Today it’s the turn of contemporary romance author Jan Brigden to give us a glimpse into the sort of days that make up her life as a writer.
Her latest book is If I Ever Doubt You and you can find out more about it below.
Jan Brigden’s Writing Life in a Day
When I first started writing full time from home, I set myself various daily targets in the hope of mirroring the last office job I’d held.
Hope being the operative word.
So … At my desk by 8.30 in the morning. Write until 10.30. Half hour break to stretch my legs and catch up with emails/phone messages, etc. Resume writing until lunchtime, say 1pm. Lunch. Write from 2 until 4 with suitably-spaced leg-stretch breaks. 4-5pm catch up with social media. Finish at 5, ready to prepare dinner and enjoy the rest of the evening with husband Dave who usually comes in from work between 5 and 6pm or spend a few hours with friends/family depending on what I had planned.
It started well enough but I soon realised that I couldn’t write to order and was putting far too much pressure on myself to reach these daily self-imposed targets. I’d get frustrated if the muse didn’t strike and end up staring at a blank screen for ages trying to force the words to come. I’d then feel guilty if I hadn’t produced much and it would feel like a day wasted.
With time and experience and lots of advice and support from my fellow writers, some of whom to varying degrees had faced exactly the same thing, I totally changed my outlook and routine. Instead of sitting down regimentally each day, I’d go for a nice walk which I immediately found provided me with inspiration and clarity for whichever scene or chapter I was planning to write next. Instead of feeling sheepish that I was out walking or dancing in front of the TV in the lounge to one of my exercise DVDs, I realised this valuable time fired up my creativity and passion for my book. I also found that some days I’d fit more writing into a shorter space of time which would free me up for other pleasures such as reading other author’s books or indulging in anything mindfulness-related, be it books, audio or videos.
I no longer feel guilty if I’m not writing all day every day as taking time out benefits me. It was about trusting myself to let go and be more flexible. I’ve never been the quickest writer nor the most disciplined. It seems to come in fits and starts for me. I can become quite obsessive about it at times and leave it alone for days at other times. I do have other personal family commitments, more so now, which I love and which aren’t an excuse, I’ve just accepted that as much as I love writing, it isn’t the most important thing in my life. It’s one of them.
Anne: Thank you to Jan for this fascinating insight into her writing life. I must say I like the idea of trusting herself and being flexible in her approach to writing – seems like excellent advice to me. You can read more about her and her latest book below.
Jan’s latest book
From the back cover:
She might have scored a celebrity footballer, but the game isn’t over yet …
Rebecca Dunning should be blissfully happy – after a whirlwind weekend, she and top footballer Alex Heath are still going strong. But as the murkier side of the celebrity lifestyle reveals itself, so does the creeping doubt.
Rebecca finds herself isolated in the fake, flashy world of toxic WAG cliques and ruthless reporters, and when a mysterious online admirer follows Alex’s every move, she struggles to cope. Can she keep playing the media game for the man she loves, or will she have to admit defeat?
If I Ever Doubt You is the stand-alone sequel to As Weekends Go
Jan lives in South East London with her husband and motley crew of cuddly toys. Jan’s written for pleasure from a young age; short stories for classmates, odes for workmates, fun quizzes for family and friends, progressing to the contemporary uplifting dramas she writes today.
The idea for her debut novel, As Weekends Go, sprang from a script she composed as part of a creative writing course assignment via The Writers Bureau. The novel went on to be published by award winning UK independent publishers Choc Lit after winning their Search for a Star competition.
Jan’s latest novel, If I Ever Doubt You, also published by Choc Lit, is the sequel to her debut.
An avid reader, reviewer and all round book devotee, Jan is also one eighth of online writing group The Romaniacs (www.theromaniacs.co.uk) who successfully self-published an anthology of short stories and flash fiction entitled ‘Romaniac Shorts: Fashionably Brief’.
Hello everyone and welcome to event number 17 in the Virtual Book Festival. This is the third and final joint event with the Books For Older Readers (BFOR) Blog Blitz. You can find out more about BFOR at the website here.
Today it’s a pleasure to have romantic fiction writer, Maggie Christensen here to tell us about herself and her books.
Welcome, Maggie. Let’s begin with why and how you became a writer?
I’ve always been an avid reader and loved writing compositions in school. As an only child I enjoyed playing with and talking to my imaginary friends and this led to my making up stories about them, some of which I wrote down – I often pretended I had a twin brother and thought up stories of twins. I found the time set for writing in school very limiting – I clearly remember starting one story about a fishing boat disaster and being very frustrated as time was up just as I felt I was getting into the heart of the tale. I also recall submitting a short story about being lost in the snow to Girl magazine.
But it wasn’t till I was close to retirement that I began to write fiction seriously. I enrolled in a correspondence course on creative writing, which I gave up on, then an online course which I did finish and learned a lot from, the chief thing being the importance of writing something each day. One of the tasks was to start each day by writing for five minutes about whatever I was thinking.
My first attempts were two Mills and Boon type books – the first paragraph in one won an award in a competition at the Sydney Writers Centre.
But I soon realised these were not what I enjoyed reading, so switched to writing the mature women’s romantic fiction I love to read. I joined several writing groups before finding one whose members I could relate to, and encouraged by their success, I published my first novel, Band of Gold, in 2014.
Anne: I love that you didn’t start your writing career until you were close to retirement. It shows it’s never too late to follow your dreams.
What genre do you write in and why does that hold a particular appeal for you?
I write what I call mature women’s romantic fiction – the sort of books I enjoy reading – books featuring women who have lived, have some experience of life and who my readers can become attached to. I feel that too often older women are either ignored or stereotyped in literature and I like to write them as real people you might have as friends. I also like to bring back characters from my earlier books so that my readers feel they are meeting old friends.
Anne: I love this too – the idea that life is as rich and varied for those over forty as it is for younger folks –and that you reflect that in your fiction. And yes the links to previous characters that you include do work well.
How many books have you written? Tell us a bit about them.
I have written 12 books – 11 already published and the 12th currently with my editor. All feature women in their 40’s, 50’s and 60’s who have experienced some sort of challenge in their lives – end of a marriage, death of a child, redundancy, end of a relationship, domestic violence. Three – The Sand Dollar, The Dreamcatcher and Madeline House – are set in Florence on the Oregon Coast where my mother-in-law moved to in her 80’s – The Sand Dollar features a woman who leaves Queensland’s Sunshine Coast for Oregon; two are set on Queensland’s Sunshine Coast where I now live – A Brahminy Sunrise and Champagne for Breakfast – and tie in with my Oregon series; three – Band of Gold, Broken Threads and A Model Wife -are set in Sydney where I lived when I first came to Australia and three – The Good Sister, Isobel’s Promise and A Single Woman – are set in my native Scotland, and tie in loosely with my Sydney books – the first of these, The Good Sister, being my only historical novel so far.
Anne: Wow! 12 books is quite an achievement – and they’re all first class reads.
Tell us about a typical writing day?
I like to start in the morning and get the bulk of my writing done, then go back to it late afternoon. While I’m writing, I take breaks when I read or do housework – and let ideas come to me. Sadly, I don’t always keep to my schedule as I also enjoy having coffee with my husband or friends. I also belong to a book club, and I deliver library books to a housebound lady, both of which take me away from my writing.
Anne: Oh, I think you’re allowed some time away from the writing desk. And how lovely that you deliver those library books.
Do you plot your novels in some detail before you actually start writing?
I’m very much what’s called a pantser. I start with my main character, a situation, and a location and go from there with only a rough idea of where it will lead. I enjoy writing this way. When I’ve tried to plan, it hasn’t worked for me.
Anne: Flying by the seat of your pants. The exciting way to work!
What comes first for you characters or plot?
I start with a character and a situation, then usually a man appears in her life and family; the characters develop and take on a life of their own. I’m never sure what‘s going to happen when I sit down to write – my characters often surprise me.
Anne: It’s funny how characters can do that – as if they’re real, breathing people who the writer isn’t in charge of.
Where do you get your ideas?
I take things I hear and read, then link some of them together and think ‘what if?’.
Band of Gold begins with Anna’s husband placing his wedding ring on the kitchen table on Christmas morning and saying, ‘I can’t do this anymore.’ I heard of someone this happened to and started to wonder what would happen to her afterwards.
In Champagne for Breakfast, Rosa is sitting by the river drinking champagne on her birthday – by herself. One Sunday morning my husband and I were walking along the Noosa River when we saw a woman sitting alone with an empty bottle. I started to wonder what her story was and remembered Rosa, a secondary character in The Sand Dollar, who had recently finished a disastrous relationship. That woman became Rosa drinking champagne alone by the river on her fiftieth birthday.
The Good Sister is based on my aunt’s story. As a child growing up in Scotland, I had an aunt who was fond of telling us the story of her doomed love affair. I knew I had to write it one day. Her story became old Isobel’s story in this book.
Madeline House was written as the result of a trip to Florence after my mother-in-law died. During that trip, the woman who bought my mother-in-law’s house had arrived in town with only her car and her dog. At the same time, I became aware of the business of estate sales in the area. Also, I had once worked with a woman whose husband was very controlling and who had many of the same experiences of Beth in this book. These ideas all came together to produce this third book in my Oregon Coast series.
When I get stuck with a book, I often find inspiration when I’m driving or ironing – or falling asleep!
Anne: Yes, those ideas don’t always come when a writer’s at their desk. I like your magpie way of collecting small, sparkly ideas and developing them.
Have you got a favourite character out of all the ones you’ve created? Tell us about them if you have or is it too hard to pick just one?
I love all my characters – my heroines all have a little bit of me in them and my heroes a little bit of my lovely husband and soul mate. I feel most akin to Jenny in my Oregon books as, like me, she travels to Oregon when facing a redundancy and meets a lovely retired university lecturer like my own dear husband. But I think perhaps I like Bel best. Like me, she emigrates from Scotland to Australia to teach in her twenties, but unlike me she returns and meets the lovely Matt choosing to set up home there with him on the banks of Loch Lomond – a spot where, if I’d remained in Scotland, I’d dearly like to have lived.
Anne: I’ve a soft spot for Bel too.
Can you share some of the feedback/reviews you’ve had from your readers?
I’m thrilled to have found readers who want to read my books and who enjoy reading about more mature women. Many of them mention this in their emails and reviews. They also mention that I write about real people and that my books have a good sense of place.
One of my favourite comments comes from one of Mrs B’s Book Reviews in which book blogger, Amanda, calls me ‘the queen of mature age fiction’. I also love her comment that, ‘Maggie Christensen’s writing is like a nice warm cup of tea. It is warm, nourishing, comforting and embracing.’
Another favourite review is by Anne Williams of Being Anne book blog
‘The author’s story-telling is just wonderful: she introduces you to her characters, sets the scene, and the story then unfolds around you – and her characters are always real people who you can’t fail to take to your heart as you watch them making their choices and mistakes.’
Anne: I completely agree with those reviews.
And now I’d like to thank you very much indeed, Maggie, for agreeing to take part in the festival today and for providing us with such a fascinating interview and insight into your writing.
But before you go, we have an extract from your novel A Single Woman below. Tell us a bit more about this particular book and why you chose it for the extract.
A Single Woman is the third book in my Scottish Collection. While it can be read as a stand-alone novel, readers of the first two will welcome to opportunity to reconnect with old friends from the earlier books.
In the words from your review in Put it in Writing, it’s ‘a second-chance, midlife romance where the last thing either protagonist is looking for is to fall in love. It’s set mainly in the Scottish city of Glasgow, and it’s the thoughtful and touching story of the developing relationship between two rather damaged people.’
From the back cover:
Isla Cameron, headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.
Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.
When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship.
As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.
Can Alasdair overcome his natural reserve, and can Isla open her heart to love again?
The extract from chapter 8 takes place when Isla is attending a Christmas Eve party held by an old school friend. I chose this extract as it the first time the two protagonists meet. Christmas is a sad time for both of them.
A Single Woman
Having imagined herself alone, Isla turned quickly to see a tall, wide-shouldered, fair-haired man standing almost hidden by the branches filled with Christmas ornaments and tinsel.
‘You escaped, too?’ he asked, with a conspiratorial grimace.
Isla nodded, hoping he didn’t see her tears.
‘Look,’ he stammered, ‘I need a breather. Why don’t you join me – get away from all that…’ He gestured in the direction of the room they’d both left where the sound of carols was beginning to drown out the chatter.
Isla hesitated. What she really wanted was to go home, but she needed to sober up a bit before she could consider driving on the icy roads. Fresh air would clear her head.
Seeing her waver, the man spoke again. ‘Get your coat and we can sneak away.’
About to do as he said, Isla looked down at her heels. They were not made for walking on icy roads.
‘You’ll be fine. The pathway around the garden has been cleared.
By the time she’d put on her coat, her companion was opening the door, and the pair slipped out, closing it silently behind them.
After the centrally-heated house, the frosty air hit them like sharp needles, their breath forming clouds in the cold air.
‘By the way, I’m Alasdair,’ Isla’s companion said.
‘Isla.’ She shook his outstretched hand before returning hers to her pocket, while wondering what on earth she was doing out here with a strange man on Christmas Eve.
‘How do you know Kirsty?’ he asked, as they walked.
‘We’re old school friends, though until a school reunion a few weeks ago, we hadn’t seen each other since. You?’ Isla didn’t really want to know, but felt obliged to ask.
‘Sister-in-law, for my sins.’
Isla almost stumbled in surprise. If Alasdair was Kirsty’s brother-in-law, then it followed he was also Fiona MacLeod’s father and, if she remembered correctly, it was around this time of year his wife had died.
‘Are you okay?’ he asked.
‘Yes, thanks.’ Should she tell him? Tell him what? That she was his daughter’s headmistress? What would be the point of that? They were two strangers, grabbing some fresh air, escaping from a party it seemed neither of them wanted to be part of. That was all.
At the corner they turned, and without any further conversation, they walked back and stepped into the Reid home just as silently as they’d left.
In their absence, the gathering seemed to have become even more raucous, the loud beat of music and chorusing of old hit songs emanating from the living room. It was like being at one of the parties Isla remembered from her schooldays. She’d never been a social animal. She grimaced.
‘Not your scene either?’
‘No. I think I’ll make my thanks to Kirsty and leave.’
Still in her coat, Isla peeked into the room catching sight of Kirsty in the centre of a jolly group of choristers. She hesitated, unsure how to interrupt.
‘You’ll never manage it. Call her in the morning,’ Alasdair advised. ‘I’m going, too. Tomorrow…’
‘Is Christmas Day. Yes.’
Isla supposed he’d be involved in some sort of family celebration. She shivered. She would be alone. For her, it would be just another day, nothing special, no celebration. Another day when she’d try to keep the memories at bay.
After a career in education, Maggie Christensen began writing contemporary women’s fiction portraying mature women facing life-changing situations. Her travels inspire her writing, be it her frequent visits to family in Oregon, USA, her native Scotland or her home on Queensland’s beautiful Sunshine Coast. Maggie writes of mature heroines coming to terms with changes in their lives women who have learned to live and love in later life and the heroes worthy of them. Heartwarming stories of second chances. She has recently been called ‘the queen of mature age fiction’
From her native Scotland, Maggie was lured by the call ‘Come and teach in the sun’ to Australia, where she worked as a primary school teacher, university lecturer and in educational management. Now living with her husband of over thirty years on Queensland’s Sunshine Coast, she loves walking on the deserted beach in the early mornings and having coffee by the river on weekends. Her days are spent surrounded by books, either reading or writing them – her idea of heaven!
She continues her love of books as a volunteer with Noosa library where selects and delivers books to the housebound.
You can connect with Maggie online at the links below:
This was an enchanting book. It’s a novella length story but it had enough depth to make it a most satisfying read.
Once again this author has done what she has already proved very good at. She has taken a couple of minor characters from a previous book – in this case from Champagne for Breakfast – and told their story. And, as before, it works beautifully.
The main characters of academic Alex and former stockbroker Jack could easily have been stereotypes – however, they are far from that. Both are seeking new paths following traumatic events in their personal lives and both are rather lost and lonely. Jack, although displaying lots of masculine traits, also has a caring and gentle side – as shown, for example, by his care for his elderly clients. And Alex who is a self-sufficient, hard-working and professional university lecturer also finds time to be a good aunt to her young niece and a good friend to her elderly neighbour and to a former colleague.
But when Jack and Alex first meet it seems unlikely they’ll have any sort of romantic future together despite a reluctant attraction between them. They both have other seemingly more important things going on in their lives which suggest a relationship isn’t going to happen. And it’s this will-they-won’t they that keeps the reader hooked.
The setting of the story on Australia’s vividly described Sunshine Coast added even more interest for me as a UK reader. And as to the significance of the Brahminy in the title – well, it’s a bird – specifically, a red-backed sea-eagle of the kite family – and which is native to Australia. But you’ll have to read the book to understand its lovely, romantic significance. And I recommend that you do.
From the backcover:
Drawn together by fate, can this midlife couple find happiness?
University lecturer Alex Carter is devastated when her partner ends their long-term relationship. Accepting a position at a university on Queensland’s Sunshine Coast, she plans to spend time with her family, renovate her beach cottage and forget all about men.
But, as she is making a new life for herself, the past rises up to throw a spanner in the works and she has to make a determined effort to reset her compass.
Shocked by a colleague’s suicide, Jack Russo leaves his high-powered city career and travels north, settling in a coastal town in an attempt to simplify his life. Yet, even here, he discovers, everything isn’t what it seems. When his fledgling handyman business appears to be in danger of collapsing, he is forced to make some hard decisions.
A feel-good story of discovering that there can be second chances if only you can learn to trust again.
A Brahminy Sunrise will be published as an ebook on 15th January 2019 and it can be pre-ordered here if you’re in the UK or from the online store local to you.
I received a free ARC copy of this book with no obligation to review.