It Started with a Character: the magical process of writing #writing #reading #RomanceReaders

The Unexpected Seed of an Idea

I can’t quite believe I’ve typed the magic words ‘The End’ – not only on the manuscript of my latest novel but on the third and final part of a series of three.

My first novel, Change of Life, which recently celebrated its tenth birthday, was written as a standalone. I didn’t even consider writing a series. And the same was true when I started my second one, Displacement.

When I began my first book I had a fairly good idea of the story I wanted to tell, where it would be set, and who the cast list of characters would be. This was probably because I’d first written versions of parts of the novel as various short stories, never really believing I’d actually write a whole book someday.

But Displacement began as a tiny seed. I was in the process of writing my (so far) only children’s novel and wasn’t consciously thinking about a new book for adult readers. But my sub-conscious author brain didn’t give two hoots what I was trying to focus on when, out of the blue, it presented me with a character.

I was at my (then) home on the Scottish island of Skye and I was hanging out the washing in my garden and had paused to take in the breath-taking view over the loch to the mountains. Then this woman appeared in my head.

She wouldn’t go away. I just knew she had a story to tell. Gradually I interviewed, interrogated and thought about her. Slowly she took on a life of her own. Rachel had arrived.

Rachel a fifty-something, divorced mother. Rachel who lived and worked on Skye, combining running a croft (a Scottish form of smallholding or subsistence farming) with being a children’s writer and book illustrator. Rachel who was lost and lonely – until she met Jack.

And the rest is a big part of my fiction writing history.

One becomes Three

As I said, when I began to write Displacement it was only ever meant to be a single, standalone. But I’d no sooner finished it when I realised there was more to be said, more to tell about Rachel and Jack and the rest of the cast. So, Settlement came next.

Then yes, as I also mentioned, the need to write a third in this series took hold of me and Fulfilment will be published in March.

While each of the three books in the Skye series can be read as standalones, I would of course recommend reading all three in order.

However, I do believe it’s now time to let Rachel and Jack and their friends and families get on with their lives in peace. I already miss them terribly, but they’ve had quite enough of my meddling.

I can’t wait to see Fulfilment sitting on my bookshelf with its two siblings. That will give me my own sense of fulfilment – see what I did there? From a tiny acorn of an idea came not just one oak, but three. I know! I’m a writer! Allow me some poetic metaphors.

AND now, it’s very exciting to be contemplating a whole new fertile field and wondering what sort of seedlings might begin to grow …

Okay I’ll stop now – all metaphored out.

But please do watch this space for Fulfilment‘s release date. It’s coming soon 😊

(The buy links for all my books are in the sidebar of this post , or at the foot if you’re reading this on a phone).

And, as always, questions for you –

Writers – how and where do you get your inspiration and ideas?

Readers – do you prefer to read standalones or series? And if you like series, do you prefer the same lead characters in each installment – or do you like new leads for each book, but to catch up with previous stars as part of the follow on stories?

Responses are welcome in the comments below.

 

 

 

Being an Indie Author – Job description involving three hats – Part 1: Writer

 

I’m an indie author. That means I write and publish my books. So not only do I do the creative part i.e. write the novel, but I must also ensure the manuscript is polished and ready to publish, and then I have to make it available and market it. So it’s a job that requires the wearing of three different hats – writer, publisher and marketer.

N.B. The only hat I suit is the trilby – hence the photo. The other hats for the purposes of this series will therefore be metaphorical – hey, I’m a writer – I can do metaphorical.

This will be the first of three posts where I look at each role in turn.

(If you’re interested in why I chose the indie route you can read a recent guest post I did here on Kate – aka the quiet knitter’s – blog).

 

The Writer’s Hat

The role of writer of the book is of course common to all authors whether they’re traditionally or independently published.

There are lots of how-to books, courses and online lists of advice available, but it seems for every rule there is about writing a novel, there’s a corresponding one that instructs the writer to do the opposite. So what it boils down to is – do what works for you and adhere to one rule only – and that is TURN UP AND WRITE.

I have attended several writing courses from week-long residential to one-off half-day workshops. And gradually I’ve discovered what works for me.

My Writing Method

Story Elements:

Character and Setting

I’ve found for all my novels so far – and for possible future ones (which I already have notes for) – the stories start with a character or two. The character will just pop into my head when I’m least expecting it – often when I’m out walking. If I like the character enough I’ll then carry out a bit of an interrogation/interview with them in order to find out more about them. They’ll tell me where they live, what they do for a living, their family situation and so on.

This information will help me come up with a possible setting for the story.

For example, Rachel from Displacement came to me when I was hanging up the washing in my garden on the Isle of Skye. She told me she was a Skye crofter, but also a book illustrator as nobody can make a living from crofting only. She also revealed she lived alone, she was bereaved, and her mother had been a Jewish refugee who’d arrived in Scotland as a child just before the Second World War.

Plot

Once I have a character or two I’ll then try to find out what problems, dilemmas and/or challenges the character faces and that will lead to ideas for the plot.

Then once I have these ingredients in place it’s time to get writing.

Planning

I rarely know the full story in advance and I don’t plan it all out beforehand. I’m more of a pantster (as in fly-by-the-seat-of-your-pants) as some writing experts call it. Apparently writers are either plotters or pantsters. But I suspect a lot of us are a bit of both. I usually have a rough outline based on the timeline of the novel and divided up into beginning, middle and end and it’s usually handwritten on one side of an A4 piece of paper. But as I go along I’ll also sketch out (also handwritten) individual scenes or a list of scene headings. And sometimes I’ll break scenes down into post-it notes. However, there are other times where the ideas just flow and don’t require any sort of prompts or notes.

For me, part of the enjoyment of writing a novel actually comes from not planning in too much detail. That element of surprise, of characters sometimes sort of taking over is fun and exciting.

Of course as my most recent two novels have been parts 1 and 2 of a 3 part series, I’ve had to be a bit more organised planning wise – both to maintain consistency with the earlier book – and to ensure credible development in character and plot across all three books. But even with the series there has been no very detailed or inflexible plan. Indeed I didn’t plan to write a series. That only came about because readers of book 1 wanted more.

Getting On With The Job:

Desk Time

I aim to write every day Monday to Friday and I aim for a particular word count per day – that way I can have an approximate date for completion of the first draft in the diary.

It also means my writing brain is used to/coaxed into co-operating. It knows it can’t wait around for the muse. It knows it has a job to do and it had better get on with it – with or without the fickle muse. Yes, there are days when the quality’s not great or when it’s a struggle just to do a few sentences, but that’s all part of the process. Writing is a job and, like any job, there are good days and bad days, but regardless you do have to show up.

I don’t edit much as I go along. I may make a note to check or research something later, or I may a tweak here and there, but mostly I just plough onwards until THE END.

Although it isn’t really THE END – not by a long way…

In part 2 in this series I’ll look at the next stage – at the process of redrafting and redrafting and redrafting – to get the manuscript ready for going off to the editor. I’ll also share how it is working with the editor and cover designer in order to get the book to its absolute best version.

 

Theme Tunes for Writing

Music to make masterpieces by…

 

Since my youth, and yes, I know that’s going back a bit, I’ve always preferred a bit of background noise when trying to concentrate. And when I say noise, I mean music.

Music has always helped my brain get, and remain, focussed on any task requiring the use of what passes for my intellect. I don’t always hear every note or lyric. Indeed a whole album can play out and all I’ve consciously heard is the first few bars of the first track. But just having it playing away in the background has maintained my concentration. I know if there’d been complete silence while I worked, my mind would have wandered.

I contributed a guest post on this topic on writer, Roz Morris’s, blog back in 2014 and this is a more in-depth look at the subject.

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The ancient past

When I was studying for exams, both as a high school pupil, and as a university student, my *portable record player would be belting out my latest *LP. By the time my final exams loomed, my *hi-fi-stereo-cassette player would be doing the job. It would play *compilation tapes consisting of favourite tracks from several LPs (or from Radio 1’s Sunday night Top Twenty in the *Hit Parade show) as I tried to commit to memory the names, facts and figures I’d be required to regurgitate in the exams. Thank you Beatles, Stones, Bowie, Pink Floyd, 10cc, Carole King, Janis Ian, Simon & Garfunkel – to name only a few.

And then, around twenty years after that, whilst studying for my Masters, it was my *CD-Walkman that provided the background music. Yes, it was mainly The Verve and The Lighthouse Family who got me through the writing of my thesis on Early Literacy and How Children Learn to Read.

*if the asterisked terms mean nothing to you, ask your parents or grandparents for an explanation. They refer to music related artefacts from the electronic Stone Age of the twentieth century, many years B.I.(Before Internet).

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The present day

And nowadays, music still has an important role in getting me started and keeping me on task when at my writing desk. Now of course it’s played from the music folder on my PC. And I have playlists dedicated to my writing.

Unlike in the past when music aided my learning and studying, it now gets me in the writing zone and keeps me there––and it also inspires me.

For each of the three novels I’ve written to date and for the one I’m currently working on there’s a specific set of tunes.

So no matter how heavily procrastination, self-doubt, or lack of inspiration are weighing on me, just those first few notes of the first track of the relevant playlist gets me started. It transports me instantly into the atmosphere of the story or the head of a particular character. And although, just as it was when I was studying, I don’t consciously hear every note or track the music in the background keeps me in the writing zone. Indeed, at times when my concentration lapses and attention strays, it is focussing on the music that gets me back to composing those sentences. And even more than that it can be a part of a lyric or a musical theme that actually provides inspiration. For example it might clarify for me what motivates a particular character, or how they might be feeling. It might also help me set the tone or describe the mood or setting for a particular scene.

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How I think it works for me

The background music isn’t acting like a tone poem or movie soundtrack in reverse; that is where the music is written in direct response to a story or a movie in order to enhance it or reinforce its depiction.

It’s not that I hear a character and their story in a song and then write a longer novel version about that character. And neither am I transcribing and interpreting an entire instrumental piece into a chapter or novel. (The copyright issues alone would put me off, quite apart from it being quite beyond me and it not being what I’m using the music for).

No, it’s more subtle than that – or maybe subtle isn’t the right word. It’s probably, at least partly, something as simple as a Pavlovian response. It’s about how the music makes me feel, it’s about the psychological effect, a sort of conditioning almost. So when I hear that song, I really can’t help but be transported right into the heart of the work-in-progress. And then maybe we’re into more subtle psychological territory with the background melodies, harmonies, cadences and rhythms keeping the brainwaves synced––or something–– and maintaining the concentration.

Do you find music helps or hinders you when you’re working?

 

My Musical Muses

Below I’ve included a few examples of the many tracks that have helped me to get my three novels written and to maintain progress on the new one.

Change of Life

My first novel had a fifteen track playlist and included:

This Woman’s Work by Greg Laswell

Wilderness by Bat for Lashes

Gossip in the Grain by Ray LaMontagne

Lay Lady Lay by Bob Dylan

And I love you so by Don McLean

Displacement

When writing my second novel I sometimes used the Change of Life playlist as well as the dedicated fifteen track set which included:

Man of the World by Fleetwood Mac

Fix You by the Military Wives

It’s Getting better by Mama Cass

Not Ready to Love by Rufus Wainwright

Home by Zero 7

The Silver Locket

For my novel for children, it was a twelve track list and if you thought the others were eclectic, this set is a very weird mixture.

On Battleship Hill by P J Harvey

Even the Ravens Mourn Over You by Peter Ostroushko http://www.peterostroushko.com/

Gortoz A Ran by Denez Prigent

Michaelswood by Catriona McKay & Chris Stout

Baba Yetu by Lucas Richman, Royal Philharmonic Orchestra & Soweto Gospel Choir

Settlement

And for the work-in-progress, which is a sequel to Displacement,  there’s the biggest yet playlist of twenty-one tracks which includes:

I Still Care For You by Ray LaMontagne

Everything I Own by Bread

Make You Feel My Love by The Military Wives

Nocturne by Secret Garden

The Ashkovan Farewell by Ungar & Mason