Once Upon A Time In A Gallery

The cruelty in fairytales such as Little Red R...
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Some readers may remember my review from last year of the Eight Cuts online gallery’s exhibition – ‘Into the Desert’.  Indeed you may have visited for yourself. Well,  Eight Cuts  has a new exhibition. It opened yesterday. Below is a copy of the press release for the show. This will set the exhibition in context for you. I have visited and have written a review, which will be my next post here on the blog.

I should also come clean and tell you that I have two of my stories in the exhibition – I haven’t reviewed them. 🙂

 Once Upon a Time in a Gallery Live

 International writers, artists, filmmakers and musicians join in a new kind of online exhibition, using the oldest form of storytelling to offer a unique perspective on the foundation myths of the digital age’s new societies.

 Once Upon a Time in a Gallery is an online literary exhibition offering a new way of presenting a modern book of fairytales that combines technology with work from some of the world’s most exciting writers and artists to cast a fresh light on some of our oldest stories. Running through February and March, this is the second exhibition from eight cuts gallery, a project designed to blur the boundaries between literature and other art forms, and make the public think about what literature is, as well as about a series of important cultural questions.

Curated by Dan Holloway, who runs eight cuts gallery, the show creates possibilities that aren’t possible with a traditional anthology or storybook. Like the first exhibition, Into the Desert (http://eightcuts.com/eight-cuts-gallery/into-the-desert/welcome-to-the-desert/), which featured stories, poetry, photography, art, music and film by 19 writers from around the world, the virtual exhibition will guide readers through the pieces using hyperlinks. “Once inside, people can click on pictures, or words and phrases within a piece, and by choosing where those links take them, I can make people question their presuppositions about the nature not only of fairytales but of literature,” Holloway explains. “I can also create an experience that’s different every time someone visits. It’ll be like being lost in a forest and trying to find your way out – what could be more perfect for a fairytale experience.”

 Fairytales are our foundation myths, reflections not just the manifestation of our own Freudian psychosexual neuroses but of the fears and aspirations of our communities. For diasporas everywhere they provide roots that creep back in time and place to a utopian or dystopian ancestral home. As the digital age pulls us increasingly into communities not just geographically dispersed but born in diaspora (and often, ironically, subsequently drawn together physically), fairytales will inevitably be recycled and refreshed to form the foundation myths of these new societies – ones that have no physical homeland, whose communal roots lie lodged in the internal, not the external, lives of their members. What better time to re-examine the way fairytales relate our individual psyches to our social networks, and ask: Have we reached a tipping point in the evolution of collective cultural consciousness, where we can opt freely in and out of communities, picking up and leaving behind their roots as we go? Are there any universal archetypes left?

The hyperlinked, flitting, rootless style of curation of this exhibition invites the audience to reflect on this rootlessness, and whether, when they find themselves lost in today’s dark forest, there is any gingerbread trail to lead them to safety.

 The exhibition has a live launch in the fairytale setting of the O3 Gallery, located in a turret of Oxford Castle on January 27th. The show features writing by local and international authors, artwork from the UK and United States, and music from acclaimed Oxford-based artists Christi Warner, Dylan Gwalia, and Kevin Jenkins.

“Storytelling began as something spoken and communal,” says the show’s organiser, Oxford-based writer Dan Holloway, who runs eight cuts gallery, the experimental literary gallery hosting the online exhibition and the live show. “Fairytales reflect our collective subconscious, and form the foundation myths for our communities. So many of our modern social groups exist online, but we also exist in the physical, geographically limited world, so combining an online event with a real-life show, bringing together writers, artists, and musicians from all over the world, and those from a specific place, Oxford, is the perfect way to reflect on, and maybe start to build, the foundation myths for our new societies.”

 Full details can be found at http://www.eightcuts.com

Contact eightcutsgallery@googlemail.com for more information

 N.B. from Anne and the Write Enough Blog – Some of the content is adult in nature so if you’re offended by sexual references, nudity or erotica, the exhibition is probably not for you. But there is also material that is suitable for children and adults alike.

Eight Cuts – a gallery but not as we know it…

The thinker...walking @ Vecāķi beach, Riga
Image by Grozz via Flickr

eight cuts ‘exists to champion extraordinary literature from people you may never have been given the chance to encounter, be it a single poem, a performance or a body of novels’.

Those of you who know me would probably describe me as fifty-something wife, mother, teacher and writer. I don’t suppose you’d see me as a radical thinker who pushes at convention but I hope you do see my subversive streak – at least occasionally.

 I fear complacency, believe passionately in freedom of speech, hate even a hint of being patronised and like being shocked by the new – heck I even like the Scottish parliament building. If you share these tendencies then I urge you to visit http://eightcuts.wordpress.com without delay – or rather –  immediately after you’ve read the remainder of this post.

If you care about reading, writing, access to the arts and freedom in all things creative then you must read the eight cuts blog – also hosted by the wonderful platform that is wordpress.

I was alerted to the existence of the amazingness that is eight cuts by Jane Dixon-Smith, my editor at Words with Jam http://www.wordswithjam.co.uk – the bi-monthly FREE e-zine for writers, to which I contribute.

The eight cuts concept is radical, original and refreshing. It’s almost too big to describe and do it justice. In the words of its creator, Dan Holloway, ‘it’s a space to bring writers to readers and readers to writers in the most exciting way possible’. As to what it’s not – again in Holloway’s words –‘ it’s not a group, collective or publisher’.

Your best way in would be to read the manifesto on the eight cuts blog. BUT I must warn you to make sure you’re home alone when you do so as your shouts of Yes! Oh Yes!! Ohhh Yes !!! will otherwise get you some strange looks.

The space is a doorway to an artistic world that other gatekeepers such as commercial publishers don’t allow access to. Going through the doorway is to set off on a magical tour.

This is a gallery of wonderful works to explore. The latest venture is the gallery press which is about to release two first editions – ‘Charcoal’ by Oli Johns and ‘Deadbeat’ by Cody James. I plan to review at least one of them in a future post. I’ve already read the first chapter of the Johns book and I’m totally hooked by its originality of voice and content.

And most exciting and radical of all is the Christopher Al-Aswad prize – an award sponsored and organised by the site. See the details at http://eightcuts.wordpress.com/eight-cuts-prize/ This award is to honour ‘the person, organisation, website, community, whatever that has done most to promote brilliance, diversity, and the breaking down of barriers in literature over the preceding twelve months’. It is done ‘in the name of christopher al-aswad, one of the most brilliant, farsighted, innovative, generous, and supportive people in the arts. christopher, the genius behind escape into life, one of the most wonderful places in cyberspace, died in july 2010 at the age of just 31’.

I also plan to do  a piece on the recipient of the award after the announcement on October 1st. But I get the feeling that all the nominees will benefit just by being nominated.

And if you facebook, blog or tweet please consider publicising this wonderful, courageous and above all optimistic venture.