be minimal.

At the other end of the scale, a writer will come to me with just an idea, an outline, and so my input increases, helping with plot and character development etc.

 

How many books do you reckon you’ve edited so far and do you find it gets easier as time goes on especially when you work with clients you’ve worked with previously?

Novels, novellas, anthologies – I’ve edited close to 700 books and, like any craft, the more one works at it the ‘easier’ it becomes. Especially, as you said, when working with clients on an ongoing basis.

Anne: Yes, I must admit as an author it’s good to work with someone you ‘know’.

 

What are the best and the trickiest parts of the job? Is it a job you love?

In the beginning, I used to find blurbs tricky, although tricky is probably too kind a word. These days, though, blurbs are a perverse pleasure for me, picking the bones out of them and making them sing.

One truly great thing about the editing process, for me, is seeing the writer grow. Seeing the writer’s skills improving brings immense satisfaction. But the best thing of all, the very best thing, has to be the words. Working with words every hour of the day, words from myriad writers, words, words, words, day after day, week after week, year after year, is akin to sitting in the woods – do it for long enough and the woods will consume you, an unseen osmosis perpetually honing your learned perceptions. And not only that, but seeing our language evolve via the Indie author avalanche, Americanisms being the main influencers. Another decade into the Indie revolution and y’all might be speaking real purty.

Anne: I’ll get practising for y’all then 🙂

 

Not only are you an editor, you’re an author too. Tell us a bit about what you’ve published so far.

I’ve published two books – Kimi’s Secret and a sequel Kimi’s Fear – fantasy adventures for kids aged 10 to 100.

Kimi’s story was developed with some incredible help from a talented teacher and her class of enthusiastic twelve-year-olds. (Thanks, Anne and those crazy kids!)

(Anne is blushing and there’s a post about that collaboration here)

 

Are you currently working on a new book or is it all about the editing for now?

It’s all about the editing for me. I simply can’t get enough of the words.

Anne: All I can say is your readers’ loss is us authors’ gain 🙂

 

Thank you so much John for taking part in the festival today and for sharing a bit of what it’s like to be an editor. 

 

John’s professional bio

John Hudspith edits novels and short stories from his cave in the UK. John has a keen mind for story and the understanding that every single word matters. John can help shape your work into the page-turning crystal-clear entertainment it deserves to be. Simply send him a sample and he’ll show you what he can do. John can be contacted via his website here

 

 

Writer’s Block: How to bash through #amwriting #writing

Writing is hard work – just like a proper job …

I used to think that being a writer was a pretty cushy job. After all a writer is their own boss, they can go to work in their pyjamas, drink as many cups of tea as they like, and all they have to do is bash out a few thousand words each day and within months – maybe even weeks – they have a best-selling novel and millions of pounds in the bank.

Of course that was before I actually became a writer. Now before I go any further, I should say that I know there are countless worse jobs – in terms of conditions, physical and emotional demands, and sense of achievement – than that of book writer. But I know that for me – and many fellow authors – it came as a bit of surprise to discover that actually it has a lot in common with other ways of earning a living.

And one of the main factors that working as a writer has in common with any other occupation is that you have to turn up – whether in pyjamas or a pin stripe suit – with or without liquid refreshment, and you have to be productive. You can’t be all precious and sit there sighing as you wait for your inspirational muse. Oh no, you just have to get on and write. You have to hit the daily word count target and keep the publishing schedules and deadlines firmly in sight at all times.

So when the dreaded writers’ block hits – and it inevitably does at some stage – it’s important to find ways around it and to get back up and running without too much delay. And so I thought that in today’s post I’d share some of the things that help me demolish or at least get round this most horrible obstacle to creativity.

Firstly it’s important to know the possible reason for the block. It might be fatigue, it might be self-doubt either about writing ability or doubts about the worth of the story itself, or it might be a particular scene or chapter that’s proving troublesome.

Procrastination is permitted

If it’s fatigue, then it’s important to give yourself permission to rest. It doesn’t have to mean going off on a world cruise, or even taking a whole day off but it’s okay – indeed it’s essential not to let yourself burn out. Procrastination is sometimes not only permissible it can be vital. So listen to music, indulge in a hobby – be it sewing, gardening or motor-cycling. Or you could have a nap, go for coffee and a cake with a friend, or even curl up with a book by some other writer who’s obviously managed to overcome their own particular blocks.

Doubt is a demon that needs to be kicked off the pitch

If it’s that wicked wee demon known as Doubt that’s getting in the way – then reading part of something you’ve already written and had published can help reassure you that you can do this. Similarly reading positive reviews of your work can be a great way of boosting that fragile belief in your author-self. And if you’re still awaiting publication then taking a minute to recall why you’re writing in the first place can work just as well. For example try recalling who or what it was that first inspired you to write and use it as metaphorical armour to fend off the demonic enemy. Or read over any earlier pieces of work you’re proud of and remind yourself you’ve done it before so you can do it again.

The need to reboot and refresh

And if it’s a particular piece of plotting or characterisation in your work-in-progress that’s giving you grief, getting away from the desk for a good walk can prove helpful. It’s amazing how when your body goes off for a wander, your mind does too. The brain will work away on the problem in the background while you take some deep breaths and take in the views and then when you least expect it will notify you of a possible solution. And if a walk isn’t possible, then any of the above remedies for fatigue can often help with plot-freeze too.

But if diversionary tactics don’t work then it’s quite all right to go round this particular block. So you can leave that particular scene or plot development for later and get on with subsequent chapters for a while. You can always flag up possible continuity issues as you go while the block remains unresolved and sort them out later. And it’s quite possible that by continuing on your way, your brain will again do that thing of going off on its own and solving the problem while you’re looking somewhere else.

And even in the most extreme event – where you and your brain arrive at the conclusion that a major rewrite or indeed abandonment of the book as it is, is what’s required, that’s still progress. And by re-booting the project you will also have kicked the wall over.

Walk round the wall, jump over it, or kick the blighter over

So, in summary, stalling is okay. It happens, it has to happen, and it’s all part of the writing process. The important thing is not to let it be an excuse for giving up. All jobs have their frustrations, but it’s only in the most extreme situations where our health or safety is in doubt that we need to quit.

Most of the time the problems that come with the territory are challenges that can be resolved.

And, as long as the answers to the questions below remain as they are today, I’ve no intention of letting some puny wall get in the way of writing that bestseller.

Is writing an important and vital part of my life? Yes

Do I love my job as a writer? Yes

Can I imagine ever retiring? No

So it’s bah to writer’s block. The show – or in this case the book – must go on!

Being an Author: Away from the Desk #amwriting #authorevents #bookfairs

 

Books don’t write themselves. Authors have to put in the hours at the desk getting those words written. But a writer’s life isn’t all carried out sitting at the computer or scribbling in a notebook.

I get a lot of my best ideas when I’m away from the writing cave. Sometimes they’ll come unbidden when I’m sitting on a train or bus, or gardening or cooking or doing some housework. And I’ll often solve a plotline problem or come up with a story development when I’m out for my daily walk. It’s as if my brain goes off on a walk of its own when I’m doing other things.

But as well as the normal and necessary daily breaks that form part of my writing day, there are also more formal and organised times where I’m out and about as an author.

In the last week or so I’ve attended two such events.

Local Business Fair

The first one was at a local business fair where all sorts of businesses and organisations were invited to hire a table and not only network with each other, but enjoy the chance to engage with members of the public who popped into the venue as visitors to the fair. So, as a local business – i.e. indie author-publisher I decided to sign up. I invited another local author to share my table and we had a fantastic day.

The weather was awful but that didn’t seem to put the visitors off, and from 10.30a.m. till 3.00p.m. the rugby club venue was buzzing. Me and my colleague talked to lots of lovely and interesting people about our writing and we sold a fair few books as well. We gave also out fliers, bookmarks and postcards to folks who preferred to buy our books in e-book format or who wanted to pass on information about our books to friends, family and libraries. It was also a great chance to network with all sorts of other local businesses, from handbag and jewellery makers to gin distillers and stately home administrators.

Author Talk

The second away-from-the-desk event was an evening spent talking to members of a reasonably local branch of the Scottish Women’s Institute. I always enjoy talking about my books and how I became a writer and this event was no exception. I was made very welcome and I was asked some very good questions. Even better was the fact that a couple of the members had already read my books and recommended them to the others.  I should also add that the homemade lemon drizzle cake that was served with my post-talk cup of tea was delicious and, again, I sold a good number of books.

Real Life versus Imaginary World

The above events are just the latest in a fairly long list of author events I’ve done in the last few years. I’ve taken part in book fairs, a book festival and a craft fair. I’ve given talks in libraries, in schools and to various groups. I’ve also delivered writing classes both to adults and to children. And, as well as the chance to promote and sell my work, it has all been very enjoyable. It’s great to get a chance to talk about my writing, to share what has inspired me and how I go about crafting a novel. And it’s even better to inspire others either to read, or to write, or both.

So yes, for me, as a writer, time spent working away from the desk is every bit as important as the time spent actually working at it.

What’s your view of writers getting out and about? As a reader do you like meeting authors at book events? Or, if you’re a writer, do you find time away from the desk is time well spent?

Being an Indie Author – Job description involving 3 hats – Part 3: Marketing

This is the third and final post where I share what it’s like for me working as an indie author-publisher. In this post I’ll be talking about marketing, how I keep in touch with my readers, and how I reach potential new ones.

(Part 1 looked at the writing process and you can read it here. And Part 2 looked at the preparations and procedures involved in getting my books published and can be read here).

Toolbox:                           

Over the years I’ve been publishing, I’ve learned a lot about selling books. And, because I now have a backlist, I also have an existing band of loyal and supportive readers. So, launching my first book was much harder than launching my latest one.

It’s also the case that things change – so what might once have worked may not do so any longer.

Having said that, there are some things that remain constant and essential to successful book marketing.

Identifying my target readers:

Books, like any other merchandise, have a target market. So authors need to know who their likely readers are and where to find them.

When I write my books I have a specific reader in mind. For my adult books that will be a woman who enjoys reading contemporary romantic fiction with a bit of depth to it. She’ll appreciate that age is no barrier to romance. She’ll enjoy reading about parts of the world or jobs, professions and lifestyles that might be different from her own. And she’ll appreciate that the path of true love doesn’t always run smoothly.

For my children’s book I knew that my readers would mainly be in the nine-to-twelve-year old age group and would enjoy an adventure story where the children rather than the adults save the day.

Where I find my readers:

Virtual World

The existence of the online world means that finding and connecting with existing and potential adult readers (or, in the case of my children’s book, with my readers’ parents/grandparents etc) is easier than it’s ever been.

I have a Facebook author page, I’m on Twitter, and I have this website and its blog. And through these I can alert people when I have a new book coming out and I can have ongoing interactions with the folks who read/might read my novels. These platforms also provide a way for my readers and/or followers to spread the word by sharing my posts or, indeed, their own recommendations as regards reading my books.

Blog Tour

Around the time that I’m launching a new novel I get a blog tour set up. This is where my new book will have a guest slot on a different book blogger’s blog every day for a week. Book bloggers are amazing, generous and hardworking folk who review and write about books for the love of it. The guest slot on a particular blog might be the blogger posting a review of my new book, or it might be the blogger interviewing me, or it might even be a guest post from me. Blog tour posts are widely shared on social media and so news of a new book ripples outwards as people share the book posts with friends and in reader groups.

Real World

And, in the real world I do author talks at libraries, book clubs, social clubs such as the Women’s Institute, and writers’ clubs – and for the children’s book I also do school visits.

I also take part in local book festivals and I go to book fairs, craft fairs and trade fairs – anywhere where there are tables available for authors to meet and chat to readers and to possibly sell books.

Book Availability:

I know some of my readers like to read real paper books and others prefer to read e-books. So I make sure both formats are available to them.

I also know that some like to get their books from an online store while others prefer to go to their local bookshop or library. So I also try to make sure they can get my books from their preferred outlet.

However, as an indie author, while making my books available online is easy, getting my books into bookshops and libraries can be trickier. Any reader wanting to get my a book of mine in a bookshop or library can ask for it to be ordered for them, but of course it would be easier if it was already on the shelf.

When I lived on the Isle of Skye the local bookshops and the library both stocked my books. As a regular customer at the bookshops and as a member of the library, I was able to use my existing relationship when I asked for my books to be stocked. And both the library and the shops were generally supportive of local authors no matter whether they were traditionally or independently published.

But having recently moved to a different area I’ve had to start building new relationships with local book sellers and libraries and my nearest bookshop has a no indie-author policy.

However, as I said above, just because a book of mine isn’t on the shelf, it is available (in the UK) to order via a bookshop or a library’s normal route. You just have to ask and be willing to wait a few days for it to arrive.

And if all else fails I’m happy to post or email a paper or e-book version directly to readers.

Hard Work:

So, yes, being a one-woman sales and marketing department is hard work but well worth the effort as it leads me to readers. Readers who not only buy or borrow my books but who write reviews, who feedback and who interact, readers who in their turn help me with marketing. And that’s what makes this book-writing lark such a rewarding one.

Three jobs in one:

So, as you can see the job of indie author – or authorpreneur as we’re sometimes called – is a busy one. I have to be the writer, the publisher and the book seller. But I love my multi-hatted job, I love writing books and I love that people get to read them. Long may this job continue.

Being An Indie Author – Job description involving 3 hats – Part 2: Publishing

This is the second in a series of 3 posts where I’m taking a look at my job as an indie author.

The first post in the series where I talk about how I go about the authoring/writing process can be read here. This second part looks at the publishing process and part three will look at marketing.

Preparing to Press the Publishing Button

The manuscript is complete. Now the hard work really begins. I redraft the whole thing many times, cut out whole sections, write new ones, make sure the whole thing makes sense and is well paced and well told. I check for consistency within the story. I check my research for factual accuracy. And I check the grammar, punctuation and spelling. I keep going until, at last, all is perfect – according to me.

So, I can’t put it off any longer. Now it must all go to the editor.

Professional Editing

A professional editor is vital to ensuring that the final product is the best it can be. This is the case whether a manuscript is going to be published by a traditional publishing company or by an indie author.

A professional editor must be able to spot all the mistakes, inaccuracies and blunders. They must be thorough, honest and harsh when necessary. If something’s not working, or could be done better, or is just plain rubbish they must say so.

My editor, John Hudspith, certainly does all of the above – and more. He’s a ruthless alchemist of prose. He points out where the manuscript isn’t perfect, the places it’s flat, flabby or lumpy – but he also makes useful suggestions as to how to improve things. His keen eye also spots missing or incorrect punctuation, and possible factual flaws or blips in the plot/character details.

Then I as the author must take all his constructive criticism on the chin, must not be precious, must get over myself and consider all his advice and suggestions seriously. And by doing so I ensure the book is polished and ready for its readers. John also helps with getting the back cover blurb and the front cover strap line just right – something that is vital in attracting readers to the book.

So I owe a huge debt of gratitude to John and if you want to know more about his editing services you can visit his website here.

In-House Proofreading

My current proofreader is my husband. He doesn’t do proofreading professionally but pre-retirement it was part of his job to check complex technical documents before they were released. He has a precise and accurate eye when looking over text. He picks up on yet more missing commas, ambiguous or inaccurate wording, and misspellings. This is despite me having read the document many times and John also having passed through it. So a good proof-reader is vital and I’m glad to have Mr S on board. He’s now open to working with other indie authors – so if you’d like to discuss using his proof-reading service then do get in touch via the comments section below and I’ll pass all queries on.

Professional Book Design

Another vital member of the team is the book designer.

In spite of the old saying advising us not to judge a book by its cover, it’s something most of us do. In truth the cover of a book has an enormous job to do. It has to fit the genre of the novel. The cover images have to suggest what’s between the covers, and the cover text has to be displayed in a way that will make it eye-catching and easy for browsing book buyers to read.

Then there’s the layout of the interior of the book to consider. The text needs to be presented in a reader friendly way. The font the size and the spacing have to be spot on. Then there’s the design and layout of chapter headings, page numbers and headers. And the book must look right regardless of whether it’s being read as a paperback, an e-reader or a phone.

Now, I’m neither artistic nor very good on the technical side of things but fortunately I don’t have to be. And that’s because I go to Jane at JD Smith Design for all my design needs.

I provide Jane with a design brief. This will include a short synopsis of the book, the formats it will be published in i.e. print and e-book, and a vague, just about coherent idea of what I’d like the cover to look like with maybe a few suggested images.

After a bit of back and forth emailing Jane will come up with the very cover design I was looking for – even although I didn’t know exactly what that was it before I saw it.

And once we’ve got the cover sorted out, Jane gets to work on the interior layout and design for all the various formats.

I love the look of my books and I get so many compliments on the covers. So, yes Jane is another alchemist who works magic on my book. If you want to find out more about JD Smith Design you can do so here.

And, I should add, it’s not just the books Jane designs for me, she also designs all my essential supplementary materials including, bookmarks, fliers, posters, postcards and a large roller banner  – all of which do a great job when it comes to marketing.

Pressing the Publish Button

Yes, indeed – publishing does happen at the press or rather the click of a button nowadays. So once the cover and the interior have been finalised it’s time to set up all the different formats on the appropriate websites such as the printer, distributor, and online booksellers. And then it really is as simple as clicking the button marked publish.

And now my book is out there – out there in the company of millions other books. All I have to do now is get it noticed. I have make sure folks know it’s available and how to get a copy. Now it’s time to get marketing – or rather to continue and step-up the marketing that will have already begun before publication.

 

Being an Indie Author – Job description involving three hats – Part 1: Writer

 

I’m an indie author. That means I write and publish my books. So not only do I do the creative part i.e. write the novel, but I must also ensure the manuscript is polished and ready to publish, and then I have to make it available and market it. So it’s a job that requires the wearing of three different hats – writer, publisher and marketer.

N.B. The only hat I suit is the trilby – hence the photo. The other hats for the purposes of this series will therefore be metaphorical – hey, I’m a writer – I can do metaphorical.

This will be the first of three posts where I look at each role in turn.

(If you’re interested in why I chose the indie route you can read a recent guest post I did here on Kate – aka the quiet knitter’s – blog).

 

The Writer’s Hat

The role of writer of the book is of course common to all authors whether they’re traditionally or independently published.

There are lots of how-to books, courses and online lists of advice available, but it seems for every rule there is about writing a novel, there’s a corresponding one that instructs the writer to do the opposite. So what it boils down to is – do what works for you and adhere to one rule only – and that is TURN UP AND WRITE.

I have attended several writing courses from week-long residential to one-off half-day workshops. And gradually I’ve discovered what works for me.

My Writing Method

Story Elements:

Character and Setting

I’ve found for all my novels so far – and for possible future ones (which I already have notes for) – the stories start with a character or two. The character will just pop into my head when I’m least expecting it – often when I’m out walking. If I like the character enough I’ll then carry out a bit of an interrogation/interview with them in order to find out more about them. They’ll tell me where they live, what they do for a living, their family situation and so on.

This information will help me come up with a possible setting for the story.

For example, Rachel from Displacement came to me when I was hanging up the washing in my garden on the Isle of Skye. She told me she was a Skye crofter, but also a book illustrator as nobody can make a living from crofting only. She also revealed she lived alone, she was bereaved, and her mother had been a Jewish refugee who’d arrived in Scotland as a child just before the Second World War.

Plot

Once I have a character or two I’ll then try to find out what problems, dilemmas and/or challenges the character faces and that will lead to ideas for the plot.

Then once I have these ingredients in place it’s time to get writing.

Planning

I rarely know the full story in advance and I don’t plan it all out beforehand. I’m more of a pantster (as in fly-by-the-seat-of-your-pants) as some writing experts call it. Apparently writers are either plotters or pantsters. But I suspect a lot of us are a bit of both. I usually have a rough outline based on the timeline of the novel and divided up into beginning, middle and end and it’s usually handwritten on one side of an A4 piece of paper. But as I go along I’ll also sketch out (also handwritten) individual scenes or a list of scene headings. And sometimes I’ll break scenes down into post-it notes. However, there are other times where the ideas just flow and don’t require any sort of prompts or notes.

For me, part of the enjoyment of writing a novel actually comes from not planning in too much detail. That element of surprise, of characters sometimes sort of taking over is fun and exciting.

Of course as my most recent two novels have been parts 1 and 2 of a 3 part series, I’ve had to be a bit more organised planning wise – both to maintain consistency with the earlier book – and to ensure credible development in character and plot across all three books. But even with the series there has been no very detailed or inflexible plan. Indeed I didn’t plan to write a series. That only came about because readers of book 1 wanted more.

Getting On With The Job:

Desk Time

I aim to write every day Monday to Friday and I aim for a particular word count per day – that way I can have an approximate date for completion of the first draft in the diary.

It also means my writing brain is used to/coaxed into co-operating. It knows it can’t wait around for the muse. It knows it has a job to do and it had better get on with it – with or without the fickle muse. Yes, there are days when the quality’s not great or when it’s a struggle just to do a few sentences, but that’s all part of the process. Writing is a job and, like any job, there are good days and bad days, but regardless you do have to show up.

I don’t edit much as I go along. I may make a note to check or research something later, or I may a tweak here and there, but mostly I just plough onwards until THE END.

Although it isn’t really THE END – not by a long way…

In part 2 in this series I’ll look at the next stage – at the process of redrafting and redrafting and redrafting – to get the manuscript ready for going off to the editor. I’ll also share how it is working with the editor and cover designer in order to get the book to its absolute best version.

 

The Joy of Writing: A Vital and Life-Enhancing Passion

Do I find writing to be a joyful experience? Short answer: yes and no.

Yes, there are times when it’s difficult, times when I’d rather be anywhere other than at the writing desk, and times when I think I’m kidding myself about being able to write anything worth reading and that I should pack it in.

Writing for survival

BUT those negative times are relatively rare.  And no matter how bad the writers’ block or the procrastination or the self-doubt might be, I honestly can’t imagine not doing it. It’s vital for my health and wellbeing, it’s my purpose and my passion.

Writing for daily life

The everyday, practical, non-fiction type of writing – that is the lists, the lists about lists, the problem-solving mind maps, the journaling and the diary keeping – all help me work through problems, get organised and make decisions.

And when things are getting a bit too much – during times of stress, anxiety or depression – writing, for me, has really come into its own. At times like these writing, in the ways mentioned above, has been therapeutic and helped me find my way through and out the other side.

Writing for a living

As for the professional side of my writing – the creative, imaginative stuff that I do – well, that’s where the real joy comes in. I love setting out with one or two characters and finding out from them what their story is.

For me, writing a novel truly is a joyful voyage of discovery. Those first one or two characters introduce me to more characters along the way. They reveal where they live and they share their problems, dilemmas and challenges with me.

I love fleshing out the characters, creating the details of their homes and daily lives, providing the backdrop and landscape in which their stories take place. I also enjoy getting them out of the difficult or maybe even life-threatening positions I’ve put them in.

And it’s wonderful – if sometimes inconvenient – when having hit a metaphorical wall in a work-in-progress, the solution suddenly comes to me unbidden – when I’m in the shower, when I’m about to fall asleep or when I’m out walking. But inconvenient or not, I love it when my sub-conscious mind takes care of the difficulty.

Then there’s the buzz of seeing the finished article, of holding the book I’ve created in my hands. There’s nothing like it.

Apart, that is, from the even greater buzz when a reader tells you they loved it.

And it’s most certainly not about the money earned – although that’s helpful – but as long as at least one person reads and enjoys my made-up stories – probably even if that’s just me – I’ll keep on doing it.

A life-enhancing joy and passion

Yes, writing truly is an essential joy.

So, what is your passion – is it writing or something else? What drives you to pursue it? Can you imagine your life without it?

The Joy of Reading

Photo by Nicole Honeywill on Unsplash

I cannot imagine a world without books – it’s an unbearable thought. I love reading. I’ve loved it since I first learned to decode print.

In fact I think I remember pretending to read even before I’d actually learned the skill. I would look at the pictures in the books I was given before the age of five and then made up my own narrative which I read aloud to myself and anyone else who would listen.

And then – oh the magic of going to school and being taught to read. Back in the day, in my part of the world, it was the Janet and John books that were the learn-to-read-text books. And I still remember the thrill of progressing through the various levels.

The first novels that I remember reading were Enid Blyton’s Mallory Towers stories which I began when my granny gave me the first one when I was in hospital having my tonsils out aged eight. And I quickly moved on to Blyton’s other series.

From then on reading became as vital to my wellbeing as breathing.

It was also my privilege to teach young children to read during my thirty-six year career as a primary school teacher. And, latterly I was a learning support teacher and it was a joy to help pupils who were struggling with deciphering the written word become literate – including those with dyslexia.

And nowadays as a fiction writer myself, I still continue with my first passion of reading. And while I write the sort of books that I enjoy reading, my own reading choices include more than just those from the genre I write in.

I enjoy both non-fiction and fiction. Romantic fiction and crime fiction are my favourite genres but I also enjoy the occasional thriller or historical novel.

I always have a book that I’m currently reading. I read ebooks and print books. I read on the train, on the bus, on the couch and in bed. Reading takes me to so many amazing places and I meet so many fascinating characters with great stories to share. Reading is both stimulating and soothing, challenging and relaxing. It can educate, entertain and engross.

Last year I read 56 books. So far this year I’ve read 6. My two January favourites were A Brahminy Sunrise by Maggie Christensen and Inceptio by Alison Morton and I reviewed them here and here on the blog. They were very different but equally wonderful reads.

And, as for the books I write, I want to leave my readers feeling they’ve had a wonderful read too. I hope to deliver the sort of story they’re expecting, but also to offer some surprises along the way. I hope to transport them away from their own lives and steep them in someone else’s. And I certainly hope they’re engrossed and entertained enough to want to read more of my books.

In what come sometimes feel like a mad, uncaring world where we’re bombarded by all sorts of transient online information, books provide a solid reference point and/or a comforting source of downtime.

Yes,it’s safe to say I love the world of books – I love writing my own books and reading other people’s. Books are a wonderful invention offering revelation, escape and infinite possibilities. Long live books – in whatever form – and long live reading.

How do you feel about the world of books and reading? What do you enjoy reading? Who are your favourite authors? As always, please do leave your comments below.

January: The Write On Month #amwriting

Photo by Maddi Bazzocco on Unsplash

I have a love-hate relationship with two-faced January.

In the first month of the year, with the festive season over, it can be hard to get back to real life again. I hate the short, often dark days we get at this time of year in Scotland – and on such days I reckon I could happily hibernate until the spring.

However, we do sometimes get days like today – days that are very cold but also clear, bright and sunny and I can get out for a bracing and invigorating walk.

I also love the fact that it’s usually a quiet month socially – probably because everyone is recovering from all the December festivities.

And I like the fact that January is of course a good time for fresh starts and resolutions.

So as far as my writing is concerned I find this a productive time of year. I resolved to publish the third and final part of my Skye trilogy this year. So suitably inspired after my daily walk – a time when I get most of my writing ideas and insights – I’ve been able to have quality time at the writing desk this month.

I’m already 10000 words in and loving being back with my characters and meddling in their lives. I also have lots of ideas for future books – books set in different locations and with fresh new characters.

So January’s really not so bad after all – and I hope my productivity continues as the days lengthen and more distractions present themselves.

How’s January for you if you too are in the northern hemisphere? And, if you’re in the southern hemisphere, are New Year’s resolutions easier or harder to make and follow in mid-summer? Wherever you are – what do you hope to achieve in 2019? Please do leave comments below.

A Happy New Year of Books: Writing Them, Reading Them, Sharing them

No matter what is going on in the real world, isn’t it great that we can escape into the imaginary world of books and reading?

Writing

I’m finding it good to be back at the writing desk after the festive break. I’ve begun writing my next novel Fulfilment which will be the third and final part of the Skye series which so far comprises of Displacement and Settlement. I love escaping into my made up story world – a world that (unlike the real one ) makes sense and  where I have some control.

And I must say it’s great to be with Jack and Rachel again and seeing how this end part to their story is going to play out. But I’ve promised them that once that’s done I will then leave them in peace and go and bother some other imaginary people. And, yes, there’s already a queue of new prospective characters forming a disorderly queue in my head.

So far I have a very rough story outline in place and the first two chapters are written. So watch this space…

Reading

Over the festive period I read lots of mainly Christmas/Winter themed books. And even although Christmas is now past, they would still all be enjoyable reads at any time. I’ve listed my top 5 below – along with a brief review of each.

A Little Christmas Faith by Kathryn Freeman

What a perfect Christmas/Winter read. Lovely characters, an ideal setting and a heartwarming romantic story. This is an ideal book to curl up with and get lost in at this time of year.

A Little Christmas Charm by Kathryn Freeman

This is the second in the Christmas Wishes series. It can easily be read as a standalone but I recommend you read the first one A Little Christmas Faith ( see above) first. This one briefly mentions the main characters from book one which is nice. It’s another charming story from this excellent author of feel good romance.  As always the reader is rooting for the main characters to get over their difficulties and give in to the attraction and love they feel for each other. A perfect winter, fireside read.

 

A Second Christmas Wish by Kathryn Freeman

I’ve read several other books by this author and have enjoyed them all. So I wasn’t surprised to find this one hugely enjoyable too. It’s another cosy, feelgood story of second-chance love from Kathryn Freeman with her usual array of likeable characters and nicely drawn settings.

Winter Beneath the Stars by Jo Thomas

I enjoyed this book very much. The Lapland setting was unusual and beautifully described. I loved the Halley and Bjorn the main characters. All in all a most satisfying and romantic read.

Snowflakes and Cinnamon Swirls at the Winter Wonderland by Heidi Swain

This book has the perfect recipe for a heart-warming winter read. Hayley and Gabe the main characters have been through a lot of sadness in their lives before they meet and are reluctant to open their hearts to anyone new, but in the enchanting setting of Wynthorpe Hall they find they’re falling in love. Curl up with a glass of something nice or a hot cup of tea and enjoy this lovely, romantic story.

Sharing

But as well as writing and reading books I also enjoy sharing my thoughts about them with others. Of course I want to spread the word about my own writing, but I also like to share information about the books I’ve most enjoyed reading too. And I’m certainly going to continue doing that this year.

I’ve already got two reviews in the pipleline as 2019 has started well reading wise. So watch out for my five-star reviews of:

  • Maggie Christensen‘s lovely new romantic novella – A Brahminy Sunrise – out on 15th January and available to preorder now.
  • Alison Morton‘s incredibly fabulous crime/thriller/mystery/romance Inceptio. I can’t believe I haven’t read it before now and can’t wait to read the rest of the series.

PS – reader’s reviews

And I’d just like to end this post with a bit of an author plea. If you read and enjoy a book do you leave a review – perhaps on the online store where you got it? Online reviews are really helpful to authors not only in terms of feedback, but also in giving a book increased visibility in a very crowded market. A review doesn’t have to be a long academic critique – just as well – since I wouldn’t be writing them. You only need to do a couple of sentences simply saying you liked it and why you did – just as I’ve done above.

And yes, I posted the above reviews on the online store where I got the books for my e-reader.

And yes, I do go to actual book shops too – especially my local one – where I tend to buy non-fiction books and books for my grandchildren – as well as the occasional paperback novel for myself.

So over to you. Do you enjoy reading and why? Do you plan to read lots in 2019 – or perhaps to write a book yourself? Do you leave reviews of books you’ve enjoyed and want to tell others about? Do you prefer a paper book or an e-book? Leave comments below.

And so, it just remains for me to wish you a happy and book-filled 2019 and may all your reads be good ones.