2020 Vision #writing #reading #healthyliving

Photo by Denise Karis on Unsplash

The Clear View of a Fresh New Year

Happy New Year! I think I’m still allowed to say that – the year is still young.

I enjoyed my break away from the writing desk over the festive season. Christmas was quiet and relaxed and was spent with family. Then, just a few days after Christmas, I got a slightly late – but definitely the best – gift when my granddaughter was born and I became a grandma for the third time. I also read several good books during my time off and made the most of the short hours of daylight by getting out for lots of good walks. And before long yet another year had ended and a new one had begun.

Diary Already Filling Up – Lots to Look Forward To

Real Life

In my personal life, as well as spending lots of time with my new granddaughter, I’ll also get to spend precious time with my other two grandchildren in the summer – when they and their parents come home to the UK for a visit all the way from Australia. As well as that there’s a springtime wedding to enjoy, and a birthday party to attend. There are also a couple of concerts to go to and a holiday planned. And it’s still only January! Along with all this enjoying myself – and in order that I can keep enjoying  life, I also intend to keep up the healthy lifestyle mentality – daily walks, yoga practice and healthy eating – definitely worth it and all enjoyable in their own way too – honestly 🙂

Imaginary Life

But for now, it’s back to work and I have to say it’s good to be back. And, just as in my personal life, I’ve got lots of good stuff to look forward to in my professional writing life too.

New Book Due Out Soon

First up, of course, it’s the new book. Fulfilment is the third and final part of my contemporary romance series set mainly on the Scottish island of Skye – as well as having some of the action on the Scottish mainland and in the Middle East – and, after a year spent writing and rewriting and then rewriting it some more, it’s currently with my editor. And while I await the editor’s feedback and, no doubt, suggestions for yet more rewriting, I’m in the process of agreeing on the book’s cover with the cover designer. As an author, it’s always exciting to see the final cover of one of my books for the first time, but unfortunately the cover also incorporates the blurb. Yes, that irresistible paragraph of prose on a book’s back cover that will lure readers into the story inside is what I’m currently working on. And condensing a 70,000 word story into a succinct and tempting 250 words is hard. But I’m getting there.

As well as getting the book ready for publication, I’m also planning its launch. This involves planning social media posts, asking book bloggers to read and review it, and inviting readers of my previous books to do the same.

Writer Talks

I’ve also been invited to do a couple of writer talks on my local area – something I always enjoy doing -so I’ll be preparing for these.

Starting Again

And then, once Fulfilment is out in the world, I’ll be getting down to writing my next book. I have several ideas to explore. It will definitely be another contemporary romance with fresh new characters and a different setting from my previous books. But that’s all I’m saying about it – for now.

More Reading

And, like most writers, I’m also a keen reader and I plan to keep reading my favourite authors as well as discovering some new ones. My to-be-read pile is already a teetering tower. And I’ll report back here from time to time on some of the ones I particularly enjoy.

So, over to you:

What are your plans for 2020? Do you have any writing or reading goals for the year ahead? As always, please do leave your comments below.

 

 

Tenth Author, Blogger & Social Media Birthday #writing #amwriting #blogging #books

Photo by David Ballew on Unsplash

 

Ten Years A Writer

It’s official! I’ve now been a published writer for ten years. Yes, it was in early December of 2009 that my debut book, Change of Life was first published.

It was a surreal, exciting and utterly terrifying experience. I had no idea what to expect, no idea if my book would sell and no idea how to make potential readers aware of its existence.

I had no online experience other than using email, but I quickly discovered I’d have to up my game in that respect. If I wanted to get the word out there that my book existed, I was going to have to wise up and get acquainted with social media.

Ten Years A Blogger

So it’s also nearly ten years since I started this blog.

This was my first post:

A small miracle happened to me recently.  I held my book – the book that I’ve been working on for several years – in my hand for the first time. A long gestation, a sometimes painful labour and at last it was delivered.  It was an overwhelming feeling, looking at this thing I had created, to run my fingers over its cover, to flick through its pages, to read my words on those pages.  It was the realisation of my longest held and most fervent ambition.  My maternal grandmother, herself a writer, and heroine of my childhood set me on the writing path and it’s been a lifelong, life-saving occupation for me. But for so many years it had to take a back seat. It had to be fitted in around family and working life – and it often got squeezed out. That all changed at the end/beginning of the millennium, after I got the ultimate wake-up call – i.e. intimations of my mortality in the shape of a cancer diagnosis. It was brought home to me that tomorrow doesn’t always come and the procrastinating had to stop. I promised the fates that if I survived the cancer I’d get down to some serious writing.

I beat the ovarian cancer and so had to keep my side of the deal. Writing still had to fit around work and family – but it was no longer squeezed out – priorities were reordered and the hard work began.

And now it’s here – my wonderful, beautiful first novel is here. It’s fully formed and it has gone off into the world on its own. It will now have to jostle for readers, for its place on the bookshelf – and I can only watch and support at a distance. I love my book and I want others to love it too. I’m thrilled, exhilarated and absolutely bloody terrified. I’ve never felt so proud and I’ve never felt so vulnerable.

So there you have it. Of course there’s more to the journey, more to the story than that and I hope to share more bits of it with you as I blog. I’m at the beginning of a whole new adventure and it’ll be good to have you along for the ride.

 There was no accompanying picture of the book cover, no buying links, and no mention of the book title or its content.

But over time I did get better at the whole blog post thing. The blog has been through several changes and upgrades and is now part of my main website. It has over 600 followers in its own right, as well as many more via Twitter and Facebook – yes, I joined them too.

Ten Successful Years

It’s been an amazing decade. I took early retirement from my work as a primary school teacher and writing is now my full-time job. I’ve now published four books with a fifth one due out early next year.

As time’s gone on I love writing more and more. I love the storytelling and the characters I write about, and I can’t imagine ever retiring. You’ve been warned!

In the last decade I’ve learned so much more about the art and craft of writing. I’ve learned how to talk about and share my writing – both in the real world and the online one. And I’ve gathered such a lovely and loyal readership.

And I’d like to thank any you who are reading this and are also part of that lovely and loyal band. Thank you for your support, encouragement and most especially for those precious, priceless reviews you’ve taken the trouble to write and post – whether on an online bookselling site or on your book blog. Reviews really do help sales and I’m very grateful.

What’s Next?

So, as I say, no plans to stop writing. The new book, which is called Fulfilment and is the third and final part in the Jack & Rachel Skye series ( which consists so far of Displacement and Settlement) is due to be published in early 2020. Watch out for more information on this soon. And, after Fulfilment‘s safely out in the world, I have lots of ideas to explore for my next novels.

I’ll be sticking with contemporary romance. I’m not sure whether to write a standalone story or to begin a new series set in the south of Scotland. If I go for a series it would focus on a community and each book would tell the romantic story of a particular pair of characters from that community. I need to think some more about that. And, if you’re a reader of my books, I’d be interested to hear your preferences.

But whatever I decide, it’s an exciting prospect to be starting on something new as the next decade begins. Here’s to 2020 and beyond!

Thanks for being with me on my incredible journey.

PS: you can find out more about my books and where to buy them by clicking on the cover photos – either in the sidebar or at the foot of this post – depending on the type of device on which you’re reading this. Or simply go to the ‘My Books’ page here on the website. You see I have learned a thing or to about marketing 🙂

 

Autumn Daze #writing #authortalk #reading

Home to autumn

I recently returned home to Scotland from a month away visiting family in Australia. I left behind Queensland’s hot and sunny springtime and came back to misty, mellow autumn days at home. So what with the jetlag and the dramatic change in the weather and daylight hours, it’s taken a wee while for me to get back into my writing rhythm.

But I do love the autumn. I take a childish delight in walking through fallen leaves and I love the quality of the light and the crisp fresh air. So I’ve been alternating spells at the desk with lots of nice long walks.

Back to work at the writing desk

And, as my writing schedule from now until the end of the year is pretty full-on, I intend to continue to find time for these mind-clearing, restorative and refreshing outdoor spells.

My first task on returning to work was to begin the redraft of the manuscript for my latest novel. I’ve made good progress with that and, after a bit more rewriting of certain sections, it will be ready to go off to the editor. The new book is called Fulfilment. It’s the third and final part of my Skye series of novels and it will be out early next year.

Author Talk

And speaking of Skye, where I lived when I write the first two books in the above-mentioned series, I’m heading back there this week on author business. I’ll be there as my alter-ego, children’s author Anne McAlpine, to talk about The Silver Locket, my Bonnie Prince Charlie/ timeslip novel for 9 to 12 year-olds. I’m going to be doing an author talk at one of the island’s primary schools and will also be doing writing workshops with some of the pupils. I am looking forward to it very much.

Book Sale

Then when I get back, I’ve got the pre-Christmas gathering and lunch of the Facebook group – Authors and Book Bloggers in Scotland – to go to in Edinburgh. And at the end of November I have a table at the local Craft & Gift Fair where I’ll be selling my books.

Lots of Reading

When I do find time to relax – and I will – then, of course, I’ll be reading. I read a lot of good books when I was away in Australia including, naturally lots of contemporary romance as well as a couple of cracking crime novels. Among the best were –

in crime: Lin Anderson’s Time for the Dead and Ann Cleeves’ Wildfire

in romance: The Day We Meet Again by Miranda Dickinson, Tropic Storm by Stella Quinn, Autumn at Blaxland Falls by Eliza Bennets and The Life She Deserves by Maggie Christensen.

And I’m currently reading and very much enjoying Kathryn Freeman’s latest contemporary second-chance romance – Reach For a Star

Questions for you

So, I reckon that’s us up to date. But before I go I’d like to ask if you have a favourite season and if so what is it that especially appeals to you about it? Also what books have you enjoyed reading recently and what are you currently reading?

As always please do leave comments below.

 

Virtual Book Festival: Event 19 – writing in life’s difficult times by Christine Webber @1chriswebber.com #VirtBookFest #writing #books

Welcome to event number 19 at the Virtual Book Festival.  Today I’m delighted to welcome former TV news presenter, agony aunt, psychotherapist and writer, Christine Webber, to the festival.

Christine is taking a look at how real life issues can sometimes hinder the writing process but she also acknowledges how it can help during times of great stress.

 

So, over to Christine:

 When Life Gets in the Way of Writing

We all know about displacement activities that keep us from our keyboards:

  • I need to watch this TV drama – for research purposes
  • I better do something about those windows, they’re filthy
  • Perhaps I should get dressed before switching on the laptop
  • I’ll think I’ll just rearrange my CD collection in alphabetical order…

As writers, we also know that books or articles don’t appear by magic. At some point, the distractions have to be junked and we have to put some words down – rather a lot of them – on paper or a screen. It’s hard, but we do it.

But what happens when it’s not just delaying tactics getting in the way of our masterpiece, but major life events?

I remember hearing Margaret Drabble say that when her children were small, she usually had a baby on her lap while she was writing and had to reach her arms out over the top of that infant so that she could bash away at her typewriter on the table in front of her.

Motherhood is still a big deal when it comes to writing. As is holding down a full-time job, which so many really good writers have to do in order to pay the bills.

Then there are life’s reverses – a parent has dementia, our heart is broken, a child is being bullied at school, we move house and think we’re losing our sanity… These are tough times, but one might argue that they provide some of our best material. And the strange thing is that during these periods, we may find that though we cannot concentrate well enough to read someone else’s book, we have a strange compulsion, and ability, to carry on writing our own.

My biggest challenge came when David, my husband of thirty years, became terminally ill. I wanted to continue writing as it felt like the only normal thing that was happening. But I also wanted to spend most of my time caring for him as it became apparent that he was going downhill more rapidly than any of his doctors had forecast.

During those months, I was writing my novel It’s Who We Are, which has five leading mid-life characters and three locations, including the west coast of Ireland where David and I had had so many wonderful holidays.

At the beginning of his illness, he was still managing to continue his own work as a medical columnist, so our routine was not too altered, though there were loads of hospital visits, and scans, and blood tests to fit in. But during that period, I got the bulk of my first draft written. And I found that, actually, you can be more episodic in your writing habits than usual, and still complete a manuscript.

But around late summer 2017, David had to give up his last regular writing job – a weekly column he had had for fifty years – and began to spend many more hours a day in bed.

This was when the challenges mounted up, and people who have been through this will know what I mean when I say that my brain felt overwhelmed and overloaded with arranging carers, doctors’ visits, endless medication, trying to find food that would appeal and not take too much effort to eat and – most importantly of all – spending hours just talking together and celebrating the wonderful past we had had as we jointly planned David’s remaining future and my life after that.

Somehow though, writing was a thread that held together during that time, not least because my lovely husband was as supportive as he had always been. And what I found was that when I had no capacity to produce new material, my mind was capable – and indeed really enjoyed – editing.

And of course, those of us who are indie writers have a host of other activities to tackle in order to produce a book, so when we can’t summon up our creative juices, we can perhaps sort out our marketing ideas, or start planning a blog tour, or finalise a cover.

Somehow, It’s Who We Are was finished, and it came out in mid-January 2018, by which time my husband was terribly ill. But I had dedicated it to him, as I had all my previous books, and I was able to sign his copy, and put it into his hands. It was a poignant moment.

Now, seventeen months after his death, I am writing another mid-life ensemble novel.

It will not surprise you to know that one of my three protagonists is newly widowed. And I am sure that in many ways, I’m processing my own loss by attributing it to a character. We writers are so lucky, aren’t we, to be able to do that?

 

Anne: We are indeed fortunate in that respect, Christine. Thank you so much for sharing your, at times, moving thoughts on the difficulties but also the rewards of being a writer.

And now we have and extract from Christine’s book It’s Who We Are. I’ll let Christine introduce it.

It’s Who We Are

This, without any doubt, is my absolute favourite out of all the fiction and non-fiction I’ve written over almost four decades. It’s a story about identity and change, and it reflects the turbulence so many of us experience in mid-life just when we had assumed we would feel stable and secure. The novel takes place in Norfolk, where all the main characters were born, as well as in London and the west coast of Ireland.

And the plot centres on how often the demise of parents can lead to us discovering family secrets that shock us to the core. The surprise in this book is beyond what the characters, or indeed any reader, could ever imagine. And poses the question: do you really know who you are?

This segment is from a chapter near the end of the book. Philip and Wendy didn’t know each other at the start of the novel but as it has developed, they have become very good friends and she has been a huge support to him after a bad accident. They are in a hotel after leaving a party for her, which has been hosted by the other main characters at a house in Norwich.

 The two of them are chatting in the lounge and discussing their evening, and Philip takes the opportunity to outline a new business project to her, which Wendy responds to enthusiastically.

 

His smile broadened. ‘I knew you’d understand and run with it. Is it any wonder that I really, really love you?’

‘Well, I love you too, Philip. You’re a great person and a wonderful friend.’

‘No, but I mean, I love you!’

Wendy wrinkled her nose in puzzlement.

‘Do you understand?’ He pressed her.

She continued to look bewildered for a moment, then she raised her eyebrows as she considered a new option. ‘Do you mean, like, in italics?’

His face creased into the grin that she had become so fond of. ‘Yes, exactly. Not just as in “I love this smoked salmon drizzled with lime juice”.’

‘Mmmn, but that sounds really good! So, you mean you love me more than that?’

‘I do, actually. And in a rather lustful way.’

‘Lustful! But I’m sixty in…’ she looked at her watch, ‘forty minutes. Surely not? Are you drunk?’

‘Not at all.’

‘But do you really mean what you’re saying?’

He nodded. ‘Totally.’

‘Gosh!’

‘Are you surprised?’

‘Flabbergasted. I mean, we’re the two who’re well aware we’re hopeless at sex, and even worse at relationships.’

‘Perhaps we could try to push that assumption into the past tense?’

Her eyes glinted with fun. ‘Do you mean what I think you mean?’

‘I imagine so.’

She giggled. ‘Well, I’m game to give it a go, if that doesn’t sound too impossibly romantic!’ Leaning towards him, she planted a tentative kiss on his cheek. ‘Your room or mine?’

‘You choose,’ he said.

‘OK, mine. Here’s your stick. Can you manage the stairs, or do we need the lift?’

‘Do you mind if we take the lift? Sorry, but I want to conserve my strength.’ He sighed as he rose to his feet. ‘Wendy, I’m hardly love’s young dream.’

‘I’m the one who’s about to be sixty! We’ll just do our best, shall we?’

‘I might have to experiment to find a position where my ribs or my leg don’t hurt, or my wrist doesn’t give way!’

She took his arm. ‘If you don’t shut up you’re going to talk yourself out of this, just when I’m getting keen on the idea!’

You can buy It’s Who We Are here

 

Connect with Christine online:

Christine can be found tweeting on a wide variety of subjects @1chriswebber

She is also active within various book groups on Facebook including Books for Older Readers, Book Connectors and The Alliance of Independent Authors where she is a partner member.

 About Christine: 

Christine Webber originally trained as an opera singer but had to re-think her career plans when her voice professor commented: ‘Your voice is ok, but your legs are very much better!’
Musical theatre beckoned. There was some success. But not much.
However, eventually, in 1978, she became a news presenter for Anglia TV. At last she had found something she enjoyed that other people thought she was good at. It was such a relief that she stayed for 12 very happy years.

Next, she became an agony aunt for various publications including TV Times, Best, Dare and BBC Parenting. She also wrote a column for the Scotsman and one for Woman called Sexplanations.

During her ‘problem page’ years, she trained as a psychotherapist and started a practice in Harley Street which she shared with her late husband, Dr David Delvin. That experience greatly informed much of her writing.

She has written 12 non-fiction books including How to Mend a Broken HeartGet the Happiness Habit and Too Young to Get Old, and has broadcast extensively over the decades on mental health and relationship issues.

In 2016, she embarked on a fresh career as a novelist and has now produced three titles: Who’d Have Thought It?,  It’s  Who We Are and a re-written version of her first book published in 1987, In Honour Bound.

Following the death of her husband, she’s returned to live in East Anglia because that’s where most of her good friends are. Forthcoming projects there include hosting an arts awards ceremony, judging the non-fiction section of the East Anglian Books Awards and a number of talks to women’s groups. She has also become a Trustee for a charity that provides mentors for offenders, to support them when they leave prison.

Further afield, she has become an occasional presenter and interviewer for the Royal Opera House Insights Programme and recently had the honour of interviewing Royal Ballet star Gary Avis and Britain’s best-loved baritone, Sir Bryn Terfel.

Next month, she is presenting and producing a series of video podcasts about staying as young as possible for as long as possible. And, having recorded the audio version of one of her own novels, she has now been approached to narrate a couple of others.

 

 

 

 

Virtual Book Festival 2019: Event 2 – An interview with John Hudspith Book Editor

Photo by Andrew Neel on Unsplash

The Alchemist of Prose

Hello and welcome to the second event of the Put it in Writing Virtual Book Festival.

I know that before I was a novelist, I never gave a great deal of thought – as a reader – as to how a book comes to be ready for publication – other than the author writing it and the publisher publishing it. But now of course I know better. Many authors will tell you that writing the first draft of a novel is the easy part, and that having done so, that’s when the hard work begins. First of all there will be several redrafts and then when you think it’s perfect the manuscript goes off to the editor. And that’s when you discover your masterpiece is far from perfect.

Editors do an amazing job – spotting plot holes, inconsistencies, waffle and a whole lot more

So, today I’m pleased to welcome book editor, John Hudspith, to the festival to tell us a bit more about what the job involves.

John is the editor of all my novels and of hundreds more by other authors. And to me is the alchemist of prose. He’s a highly talented and skilled wrangler of messy manuscripts and I know that not only have I learned a lot from working with him over the last decade, but also that my books are infinitely better than they would have been without his unforgiving eye.

So, John, welcome! And let’s get started:

How did you get into editing in the first place and do you edit across all genres or stick to specific ones?

A request from a friend to ‘help’ with a novel over a decade ago saw me hooked on the editing process and from there my love for the creative storytelling mind soon had me changing my day job. And yes, I enjoy editing across all genres.

 

What does the editing process involve when you’re working on a client’s manuscript?

This depends on the individual writer. Some writers come to me after having spent a great deal of time and effort ensuring that, diligent research, multiple drafts, input from beta readers and so on, has brought them a wonderfully shiny product and thus my contribution will be minimal.

At the other end of the scale, a writer will come to me with just an idea, an outline, and so my input increases, helping with plot and character development etc.

 

How many books do you reckon you’ve edited so far and do you find it gets easier as time goes on especially when you work with clients you’ve worked with previously?

Novels, novellas, anthologies – I’ve edited close to 700 books and, like any craft, the more one works at it the ‘easier’ it becomes. Especially, as you said, when working with clients on an ongoing basis.

Anne: Yes, I must admit as an author it’s good to work with someone you ‘know’.

 

What are the best and the trickiest parts of the job? Is it a job you love?

In the beginning, I used to find blurbs tricky, although tricky is probably too kind a word. These days, though, blurbs are a perverse pleasure for me, picking the bones out of them and making them sing.

One truly great thing about the editing process, for me, is seeing the writer grow. Seeing the writer’s skills improving brings immense satisfaction. But the best thing of all, the very best thing, has to be the words. Working with words every hour of the day, words from myriad writers, words, words, words, day after day, week after week, year after year, is akin to sitting in the woods – do it for long enough and the woods will consume you, an unseen osmosis perpetually honing your learned perceptions. And not only that, but seeing our language evolve via the Indie author avalanche, Americanisms being the main influencers. Another decade into the Indie revolution and y’all might be speaking real purty.

Anne: I’ll get practising for y’all then 🙂

 

Not only are you an editor, you’re an author too. Tell us a bit about what you’ve published so far.

I’ve published two books – Kimi’s Secret and a sequel Kimi’s Fear – fantasy adventures for kids aged 10 to 100.

Kimi’s story was developed with some incredible help from a talented teacher and her class of enthusiastic twelve-year-olds. (Thanks, Anne and those crazy kids!)

(Anne is blushing and there’s a post about that collaboration here)

 

Are you currently working on a new book or is it all about the editing for now?

It’s all about the editing for me. I simply can’t get enough of the words.

Anne: All I can say is your readers’ loss is us authors’ gain 🙂

 

Thank you so much John for taking part in the festival today and for sharing a bit of what it’s like to be an editor. 

 

John’s professional bio

John Hudspith edits novels and short stories from his cave in the UK. John has a keen mind for story and the understanding that every single word matters. John can help shape your work into the page-turning crystal-clear entertainment it deserves to be. Simply send him a sample and he’ll show you what he can do. John can be contacted via his website here

 

 

Writer’s Block: How to bash through #amwriting #writing

Writing is hard work – just like a proper job …

I used to think that being a writer was a pretty cushy job. After all a writer is their own boss, they can go to work in their pyjamas, drink as many cups of tea as they like, and all they have to do is bash out a few thousand words each day and within months – maybe even weeks – they have a best-selling novel and millions of pounds in the bank.

Of course that was before I actually became a writer. Now before I go any further, I should say that I know there are countless worse jobs – in terms of conditions, physical and emotional demands, and sense of achievement – than that of book writer. But I know that for me – and many fellow authors – it came as a bit of surprise to discover that actually it has a lot in common with other ways of earning a living.

And one of the main factors that working as a writer has in common with any other occupation is that you have to turn up – whether in pyjamas or a pin stripe suit – with or without liquid refreshment, and you have to be productive. You can’t be all precious and sit there sighing as you wait for your inspirational muse. Oh no, you just have to get on and write. You have to hit the daily word count target and keep the publishing schedules and deadlines firmly in sight at all times.

So when the dreaded writers’ block hits – and it inevitably does at some stage – it’s important to find ways around it and to get back up and running without too much delay. And so I thought that in today’s post I’d share some of the things that help me demolish or at least get round this most horrible obstacle to creativity.

Firstly it’s important to know the possible reason for the block. It might be fatigue, it might be self-doubt either about writing ability or doubts about the worth of the story itself, or it might be a particular scene or chapter that’s proving troublesome.

Procrastination is permitted

If it’s fatigue, then it’s important to give yourself permission to rest. It doesn’t have to mean going off on a world cruise, or even taking a whole day off but it’s okay – indeed it’s essential not to let yourself burn out. Procrastination is sometimes not only permissible it can be vital. So listen to music, indulge in a hobby – be it sewing, gardening or motor-cycling. Or you could have a nap, go for coffee and a cake with a friend, or even curl up with a book by some other writer who’s obviously managed to overcome their own particular blocks.

Doubt is a demon that needs to be kicked off the pitch

If it’s that wicked wee demon known as Doubt that’s getting in the way – then reading part of something you’ve already written and had published can help reassure you that you can do this. Similarly reading positive reviews of your work can be a great way of boosting that fragile belief in your author-self. And if you’re still awaiting publication then taking a minute to recall why you’re writing in the first place can work just as well. For example try recalling who or what it was that first inspired you to write and use it as metaphorical armour to fend off the demonic enemy. Or read over any earlier pieces of work you’re proud of and remind yourself you’ve done it before so you can do it again.

The need to reboot and refresh

And if it’s a particular piece of plotting or characterisation in your work-in-progress that’s giving you grief, getting away from the desk for a good walk can prove helpful. It’s amazing how when your body goes off for a wander, your mind does too. The brain will work away on the problem in the background while you take some deep breaths and take in the views and then when you least expect it will notify you of a possible solution. And if a walk isn’t possible, then any of the above remedies for fatigue can often help with plot-freeze too.

But if diversionary tactics don’t work then it’s quite all right to go round this particular block. So you can leave that particular scene or plot development for later and get on with subsequent chapters for a while. You can always flag up possible continuity issues as you go while the block remains unresolved and sort them out later. And it’s quite possible that by continuing on your way, your brain will again do that thing of going off on its own and solving the problem while you’re looking somewhere else.

And even in the most extreme event – where you and your brain arrive at the conclusion that a major rewrite or indeed abandonment of the book as it is, is what’s required, that’s still progress. And by re-booting the project you will also have kicked the wall over.

Walk round the wall, jump over it, or kick the blighter over

So, in summary, stalling is okay. It happens, it has to happen, and it’s all part of the writing process. The important thing is not to let it be an excuse for giving up. All jobs have their frustrations, but it’s only in the most extreme situations where our health or safety is in doubt that we need to quit.

Most of the time the problems that come with the territory are challenges that can be resolved.

And, as long as the answers to the questions below remain as they are today, I’ve no intention of letting some puny wall get in the way of writing that bestseller.

Is writing an important and vital part of my life? Yes

Do I love my job as a writer? Yes

Can I imagine ever retiring? No

So it’s bah to writer’s block. The show – or in this case the book – must go on!

Being an Author: Away from the Desk #amwriting #authorevents #bookfairs

 

Books don’t write themselves. Authors have to put in the hours at the desk getting those words written. But a writer’s life isn’t all carried out sitting at the computer or scribbling in a notebook.

I get a lot of my best ideas when I’m away from the writing cave. Sometimes they’ll come unbidden when I’m sitting on a train or bus, or gardening or cooking or doing some housework. And I’ll often solve a plotline problem or come up with a story development when I’m out for my daily walk. It’s as if my brain goes off on a walk of its own when I’m doing other things.

But as well as the normal and necessary daily breaks that form part of my writing day, there are also more formal and organised times where I’m out and about as an author.

In the last week or so I’ve attended two such events.

Local Business Fair

The first one was at a local business fair where all sorts of businesses and organisations were invited to hire a table and not only network with each other, but enjoy the chance to engage with members of the public who popped into the venue as visitors to the fair. So, as a local business – i.e. indie author-publisher I decided to sign up. I invited another local author to share my table and we had a fantastic day.

The weather was awful but that didn’t seem to put the visitors off, and from 10.30a.m. till 3.00p.m. the rugby club venue was buzzing. Me and my colleague talked to lots of lovely and interesting people about our writing and we sold a fair few books as well. We gave also out fliers, bookmarks and postcards to folks who preferred to buy our books in e-book format or who wanted to pass on information about our books to friends, family and libraries. It was also a great chance to network with all sorts of other local businesses, from handbag and jewellery makers to gin distillers and stately home administrators.

Author Talk

The second away-from-the-desk event was an evening spent talking to members of a reasonably local branch of the Scottish Women’s Institute. I always enjoy talking about my books and how I became a writer and this event was no exception. I was made very welcome and I was asked some very good questions. Even better was the fact that a couple of the members had already read my books and recommended them to the others.  I should also add that the homemade lemon drizzle cake that was served with my post-talk cup of tea was delicious and, again, I sold a good number of books.

Real Life versus Imaginary World

The above events are just the latest in a fairly long list of author events I’ve done in the last few years. I’ve taken part in book fairs, a book festival and a craft fair. I’ve given talks in libraries, in schools and to various groups. I’ve also delivered writing classes both to adults and to children. And, as well as the chance to promote and sell my work, it has all been very enjoyable. It’s great to get a chance to talk about my writing, to share what has inspired me and how I go about crafting a novel. And it’s even better to inspire others either to read, or to write, or both.

So yes, for me, as a writer, time spent working away from the desk is every bit as important as the time spent actually working at it.

What’s your view of writers getting out and about? As a reader do you like meeting authors at book events? Or, if you’re a writer, do you find time away from the desk is time well spent?

Being an Indie Author – Job description involving 3 hats – Part 3: Marketing

This is the third and final post where I share what it’s like for me working as an indie author-publisher. In this post I’ll be talking about marketing, how I keep in touch with my readers, and how I reach potential new ones.

(Part 1 looked at the writing process and you can read it here. And Part 2 looked at the preparations and procedures involved in getting my books published and can be read here).

Toolbox:                           

Over the years I’ve been publishing, I’ve learned a lot about selling books. And, because I now have a backlist, I also have an existing band of loyal and supportive readers. So, launching my first book was much harder than launching my latest one.

It’s also the case that things change – so what might once have worked may not do so any longer.

Having said that, there are some things that remain constant and essential to successful book marketing.

Identifying my target readers:

Books, like any other merchandise, have a target market. So authors need to know who their likely readers are and where to find them.

When I write my books I have a specific reader in mind. For my adult books that will be a woman who enjoys reading contemporary romantic fiction with a bit of depth to it. She’ll appreciate that age is no barrier to romance. She’ll enjoy reading about parts of the world or jobs, professions and lifestyles that might be different from her own. And she’ll appreciate that the path of true love doesn’t always run smoothly.

For my children’s book I knew that my readers would mainly be in the nine-to-twelve-year old age group and would enjoy an adventure story where the children rather than the adults save the day.

Where I find my readers:

Virtual World

The existence of the online world means that finding and connecting with existing and potential adult readers (or, in the case of my children’s book, with my readers’ parents/grandparents etc) is easier than it’s ever been.

I have a Facebook author page, I’m on Twitter, and I have this website and its blog. And through these I can alert people when I have a new book coming out and I can have ongoing interactions with the folks who read/might read my novels. These platforms also provide a way for my readers and/or followers to spread the word by sharing my posts or, indeed, their own recommendations as regards reading my books.

Blog Tour

Around the time that I’m launching a new novel I get a blog tour set up. This is where my new book will have a guest slot on a different book blogger’s blog every day for a week. Book bloggers are amazing, generous and hardworking folk who review and write about books for the love of it. The guest slot on a particular blog might be the blogger posting a review of my new book, or it might be the blogger interviewing me, or it might even be a guest post from me. Blog tour posts are widely shared on social media and so news of a new book ripples outwards as people share the book posts with friends and in reader groups.

Real World

And, in the real world I do author talks at libraries, book clubs, social clubs such as the Women’s Institute, and writers’ clubs – and for the children’s book I also do school visits.

I also take part in local book festivals and I go to book fairs, craft fairs and trade fairs – anywhere where there are tables available for authors to meet and chat to readers and to possibly sell books.

Book Availability:

I know some of my readers like to read real paper books and others prefer to read e-books. So I make sure both formats are available to them.

I also know that some like to get their books from an online store while others prefer to go to their local bookshop or library. So I also try to make sure they can get my books from their preferred outlet.

However, as an indie author, while making my books available online is easy, getting my books into bookshops and libraries can be trickier. Any reader wanting to get my a book of mine in a bookshop or library can ask for it to be ordered for them, but of course it would be easier if it was already on the shelf.

When I lived on the Isle of Skye the local bookshops and the library both stocked my books. As a regular customer at the bookshops and as a member of the library, I was able to use my existing relationship when I asked for my books to be stocked. And both the library and the shops were generally supportive of local authors no matter whether they were traditionally or independently published.

But having recently moved to a different area I’ve had to start building new relationships with local book sellers and libraries and my nearest bookshop has a no indie-author policy.

However, as I said above, just because a book of mine isn’t on the shelf, it is available (in the UK) to order via a bookshop or a library’s normal route. You just have to ask and be willing to wait a few days for it to arrive.

And if all else fails I’m happy to post or email a paper or e-book version directly to readers.

Hard Work:

So, yes, being a one-woman sales and marketing department is hard work but well worth the effort as it leads me to readers. Readers who not only buy or borrow my books but who write reviews, who feedback and who interact, readers who in their turn help me with marketing. And that’s what makes this book-writing lark such a rewarding one.

Three jobs in one:

So, as you can see the job of indie author – or authorpreneur as we’re sometimes called – is a busy one. I have to be the writer, the publisher and the book seller. But I love my multi-hatted job, I love writing books and I love that people get to read them. Long may this job continue.

Being An Indie Author – Job description involving 3 hats – Part 2: Publishing

This is the second in a series of 3 posts where I’m taking a look at my job as an indie author.

The first post in the series where I talk about how I go about the authoring/writing process can be read here. This second part looks at the publishing process and part three will look at marketing.

Preparing to Press the Publishing Button

The manuscript is complete. Now the hard work really begins. I redraft the whole thing many times, cut out whole sections, write new ones, make sure the whole thing makes sense and is well paced and well told. I check for consistency within the story. I check my research for factual accuracy. And I check the grammar, punctuation and spelling. I keep going until, at last, all is perfect – according to me.

So, I can’t put it off any longer. Now it must all go to the editor.

Professional Editing

A professional editor is vital to ensuring that the final product is the best it can be. This is the case whether a manuscript is going to be published by a traditional publishing company or by an indie author.

A professional editor must be able to spot all the mistakes, inaccuracies and blunders. They must be thorough, honest and harsh when necessary. If something’s not working, or could be done better, or is just plain rubbish they must say so.

My editor, John Hudspith, certainly does all of the above – and more. He’s a ruthless alchemist of prose. He points out where the manuscript isn’t perfect, the places it’s flat, flabby or lumpy – but he also makes useful suggestions as to how to improve things. His keen eye also spots missing or incorrect punctuation, and possible factual flaws or blips in the plot/character details.

Then I as the author must take all his constructive criticism on the chin, must not be precious, must get over myself and consider all his advice and suggestions seriously. And by doing so I ensure the book is polished and ready for its readers. John also helps with getting the back cover blurb and the front cover strap line just right – something that is vital in attracting readers to the book.

So I owe a huge debt of gratitude to John and if you want to know more about his editing services you can visit his website here.

In-House Proofreading

My current proofreader is my husband. He doesn’t do proofreading professionally but pre-retirement it was part of his job to check complex technical documents before they were released. He has a precise and accurate eye when looking over text. He picks up on yet more missing commas, ambiguous or inaccurate wording, and misspellings. This is despite me having read the document many times and John also having passed through it. So a good proof-reader is vital and I’m glad to have Mr S on board. He’s now open to working with other indie authors – so if you’d like to discuss using his proof-reading service then do get in touch via the comments section below and I’ll pass all queries on.

Professional Book Design

Another vital member of the team is the book designer.

In spite of the old saying advising us not to judge a book by its cover, it’s something most of us do. In truth the cover of a book has an enormous job to do. It has to fit the genre of the novel. The cover images have to suggest what’s between the covers, and the cover text has to be displayed in a way that will make it eye-catching and easy for browsing book buyers to read.

Then there’s the layout of the interior of the book to consider. The text needs to be presented in a reader friendly way. The font the size and the spacing have to be spot on. Then there’s the design and layout of chapter headings, page numbers and headers. And the book must look right regardless of whether it’s being read as a paperback, an e-reader or a phone.

Now, I’m neither artistic nor very good on the technical side of things but fortunately I don’t have to be. And that’s because I go to Jane at JD Smith Design for all my design needs.

I provide Jane with a design brief. This will include a short synopsis of the book, the formats it will be published in i.e. print and e-book, and a vague, just about coherent idea of what I’d like the cover to look like with maybe a few suggested images.

After a bit of back and forth emailing Jane will come up with the very cover design I was looking for – even although I didn’t know exactly what that was it before I saw it.

And once we’ve got the cover sorted out, Jane gets to work on the interior layout and design for all the various formats.

I love the look of my books and I get so many compliments on the covers. So, yes Jane is another alchemist who works magic on my book. If you want to find out more about JD Smith Design you can do so here.

And, I should add, it’s not just the books Jane designs for me, she also designs all my essential supplementary materials including, bookmarks, fliers, posters, postcards and a large roller banner  – all of which do a great job when it comes to marketing.

Pressing the Publish Button

Yes, indeed – publishing does happen at the press or rather the click of a button nowadays. So once the cover and the interior have been finalised it’s time to set up all the different formats on the appropriate websites such as the printer, distributor, and online booksellers. And then it really is as simple as clicking the button marked publish.

And now my book is out there – out there in the company of millions other books. All I have to do now is get it noticed. I have make sure folks know it’s available and how to get a copy. Now it’s time to get marketing – or rather to continue and step-up the marketing that will have already begun before publication.

 

Being an Indie Author – Job description involving three hats – Part 1: Writer

 

I’m an indie author. That means I write and publish my books. So not only do I do the creative part i.e. write the novel, but I must also ensure the manuscript is polished and ready to publish, and then I have to make it available and market it. So it’s a job that requires the wearing of three different hats – writer, publisher and marketer.

N.B. The only hat I suit is the trilby – hence the photo. The other hats for the purposes of this series will therefore be metaphorical – hey, I’m a writer – I can do metaphorical.

This will be the first of three posts where I look at each role in turn.

(If you’re interested in why I chose the indie route you can read a recent guest post I did here on Kate – aka the quiet knitter’s – blog).

 

The Writer’s Hat

The role of writer of the book is of course common to all authors whether they’re traditionally or independently published.

There are lots of how-to books, courses and online lists of advice available, but it seems for every rule there is about writing a novel, there’s a corresponding one that instructs the writer to do the opposite. So what it boils down to is – do what works for you and adhere to one rule only – and that is TURN UP AND WRITE.

I have attended several writing courses from week-long residential to one-off half-day workshops. And gradually I’ve discovered what works for me.

My Writing Method

Story Elements:

Character and Setting

I’ve found for all my novels so far – and for possible future ones (which I already have notes for) – the stories start with a character or two. The character will just pop into my head when I’m least expecting it – often when I’m out walking. If I like the character enough I’ll then carry out a bit of an interrogation/interview with them in order to find out more about them. They’ll tell me where they live, what they do for a living, their family situation and so on.

This information will help me come up with a possible setting for the story.

For example, Rachel from Displacement came to me when I was hanging up the washing in my garden on the Isle of Skye. She told me she was a Skye crofter, but also a book illustrator as nobody can make a living from crofting only. She also revealed she lived alone, she was bereaved, and her mother had been a Jewish refugee who’d arrived in Scotland as a child just before the Second World War.

Plot

Once I have a character or two I’ll then try to find out what problems, dilemmas and/or challenges the character faces and that will lead to ideas for the plot.

Then once I have these ingredients in place it’s time to get writing.

Planning

I rarely know the full story in advance and I don’t plan it all out beforehand. I’m more of a pantster (as in fly-by-the-seat-of-your-pants) as some writing experts call it. Apparently writers are either plotters or pantsters. But I suspect a lot of us are a bit of both. I usually have a rough outline based on the timeline of the novel and divided up into beginning, middle and end and it’s usually handwritten on one side of an A4 piece of paper. But as I go along I’ll also sketch out (also handwritten) individual scenes or a list of scene headings. And sometimes I’ll break scenes down into post-it notes. However, there are other times where the ideas just flow and don’t require any sort of prompts or notes.

For me, part of the enjoyment of writing a novel actually comes from not planning in too much detail. That element of surprise, of characters sometimes sort of taking over is fun and exciting.

Of course as my most recent two novels have been parts 1 and 2 of a 3 part series, I’ve had to be a bit more organised planning wise – both to maintain consistency with the earlier book – and to ensure credible development in character and plot across all three books. But even with the series there has been no very detailed or inflexible plan. Indeed I didn’t plan to write a series. That only came about because readers of book 1 wanted more.

Getting On With The Job:

Desk Time

I aim to write every day Monday to Friday and I aim for a particular word count per day – that way I can have an approximate date for completion of the first draft in the diary.

It also means my writing brain is used to/coaxed into co-operating. It knows it can’t wait around for the muse. It knows it has a job to do and it had better get on with it – with or without the fickle muse. Yes, there are days when the quality’s not great or when it’s a struggle just to do a few sentences, but that’s all part of the process. Writing is a job and, like any job, there are good days and bad days, but regardless you do have to show up.

I don’t edit much as I go along. I may make a note to check or research something later, or I may a tweak here and there, but mostly I just plough onwards until THE END.

Although it isn’t really THE END – not by a long way…

In part 2 in this series I’ll look at the next stage – at the process of redrafting and redrafting and redrafting – to get the manuscript ready for going off to the editor. I’ll also share how it is working with the editor and cover designer in order to get the book to its absolute best version.