Blog Blitz for Change of Life coming up #books #reading @LoveBooksGroup

I’m excited to let you know that my novel Change of Life – the first book that I published – and the one that changed my life by setting me off on my writing career – is going on a bit of a blog tour in two days’ time – on Wednesday 5th August. The tour has been organised by the lovely Kelly who runs Love Books Tours And you can see a list of where it’s going to pop up on the chart below. I’ve also posted an extract from the beginning of the book at the end of this post.

DateBlog NameHandle
5th AugGeraldine Gatsby@geraldinegatsby
Reading Through the Lookinglass@readingthroughthelookinglass
Vicky Book and Family@Vickybooksandfamily
The Book Reader@the.b00kreader
Ruthies Next Chapter@ruthies_next_chapter
Neville Louise@nevillelouise
Karen and her Books@karenandherbooks
Jazzy Book Reviews@PixyJazz
Tangents and Tissues@tangentsbb
Being Anne@Williams13Anne
Daisy Says@daisyhollands
B for Book Review@BookreviewB
Frost magazine@frost_magazine_westcountry
Portobello Book Blog@portybelle
Chicks Rogues and Scandals@ChicksandRogues
Love Books Group@Lovebooksgroup
Pen Possessed@ThinkStates
Donna’s Book Blog@dmmaguire391
Fabulous Book Fiend@fabbookfiend

I’d love it if you have a moment on Wednesday to pop in at any of the blogs and if you could share the posts – even better.

Change of Life is a standalone story and as with all my novels it’s contemporary romantic fiction.

And here’s what it’s about:

Be careful what you wish for…

Wife to heart surgeon and control freak, Tom, and mother to four adolescent children, Rosie feels taken for granted as she juggles family life and her work as a teacher. She longs for a change of life. When she almost hits a teenage boy with her car, her life explodes into uncharted territory. The boy is Robbie – and Rosie discovers he is part of a terrible secret that Tom has kept for seventeen years. Then when Rosie is diagnosed with breast cancer, she leaves home and begins the fight for her life. Meanwhile Tom, is forced to learn what it means to be a husband and father as he struggles to keep his family together and strives to get his wife back.

Change of Life is available for only 99p as an ebook and is free if you’re a Kindle Unlimited member. You can buy it here. It’s also available as a paperback.

Thank you to Kelly at Love Books Tours and to all the wonderful book bloggers above.

Extract from Change of Life

Chapter One

Rosie

I didn’t see the boy until the moment of impact. He slammed into the side of the car as I reversed out of the driveway. I got a fright, thought I’d hurt someone, but I couldn’t have guessed that this was merely a foreshock to a much greater upheaval. Ten past one, lunch time, Tuesday 17th May. It was the moment when the past caught up and collided with the present.

I got out to check he wasn’t hurt. He glanced at me and turned to run. He was about Adam’s age, seventeen or so. There was something familiar about him. But I didn’t think I knew him. Ours was a small community and with four children of my own, I thought I knew most of the local young people, at least by sight.

“Wait, are you all right?” I caught his arm. “I’m sorry. I didn’t see you.”

He didn’t appear to be injured. He was taller than me, with untidy, dark hair and very deep brown eyes. In one ear he wore a little silver skull. I recognised his tee shirt. Adam had one just like it. It had the words ‘Subliminal Messages’ written across it – the name of a Slipknot  album. As the boy pulled his arm back he seemed to hesitate.

“Do I know you?” I said. “Are you a friend of Adam’s?”

He looked me in the eyes for a moment. I stared back. Something passed between us; was it recognition? Then he bolted – obviously uninjured.

I didn’t have time to speculate about the boy. I’d only nipped home for lunch and a catch up with Ruby. I needed to get back.

I got the last space in the school car park. I was hurrying towards the main entrance when my mobile rang. I answered it as I went inside. It was the hospital. My stomach tightened.

“Hello, Mrs McAllister. This is Mr Campbell’s secretary. He’s asked me to set up an appointment for you to come and discuss your test results.” The voice was warm, friendly even. But I still had an awful feeling of dread.

“He could see you on Thursday at three.”

“Oh, yes, right, Thursday…” My mind whirred through Thursday’s schedule. I’d need to get off early. Kirsty, my head teacher and one of my closest friends, would have to cover my class. What would I tell her? I wondered if the doctor needed to see you if it was good news. He could tell you over the phone, surely. It must mean bad news…

“So is that all right then, Thursday at three, with Mr Campbell?”

“Sorry, yes. Is it bad news do you know? I mean, why else would he be bothering?”

“You mustn’t jump to conclusions, Mrs McAllister. He’d want to see you either way. Try not to worry and we’ll see you in a couple of days.”

As the call ended, the bell rang for the start of afternoon lessons. My life went on, even as its bedrock heaved and shifted beneath me.

Tom

It’s Sunday morning. Rosie only met him on Tuesday. Is it really only a few days ago? In less than a week my life has fallen apart – no that’s wrong – it fell apart in a moment – in the time it took a boy to speak a sentence. And now my wife is leaving and my heart is broken.

It’s the 22nd of May, but it feels more like November. I’m standing at the living-room window. It’s raining and the sea and sky are slate grey, the horizon obliterated. I feel leaden, unable to move or speak; it’s the paralysis of a nightmare. I want to beg her to stay, to admit she’s being silly and overreacting.

Rosie and our nineteen year old daughter, Sam, load bags and boxes into Rosie’s car. Toby is watching them, barking occasionally. I know I should go out to her and fight to make her change her mind but I’m exhausted, I’m drowning. I’m engulfed in the aftermath of more anger than I’ve ever felt towards her.

I hear the dull thud of the boot closing. It’s done. She’s ready to go. Our younger daughter, Jenny, sprints down the driveway, jacket held above her head, and says something to Rosie. Then Max dashes from the house and hands his mother a piece of paper. She looks at it and smiles and they hug each other. She puts the paper down on the driver’s seat and closes the door. They all come back in and head for the kitchen.

Jenny calls out, “Dad, Adam, coffee.”

A few moments later I hear Adam coming downstairs and going along to the kitchen. I know he’s not happy about his mother leaving, but at least he’s able to join the others for a coffee before she goes.

I make it to the sofa. I find that I want to cry. This terrifies me. I struggle not to lose my grip, not to howl and kick and scream. I’m Tom McAllister, consultant heart surgeon, professional, practical, in control. Or so I thought. I didn’t intend any of this to happen. I’m helpless, lost. I haven’t felt this vulnerable or alone since I was a child. I find I’m rocking, curled up, my head wrapped in my arms. I force myself to sit up, to keep breathing.

When I fail to appear in the kitchen, Jenny comes to get me.

“Come on Dad, come and have a coffee. I’ve made a carrot cake and it looks scrummy, even if I say so myself. Come and say cheerio to Mum.”

“I can’t. How can you be so cheerful?”

Jenny puts her hand on my arm, “Och, Dad, she just needs a bit of a break.” She hesitates and gives my arm a squeeze. “And she needs to get over how cross she is with you.”

“So she says, Jenny. So she says. But I can’t come and say goodbye as if she was simply going away for a few days holiday. I don’t understand how she can go.”

“If we all understand, why can’t you? Even Adam’s there to say goodbye. Come and wish her well, Dad, and tell her you’ll be here waiting for her. She needs you to say that.”

I stand up and hug Jenny. Seventeen and so grown up. The children are behaving better than me. I feel even more ashamed and desperate. “I can’t do it. I can’t give any of this my blessing.”

Jenny walks away. With her long blonde hair and slight frame, she looks and moves like her mother. At the door she turns and says, “It’s not your blessing she wants.”

Rosie

It’s one of the hardest things I’ve ever done. Yet it feels like the right thing. This is about my survival and I know I can’t stay. It’s a wet Sunday morning in May. The weather gives the day a heavy, washed-out feeling and it mirrors my mood perfectly. I’m sitting at the kitchen table. My children are with me.

“So, I can come and see you in two weeks?” Max asks.

“Yes, like I said, I’ll have had a good rest by then and Grandma will bring you to Edinburgh for a visit.”

“I’ll miss you, Mum.” Max puts down his glass of milk and comes to hug me. I cling to him, glad that, at twelve years old, he doesn’t yet feel too old for such displays.

“I’ll miss you too. But two weeks will pass quickly and then, in the summer holidays, you can come and stay as much as you want.”

“That’s a great picture you did for Mum, Maxy.” Jenny rubs her wee brother’s back. “You could do more for her while she’s away – like a sort of picture diary of what you’re up to – use the sketch book Uncle Dan gave you for your birthday.”

“Mm yeah, I suppose.”

“You could start now – draw us all here at the table.”

Max considers then nods. “I’ll go and get my stuff.”

I smile my gratitude at Jenny.

Sam gets up from the table. “I need to go. My shift starts at twelve.”

I get up too. “Sam,” I say, holding my arms out towards her.

She shakes her head. “I still don’t get it, Mum. I’m trying to, but I don’t. I think if you just talked to Dad, you could sort it.”

I drop my arms. I can’t look at her. Then she’s over and holding me in a tight embrace. “Go if you have to, but come back soon,” she whispers. Then she’s gone.

I know I should go too. There’s no point prolonging this. I glance at Adam. He’s staring into his coffee mug. Max comes back with his sketch book and pencils.

“How can I do my picture if Sam’s gone?”

“I better get on my way.” I smile apologetically at him.

“You can still put Mum and Sam in the picture, Max,” says Jenny. “Even if they’re not here – you’re a good enough artist.”

Max nods and lays his things on the table.

I hug Jenny. “Thanks for the making the cake, it was a lovely thought.”

She smiles. “Come on, Adam, let’s see Mum off.” Jenny places a hand on her twin brother’s shoulder. He shrugs it off.

Max takes my hand. At first Adam doesn’t move. Then he gets up and stands, hands deep in the pockets of his jeans, shoulders hunched. He’s facing me, eyes downcast.

“Bye then, Adam. I meant what I said. I’m really sorry.” I will him to look at me. He shrugs and walks past me, head down. I hear him stomping up the stairs.

As I walk down the hall with Jenny and Max, I glance at the closed living room door. I wonder if Tom will say goodbye. I wonder if I should go in. I can’t face it. The shock and anger that I’ve felt for the last few days have hardly abated. Tom has betrayed me. His secret’s out.

As I get into the car I glance back at the house. The Victorian villa’s sandstone walls are darkened by the rain. It’s been my home for nearly twenty years. I love everything about it, its seaside situation in Gullane, one of East Lothian’s prettiest villages, its large, light rooms, its period quirks and the memories we’ve made there. I shall miss it almost as much as the people inside it. I see Tom at the living room window, watching. I think he’s about to wave or beckon me back. He turns away.

The appearance of Robbie in our lives has changed everything. And on top of that I now have a dreadful secret of my own.

Tenth Author, Blogger & Social Media Birthday #writing #amwriting #blogging #books

Photo by David Ballew on Unsplash

 

Ten Years A Writer

It’s official! I’ve now been a published writer for ten years. Yes, it was in early December of 2009 that my debut book, Change of Life was first published.

It was a surreal, exciting and utterly terrifying experience. I had no idea what to expect, no idea if my book would sell and no idea how to make potential readers aware of its existence.

I had no online experience other than using email, but I quickly discovered I’d have to up my game in that respect. If I wanted to get the word out there that my book existed, I was going to have to wise up and get acquainted with social media.

Ten Years A Blogger

So it’s also nearly ten years since I started this blog.

This was my first post:

A small miracle happened to me recently.  I held my book – the book that I’ve been working on for several years – in my hand for the first time. A long gestation, a sometimes painful labour and at last it was delivered.  It was an overwhelming feeling, looking at this thing I had created, to run my fingers over its cover, to flick through its pages, to read my words on those pages.  It was the realisation of my longest held and most fervent ambition.  My maternal grandmother, herself a writer, and heroine of my childhood set me on the writing path and it’s been a lifelong, life-saving occupation for me. But for so many years it had to take a back seat. It had to be fitted in around family and working life – and it often got squeezed out. That all changed at the end/beginning of the millennium, after I got the ultimate wake-up call – i.e. intimations of my mortality in the shape of a cancer diagnosis. It was brought home to me that tomorrow doesn’t always come and the procrastinating had to stop. I promised the fates that if I survived the cancer I’d get down to some serious writing.

I beat the ovarian cancer and so had to keep my side of the deal. Writing still had to fit around work and family – but it was no longer squeezed out – priorities were reordered and the hard work began.

And now it’s here – my wonderful, beautiful first novel is here. It’s fully formed and it has gone off into the world on its own. It will now have to jostle for readers, for its place on the bookshelf – and I can only watch and support at a distance. I love my book and I want others to love it too. I’m thrilled, exhilarated and absolutely bloody terrified. I’ve never felt so proud and I’ve never felt so vulnerable.

So there you have it. Of course there’s more to the journey, more to the story than that and I hope to share more bits of it with you as I blog. I’m at the beginning of a whole new adventure and it’ll be good to have you along for the ride.

 There was no accompanying picture of the book cover, no buying links, and no mention of the book title or its content.

But over time I did get better at the whole blog post thing. The blog has been through several changes and upgrades and is now part of my main website. It has over 600 followers in its own right, as well as many more via Twitter and Facebook – yes, I joined them too.

Ten Successful Years

It’s been an amazing decade. I took early retirement from my work as a primary school teacher and writing is now my full-time job. I’ve now published four books with a fifth one due out early next year.

As time’s gone on I love writing more and more. I love the storytelling and the characters I write about, and I can’t imagine ever retiring. You’ve been warned!

In the last decade I’ve learned so much more about the art and craft of writing. I’ve learned how to talk about and share my writing – both in the real world and the online one. And I’ve gathered such a lovely and loyal readership.

And I’d like to thank any you who are reading this and are also part of that lovely and loyal band. Thank you for your support, encouragement and most especially for those precious, priceless reviews you’ve taken the trouble to write and post – whether on an online bookselling site or on your book blog. Reviews really do help sales and I’m very grateful.

What’s Next?

So, as I say, no plans to stop writing. The new book, which is called Fulfilment and is the third and final part in the Jack & Rachel Skye series ( which consists so far of Displacement and Settlement) is due to be published in early 2020. Watch out for more information on this soon. And, after Fulfilment‘s safely out in the world, I have lots of ideas to explore for my next novels.

I’ll be sticking with contemporary romance. I’m not sure whether to write a standalone story or to begin a new series set in the south of Scotland. If I go for a series it would focus on a community and each book would tell the romantic story of a particular pair of characters from that community. I need to think some more about that. And, if you’re a reader of my books, I’d be interested to hear your preferences.

But whatever I decide, it’s an exciting prospect to be starting on something new as the next decade begins. Here’s to 2020 and beyond!

Thanks for being with me on my incredible journey.

PS: you can find out more about my books and where to buy them by clicking on the cover photos – either in the sidebar or at the foot of this post – depending on the type of device on which you’re reading this. Or simply go to the ‘My Books’ page here on the website. You see I have learned a thing or to about marketing 🙂

 

Virtual Book Festival 2019: Event 14 – Book Taster with @writeanne #virtbookfest #amwriting #books #romanticfiction

Book Tasting Event

Hello and welcome to event 14 in the Virtual Book Festival line up. As with event 13 this is a joint one with the Books For Older Readers Blog Blitz. You can visit the Books for Older Readers website here.

Today I’m sharing the first chapter of one of my second-chance romance novels. As I said in event 13, I write books aimed at adult readers of any age who enjoy mature, romantic, and thought-provoking fiction.

Displacement is the first of a series of three novels all set on the Scottish island of Skye. The second book is called Settlement and is also available, and the third book, Fulfilment is due to be published later this year.

Here’s what it says on the back cover:

It’s never too late to fall in love, but the past can get in the way of a happy future.

From the Scottish Hebrides to the Middle-East, Displacement is an intense, contemporary love story where romance and realism, and the personal and the political, meet head on.

Divorce, the death of her soldier son and estrangement from her daughter, leave Hebridean crofter, Rachel Campbell, grief stricken, lonely and lost.

Forced retirement due to a heart condition leaves former Edinburgh policeman Jack Baxter needing to take stock and find a new direction for his life.

 After the two of them meet in dramatic circumstances on a wild winter’s night on the island of Skye, a tentative friendship develops between them, despite their very different personalities. Gradually, however, their feelings for each other go beyond friendship.

 But Rachel is about to go to Israel-Palestine where she plans to explore her Jewish heritage and to learn more about this contested land. And Jack is already in what is, for him, the ideal relationship – one where no commitment or fidelity is required.

 Will they be able to overcome the obstacles that lie in the way of their deepening love?

Can Rachel find a way forward and let herself love again?           

Can Jack trust himself not to hurt her?                      

 

 

 

Displacement

©Anne Stormont

 

Chapter One

 

Rachel

 

Snowmelt and recent heavy rainfall meant the normally tame burn was now a forceful and rapid river. The water was up to my waist. I was stuck, held fast by the mud, trapped in darkness. The flow pushed hard against me. I no longer had the strength to free myself.

It was January on the island of Skye and the wind-chill meant the temperature was probably below zero. I no longer shivered. I didn’t feel cold. I didn’t feel anything. The ewe had stopped struggling a while ago but I kept my arms around her neck.

I’d gone out at around seven that evening to check the sheep. Bonnie, my sheepdog, was with me. It had already been dark for hours. I’d normally have been out much earlier than this, but the last of the mourners hadn’t left until around six so I’d been delayed. There’d been a wake in the hotel immediately after the burial, but a few friends and neighbours had accepted the invitation to come back to the house afterwards.

When everyone had gone, Morag helped me clear up. She offered the services of her husband Alasdair to check the animals. But I declined the offer.

Morag shook her head as she wiped down the kitchen worktop. “It’s a pity your brother isn’t staying here tonight. You shouldn’t be on your own.”

“Jonathan offered to stay. But he’s been here every night since Mum died and this was the only chance for him and Alec to have a few beers and a catch-up before he goes back. Besides I just want a hot bath and an early night. I was happy for him to go.”

There was more head shaking from Morag. “And I suppose you’ll say no to having dinner with us as well.”

“Thanks, really.” I tried a placating smile. “But I’m not hungry, not after all that tea and sandwiches. No, you’ve been a good friend, as always, but …”

“But now you want your precious privacy back, I know.” Morag spoke kindly, but I could tell she found my need to be on my own difficult to understand. “In that case,” she continued, “I think I’ll take Alasdair up on his offer to take me to see the new Bond film. It’s on in Portree. And don’t be too long outside. You look shattered. After all it’s not just been today, you’ve been looking after your mother for a long time.”

“Yeah, I don’t know what I’ll do with myself now.”

“You could try starting to live for yourself a bit more.” Morag patted my arm. I flinched at her touch. I couldn’t help it.

She appeared not to notice my discomfort. “You’ve spent your life looking after other people and, with everything that’s happened in the last few years, you deserve a bit of happiness.” She stretched her arms out towards me. “Oh, come here. You need a damn good hug.”

I let her embrace me.

As she let me go she looked at me sadly. “The old Rachel hugged people back.”

“The old Rachel!” The force and agony of my raised voice surprised us both.

I closed my eyes, put my head in my hands, pulled at my hair and took a moment to get a grip on my temper. When I could speak again, my voice was strained but quieter. “You’ve no idea what it’s like. Nobody does. Any chance of happiness died two years ago, along with the old Rachel. She’s dead and gone to Hell.”

Morag looked distraught. I knew she hadn’t meant to hurt me. I was angry because I knew she was right.

“I’m sorry,” she said. “I just meant it’s time you did stuff for you, got on with your life.”

“Right, that’s it,” I said. “I’m not listening to this. I’m going to check the sheep. Thanks for your help today. You can see yourself out.” I hurried out through the doorway that led from the kitchen into the side porch. I shoved my feet into my wellingtons and whistled for Bonnie. My faithful old collie looked at me reproachfully, whether it was for rousing her, or for shouting at my best friend, I don’t know. She hauled herself out of her basket by the stove and came to me.

The dark was deep, and sleety rain swirled around us. A screaming northerly blew hard and the rain felt needle-sharp on my face. I didn’t hear the sheep’s distressed bleating until I approached the bottom of the croft. I swung the torch in the direction of the sound and had to grab the fence to steady myself. The bleating was coming from the burn.

It was one of the Jacob’s shearlings, a pregnant ewe. She was submerged to her shoulders in the swirling water and not even trying to climb out. At first I tried grabbing hold of the horns and pulling hard, but to no avail.

It didn’t occur to me to get help. I told Bonnie to stay and placed the torch on the ground pointing towards the ewe. Then I slid off the bank into the shockingly cold water. It felt like minutes before the shock passed and I could breathe again. Too late, I realised my mistake. Like the ewe, I was stuck in the mud.

All I could do was try to keep both our heads above the rising water. I knew it was pointless to shout. The wind would swallow the sound and, even if it had been a quiet night, I was too far away from any of my neighbours’ houses to be heard. Bonnie barked and darted in and out of the torch’s beam. For a while she alternated barking with whimpering. Then she went quiet and the light from the torch disappeared. I could only assume she’d run off, moving the torch as she did so.

In the complete darkness, as the last of the feeling left my body, I felt sleepy. My grip on the ewe loosened. The animal must have felt my hold slacken, and with one huge kick she leapt up the banking and scrabbled to safety.

The force of the kick toppled me over and freed my feet from the mud. I fell backwards and went under. I grabbed at a boulder to prevent myself from being swept away and then I heard a voice. Was it my own? ‘Let go. Stop fighting and just let go,’ it said. And I wasn’t afraid any more. It would all be over soon and I would find some peace. I loosened my grip and let myself sink. I saw a bright light coming towards me.

 

Jack

 

I almost fell over the stupid sheep. It appeared out of nowhere as I followed the barking collie to the water’s edge. The beam of my torch picked out the woman’s face and her outstretched arm. She let go of the rock and started to slip downstream. I slid down the bank and managed to grab the hood of her jacket. I was surprised by how light she was, even in her sodden clothes. She fought against me as I dragged her from the water.

I put her over my shoulder and half jogged, half stumbled back to the holiday cottage I was renting from Morag. The dog ran by my side and followed us indoors. I set the woman down in a chair at the fireside and threw some more coal into the grate. Then I went to the bathroom and grabbed a towel. I took off my sweater and put it and the towel on the floor in front of her. I told her to get out of her wet things while I made a hot drink.

When I returned with two mugs of tea and a blanket, she was standing, looking into the fire. She rubbed half-heartedly at her hair with the towel. Her wet clothes lay in a pile on the floor. My sweater came down almost to her knees. She turned to look at me. She was slightly built and could only have been about five-foot-three. Her face was pale, her eyes large. She was obviously in shock and she looked exhausted.

I laid down what I was carrying. “Here, let me.” I took the towel from her. At first she tensed up, but she allowed me to rub her hair. As it dried I saw that she was a redhead, just a bit of grey here and there. “That’ll do,” I said, putting down the towel. “Now, get this down you. It’s hot and sweet.” I handed her a mug. I also gave her the blanket. “And wrap yourself in this.”

She took the tea and sat on the sofa. The dog followed her and sat on the floor at her feet.

I remained standing by the fire. I glanced at the woman as I sipped my tea and wondered how she’d come to be in need of rescuing. I guessed she was in her late forties or early fifties, not bad looking, even in her exhausted state. As she drank her tea, she stared into the fire. She’d tucked her legs up under her and covered herself with the blanket. From time to time she ran a hand through her hair, and the more it dried the curlier it became.

She caught me looking at her. “Thanks for the tea,” she said. “But now Bonnie and me had better leave you in peace.”

I was slightly surprised to hear her voice. She hadn’t spoken a word so far.

“No, take your time, there’s no rush. Is there someone you’d like me to call? Someone who will be wondering where you are?”

She didn’t reply. I saw her jaw tense as she looked at me.

“Maybe I should take you to the hospital, get you checked over.”

“That won’t be necessary, really, I’m fine.” She pushed the blanket aside and laid the mug on the side table. As she stood up, she staggered and grabbed the sofa arm to steady herself.

I went over to her, put my hands on her shoulders, gently sat her back down. “Oh, yes, you’re clearly fine. Half drowned, exhausted and probably hypothermic, but apart from that right as rain.” I also wondered where she thought she was going, dressed only in my sweater. I sat beside her and, taking her wrist in my hand, felt for her pulse.

She pulled her hand away. “Are you a doctor?”

“No, I’m a policeman, was a policeman, retired Detective Inspector, Lothian and Borders. I was trained in first aid in the force. I’m Jack by the way, Jack Baxter.”

“Rachel Campbell.” She met my gaze, but only briefly, her smile a mere flicker.

The dog stood up, looked from Rachel to me, gave a little bark.

“That’s a good dog you’ve got there, protective and very persistent,” I said.

Rachel just nodded.

“It was lucky I’d gone out to get some coal,” I went on. “I heard her barking. She was down at Morag and Alasdair’s place. I thought she maybe belonged to them, but there was nobody home. I tried to get her to come in here, but she kept running up the track every time I got close, until I got the message and followed her. So I just grabbed my coat and a torch and she led me straight to you.”

“Yes, Bonnie’s a good dog. I owe her, and you, of course. I owe you both. I’d no strength left.” Her voice trembled and she looked away as she finished speaking.

“Look, why don’t I get us some more tea and you can tell me how you ended up in the water. And then I’ll take you home. I take it you live close by.”

“Yes, yes I do, Burnside Cottage. And thanks, more tea would be nice.”

“Good, might even throw in some toast.” As I stood to go, I took the box of tissues from the coffee table and handed it to her. “Use as many as you like,” I said.

 

Want to read more?                                                          

You can buy Displacement as a paperback or ebook online here:

It’s also available as a paperback at your local bookshop – and you can ask them to order it in if it’s not on their shelves.

Paperback ISBN: 978-09929303-3-2

 

 

 

Writing Fiction: The how, the what, and the why of what works for me

It’s all about the story…

New Change of Life Cover SMALL AVATAR

Displacement Cover SMALL AVATAR    The Silver Locket Cover SMALL AVATAR

When I start writing a novel, I’m not sure where the story is going to lead. But, as an author of both adult and children’s fiction, I do at least know which audience the novel is aimed at. Other than that, once the seed is planted, I wait to see what grows.

I don’t tend to plan in great detail. I have a rough outline that develops as I go and I usually have some key points or scenes or turning points that I’m aiming for. And I don’t always have an ending in mind, preferring it to, in the words of author, Rose Tremain, ‘be earned by all that will go before it’. It’s not till the redrafting stage that I check it all out for rhythm, relevance and cohesion.

So how do I work when creating a novel? What is the process I follow? Why do I write what I write?

It usually begins with a character.

Rosie in Change of Life first presented herself to me when I was wrote a short story for a competition. The story didn’t win any prizes, but Rosie stayed with me. However, it wasn’t until the writer, Ali Smith, who was the tutor on an Arvon Foundation residential course that I attended, said that the short story had a novel in it trying to get out that I dared to take Rosie further.

Rachel in Displacement came to me when I was in the garden hanging out washing. I paused to look out over the croft and the loch beyond and there she was––not in a hallucination or anything––but in my head, in my ear telling a bit of her story.

But Caitlin in The Silver Locket wasn’t my original inspiration. She came after the setting and plot popped into my head. I was still working as a primary school teacher at the time and was on a visit to The Culloden Battlefield and Visitor Centre along with a class of Primary Six pupils. They’d been learning all about the Jacobites and Bonnie Prince Charlie in class, hence the visit. We were out on the battlefield re-enacting, with great relish, the Jacobite charge at the Redcoat army. And the idea came to me: what if time slipped and we were suddenly transported back to 1746 and the actual battle? It was a short step from there to children’s adventure story and Caitlin and her two friends soon made themselves known.

And the characters lead me to issues.

It’s the issues the characters are facing that give the story its heart. The plot arises out of how the characters deal with the issues facing them and it’s from those issues that the themes in my novels appear.

Now, I recently did a post on the role and use of themes in fiction generally and in my own writing in particular. And in that post I explored the notion that literary fiction is driven by themes whereas commercial fiction relies more on character, plot and setting. I came to the conclusion that the divide between the two sides of fiction is often an artificial one.

I don’t write literary fiction, at least I don’t think I do, but I can’t seem to avoid themes any more than I can avoid using characters.

For example, in Change of Life the issues faced by Rosie include her having breast cancer and suspecting her husband has been unfaithful. This meant the book dealt with the themes of one’s own mortality, and of marital love and trust. In Displacement issues faced by the characters include the disorientating and devastating loss of a soldier son, the loss of one’s sense of purpose and place in the world, the end of a long career, and falling in love in later life. This led to the themes of politics, war and the displacement of people being explored, along with those of love, bereavement and the significance of home. And even in my children’s book, The Silver Locket, there were themes, those of loyalty, bravery and self-reliance.

And then there is the question of setting.

In my first novel, the setting of the city of Edinburgh and its neighbouring area of East Lothian, wasn’t crucial or significant to the action, but my characters had to live somewhere. And so I chose the place I was born and lived in for most of my life up to that point.

Setting was, however, crucial in Displacement. By the time I came to write it I’d moved north to the highlands of Scotland. The character of Rachel presented herself as a native of the Isle of Skye. Not only that though, she was also the daughter of a German Jew who’d arrived in Scotland as a child refugee just before the Second World War. I’d recently watched a TV documentary on the Kindertransport when this part of Rachel’s biography came to me. And, having Rachel’s story take place both in her island home and during her visit to Israel to explore her heritage, allowed me to explore and describe two settings I know well. They were also ideal places in which to deal with the themes of displacement, oppression and cultural destruction as they all loom large in Scottish history and of course persist in the Middle East today.

And of course in The Silver Locket the setting was also crucial. There would have been no story for the three young friends without the time travel that took them back to the setting of eighteenth-century Scotland. The setting allowed them to escape their everyday twenty-first century lives, escape their parents and grow in independence and confidence. It allowed them to have their adventure.

And what of the plot?

So, I take all these ingredients and I just crack on. I go to the desk and I mix and remix them till they hold together in a coherent mass. The characters, their situations and their issues all come together and I make a story.

But why?

Why do I write what I write? I can’t help myself. I write what I’ve got to write. I write about what’s important to me. I write the sort of books I want to read.

In my adult fiction, I address the lives of real, middle-aged contemporary women. I address the realities of reaching fifty or sixty years old, the realities of maintaining a long-term marriage, or of starting a new relationship or a new career, of coping with bereavement and one’s own mortality.

Yes, there’s romance in my novels, but it’s tinged with the realism of experience. Happy ever after is just a phase; the real work starts after that––and this is central to the novel I’m working on at the moment which is the sequel to Displacement. And I like to present the positive sides to being older and a bit wiser, to include the new possibilities and opportunities that go with ageing.

And I also like the stories I write (and read) to move beyond ‘the village’ of much contemporary fiction and to travel from the personal to its links with the universal. And if all that involves the big themes, borders on the literary, and makes categorising my books difficult, so be it.

Because in the end, whether the writing is for adults or children, and whether as writer or reader, all that really counts for me is, is it a good story?

 

In The Chair 42

Source: In The Chair 42

I’m interviewed over at Jan Ruth’s blog today. It was fun to do and I hope you enjoy reading it. You can, amongst other things, find out which character I fell in love with whilst writing him and can you guess my favourite word?

Thanks Jan for having me.

Number Eight on the Stone River

My bookshelves are a memoir. My biography can be read there. Childhood favourites, school prizes, university text books, reference volumes, travel guides, memoirs, self-help instructionals, volumes of poetry and countless novels – light to literary. All represent a phase, a stage, a need, a treat. All represent me.