Author Interview: Jane Davis shares news of her latest book @janedavisauthor #reading #books #literaryfiction

Today it’s my pleasure to welcome fellow author Jane Davis back to the blog. I’ve read and enjoyed all Jane’s novels and you can read my reviews of two of her earlier novels An Unknown Woman here and Smash all the Windows here. Jane also took part in my Virtual Book Festival this time last year and you can read her contribution here. Her books are all quite different from each other, but what they have in common is that they are all intelligent, totally engaging and thought-provoking – and they are shot through with insight into humanity.

And it looks as if her newest one is going to be no exception. So, without further ado it’s over to Jane.

Welcome Jane, it’s lovely to have you back again. Can we begin with you telling us what your new book is all about?

Jane: At the Stroke of Nine O’Clock is about three very different women – a working class seventeen-year-old who is expected to do whatever she needs to do to contribute to the family income, a British actress who has scandalised the world of filmdom by leaving her husband and daughter for Hollywood film director, and a duchess, whose husband’s lack of business acumen has brought her close to financial and social ruin.

The novel is set in the post-war era when class divides and dual standards were very much at play. Sex outside marriage, divorce, and children born outside wedlock were huge taboos but, behind closed doors, all these things were happening, and more. Property and titles were inherited by men. Work-wise, there were few options for women. Having stepped up to the challenge of the running industry and keeping the economy afloat once again during the Second World War, they were once again expected to hand their jobs back to the men and get back in their kitchens.

Each of my characters has dared step outside the restricted confines that society dictated for them. They think that they’ve already been punished for doing so, but they are about to take the next potentially ruinous steps. Each has a past or a secret which mirrors something that happened to Ruth Ellis, the last woman to be hanged in Great Britain. On hearing about her conviction for murder, each has a personal reason of think, ‘There but for the grace of God go I.’

How did you come up with the idea?

Jane: Perhaps it was the time in which Ruth Ellis lived, or the circles she moved in, but what happened was this: the subjects of three biographies I read on the trot each included an anecdote about her. I turned to my bookshelves for a yellowed paperback that has been in my possession for over thirty years. Ruth Ellis: A Case of Diminished Responsibility? I’d forgotten that the book begins with a foreword by co-authors Laurence Marks and Tony Van Den Bergh in which they reveal how, during their research, they both discovered that they had various links to players in Ruth Ellis’s story, if not Ellis herself. One of David Blakely’s other lovers. The partner of a psychiatrist who had treated Ruth Ellis. The brother of the manageress of the Steering Wheel club who had thrown Blakely and Ellis out for having a drunken fight on the premises just days before the shooting. The Catholic priest who, while serving as a prison chaplain sat on the Home Office committee tasked with deciding if Ellis was fit to hang. The list went on.

But even those who had never met Ellis had an opinion about her, and all were affected by her demise, because it brought about a change in the law in the United Kingdom.

How did you come up with the three main characters?

Jane: Much of the inspiration came from the same biographies that inspired the book.

From Ingrid Bergman’s biography, I borrowed the moment when Bergman discovered that the man she left her husband had left her. In fact, when this happened to Bergman, it seemed to come as a relief. Rossellini was quite an obsessive character, threatening to kill himself if she left him.

I needed a character from the upper classes to show how differently a duchess is treated from, say, the hostess of a drinking club. Patrice is able to walk into a police station with a lie and be believed, simply because no one would dare challenge her. From the Duchess of Argyll’s biography, I borrowed information about coming out parties, meeting the queen and how estates were run.

And my working class character, Caroline is not Ruth Ellis, although her story follows Ellis’s the most closely.

What it is about Ruth Ellis’s case that fascinates you so much?

Jane: Part of Ellis’s fascination is that she’s so complex. Ruth was a mass of contradictions. She wasn’t simply the jealous, neurotic woman portrayed in the film Dance With a Stranger. What’s rarely spoken about is her resilience and a resourcefulness. At a time when her father was frequently unemployed, the teenage Ruth often held down two jobs and contributed to the family’s income. It was she who pulled her father from the debris after he’d been felled by falling timber while on fire-fighting duty during the Blitz. And she picked herself up time and time again. After the discovery that the serviceman whose child she’d given birth to and who’d promised to marry her already had a wife and family in Canada. After a short-lived marriage to a violent alcoholic. Between these disastrous relationships, she showed herself to be ambitious, and displayed considerable aptitude. Ruth was the youngest manager to be appointed by West End club owner Maurice Conley. He gave her free rein to change not only the club’s name but to make any other changes she saw fit. Conley may have been a crook but he was also an astute businessman. What he saw in Ruth was potential, and she repaid him by turning the club’s finances around.

The majority of the British Public first read the name Ruth Ellis the day the newspaper strike of 1955 ended. With four million pounds to recoup, the industry needed a big come-back story and Ruth Ellis was newspaper gold. ‘Six revolver shots shattered the Easter Sunday calm of Hampstead and a beautiful platinum blonde stood with her back to the wall. In her hand was a revolver…’ Bam! The public was hooked by the story of the blonde hostess (a divorcee), who shot her racing-boy lover in cold blood. Cliff Davis, another racing driver, was a regular at the club she managed. He described her not only as clued-up and sharp, but “Someone who was never known to ‘blow her top.’” In other words, the last person you’d expect to take a gun and fire it at an unarmed man at close range. So what changed?

To me, part of the tragedy of the case is that, because Ruth admitted her guilt, the lawyers presiding over the trial weren’t interested in why she did it. And that unanswered question is something any writer would find fascinating.

Yes, fascinating indeed. And the book sounds equally fascinating. Thank you so much, Jane, for being a guest on the blog today and telling us about what inspired you to write At the Stroke of Nine O’Clock.

You can read more about the book and about Jane below:

From the back cover

London 1949. The lives of three very different women are about to collide.

Like most working-class daughters, Caroline Wilby is expected to help support her family. Alone in a strange city, she must grab any opportunity that comes her way. Even if that means putting herself in danger.

Star of the silver screen, Ursula Delancy, has just been abandoned by the man she left her husband for. Already hounded by the press, it won’t be long before she’s making headlines for all the wrong reasons.

Patrice Hawtree was once the most photographed debutante of her generation. Now childless and trapped in a loveless marriage, her plans to secure the future of her ancient family home are about to be jeopardised by her husband’s gambling addiction.

Each believes she has already lost in life, not knowing how far she still has to fall.

Six years later, one cause will unite them: when a young woman commits a crime of passion and is condemned to hang, remaining silent isn’t an option.

“Why do I feel an affinity with Ruth Ellis? I know how certain facts can be presented in such a way that there is no way to defend yourself. Not without hurting those you love.”

Buy links for At the Stroke of Nine O’Clock  –

the ebook can be bought here

(The paperback will be out on 28th August 2020)

About Jane:

Hailed by The Bookseller as ‘One to Watch’, Jane Davis is the author of nine novels.

Jane spent her twenties and the first part of her thirties chasing promotions at work, but when she achieved what she’d set out to do, she discovered that it wasn’t what she wanted after all. It was then that she turned to writing.

Her debut, Half-truths & White Lies, won the Daily Mail First Novel Award 2008. Her 2015 novel, An Unknown Woman, was Writing Magazine’s Self-published Book of the Year 2016 and was shortlisted for two further awards. In 2019, her novel Smash all the Windows won the Selfies (best independently-published work of fiction) award at London Book Fair.

Jane lives in Carshalton, Surrey with her Formula 1 obsessed, star-gazing, beer-brewing partner, surrounded by growing piles of paperbacks, CDs and general chaos. When she isn’t writing, you may spot her disappearing up a mountain with a camera in hand. Her favourite description of fiction is ‘made-up truth’.

You can find Jane online at the links below:

Website: https://jane-davis.co.uk

Facebook page: https://www.facebook.com/JaneDavisAuthorPage

Twitter: https://twitter.com/janedavisauthor

Pinterest: http://pinterest.com/janeeleanordavi/boards/

Meet the Author: Lorraine Mace author interview @lomace #writing #books #reading #crimefiction

 

Today it’s my great pleasure to welcome fellow author Lorraine Mace as a guest on the blog. Like me Lorraine writes mainly for adults but she has written for children as well. She’s best known for her series of crime novels – the latest of which is Rage and Retribution which you can find out more about below.

So, welcome, Lorraine, it’s lovely to have you here.

Can we start with why and how you became a writer?

I left the UK in 1979 to live in South Africa. At that time the only way to stay in contact with the family and friends I’d left behind was via letter – the old-fashioned hand written and snail-mail posted kind. I discovered that I had a knack for descriptive pieces, being able to put the recipients into my day to day life.

Twenty years later, when I moved to France, I decided I would turn to fiction and wrote some terrible short stories which were, quite rightly, rejected by every magazine I’d targeted. However, it was at this point that I realised how much I wanted to write, so knuckled down to learn the basics. Fortunately, this worked out well for me.

What genre do you write in and why does that hold a particular appeal for you?

My fiction falls into two genres and they couldn’t be more different. I write for children aged 8 to 12, but I am also the author of a hard-boiled crime series.

How many books have you written? Tell us a bit about your latest.

I have had two children’s novels published, but I now concentrate mainly on crime. I have four published by Headline featuring D.I. Paolo Sterling: Retriever of Souls, Children in Chains, Injections of Insanity and the latest, Rage and Retribution. Each of the books has a dual narrative. D.I. Sterling is the main character, but I have some chapters from the perspective of the villain. In Rage and Retribution I have used diary-type blog entries where the antagonist glories in dealing out punishment to those in need of correction. For a change, all the victims are male.

Tell us about a typical writing day?

I write for two hours in the morning and then have to move on to my day job, which is working with other authors on their manuscripts.

Do you plot your novels in some detail before you actually start writing?

Not fully. I always know the crime, the perpetrator, the reason behind the crimes, and how the novel will end. I have a rough idea about the middle section but am always amazed at the characters who arrive unbidden, but turn out to be essential to the plot.

What comes first for you, characters or plot?

I suppose it’s a mixture of both. I tend to get the idea for the plot at the same time as the antagonist comes to my mind. I can’t ever remember getting one without the other.

Where do you get your ideas?

I think I just have a twisted and slightly evil mind!

Have you got a favourite character out of the all the ones you’ve created? Tell us about them if you have – or is it too hard to pick just one?

It has to be Paolo Sterling. He’s a good man with lots of flaws simply trying to do his best in a very sick world. I have put him in some awful situations with regard to his family and romantic life. It seems the more I throw at him, the stronger he becomes.

Can you share some of the feedback/reviews you’ve had from your readers?

I have had some fabulous reviews about the series. I’ll put a few comments below. I hope it doesn’t come across as too boastful.

The Northern Witch’s Book Blog – great British crime drama: I thoroughly enjoyed this story, and I can’t wait to start the next book in the series!

Books and Emma – excellent police procedural: This book kept me hooked and at one point I was convinced up to 4 different people could be the killer!

Feed the Crime – could not put my kindle down while reading this! It isn’t very often that I just know I’m gonna fall in love with a series halfway through the first book!

K T Robson Reviews – kept me guessing right until the end: Every time I thought I had it figured out, another spanner was thrown in the works and all my amateur detective work was thrown out the window!

Wow! What great comments –  and not boastful at all to share them – you should be loud and proud 🙂 

Thank you so much for dropping in today, Lorraine, and for telling us about yourself and your books.

 

And here’s more about Lorraine’s latest book:

The latest in the series is Rage and Retribution. This is the fourth instalment in Lorraine Mace’s dark, gritty and shocking series featuring D.I. Paolo Sterling – perfect for fans of Karin Slaughter, Tess Gerritsen and Mo Hayder.

Can two wrongs ever make a right?

A man is found by the side of a canal, comatose and brutally attacked.

It quickly becomes clear that someone is abducting men and subjecting them to horrific acts of torture. After three days they’re released, fighting for their lives and refusing to speak.

A councillor is accused of fraud.

Montague Mason is an upstanding member of the community. That is until he’s publicly accused of stealing the youth centre’s funds – an accusation that threatens to rip through the very heart of the community and expose his best-kept secret. But how far would he go to protect himself?

Two cases. One deadly answer.

As the two cases collide, D.I. Paolo Sterling finds he has more questions than answers. And, when torture escalates to murder, he suddenly finds himself in a race against time to find the killer and put an end to the depravity – once and for all.

‘A dark, cleverly plotted tale . . . I was gripped from the opening scene and raced through the book to its final, shocking ending. Crime writing at its very best‘ Sheila Bugler

‘Gritty, topical, sometimes lacerating, but always enthralling. A truly compulsive read‘ Abbie Frost

 

You can buy Rage and Retribution here

 

About Lorraine: 

When not working on her best-selling D.I. Sterling series, Lorraine Mace is engaged in many writing-related activities. She is a columnist for both Writing Magazine and Writers’ Forum and is head judge for Writers’ Forum monthly fiction competitions. A tutor for Writers Bureau, she also runs her own private critique and author mentoring service.

Social media links:

Website: www.lorrainemace.com

Blog: http://thewritersabcchecklist.blogspot.com

Twitter: https://twitter.com/lomace

Facebook: https://www.facebook.com/lorraine.mace.52

 

Virtual Book Festival: Event 24 – interview with author Kate Field @katehaswords #VirtBoookFest #books #romanticfiction

Hello everyone and welcome to event number 24 in the Virtual book festival programme. Today we have an interview with author of contemporary romantic fiction, Kate Field.

And hello and welcome to you too, Kate. Let’s begin with why and how you became a writer?

 

The earliest memory I have of writing is from primary school, when I wrote a story about an octopus and his underwater friends. The teacher pinned it on the wall, even though it stretched for pages and pages. I was a shy girl, neither sporty nor musical, and for the first time it felt like there was something I might be good at.

 

I wrote terrible poetry in my teens and eventually started my first novel in my early twenties. I wrote on and off for almost twenty years as a hobby, and then had a ‘now or never’ moment when I turned forty. I plucked up the courage to start sending my writing out and entering competitions. I was a runner up in a competition organised by Woman magazine and Accent Press, and Accent published my first three books.

 

I didn’t ever dare call myself a writer during those early years. It wasn’t until I was shortlisted for the New Talent Award at the Festival of Romance and met other writers for the first time that I realised I was one of them. I had found my tribe!

Anne: Well done for going for it. Your courage in taking the leap certainly paid off.

 

What genre do you write in and why does that hold a particular appeal for you?

I write romantic fiction. It’s been my favourite genre ever since I read Pride and Prejudice as my GCSE set text and was swept up in the story in a way I’d never been before. It’s the genre where I can relate to the characters and situations and see parts of my own life reflected on the pages, and that adds extra appeal to the books. I also have more emotional connection to romantic fiction novels than any other, because I love a happy ending and I find it comforting to be able to pick up a book knowing that’s exactly what I’ll get.

I never actively thought about what sort of books to write. It was always going to be romance.

Anne: Yes, I like ‘the deal’ between romantic fiction authors and readers – as a reader you know you won’t be left hanging and that you’ll get a story you can relate to along the way.

 

 How many books have you written? Tell us a bit about them.

Four books have been published so far, with the fifth due out in February 2020.

The Magic of Ramblings was the first to be published. It’s about a desperate woman who runs away from her life and takes a job as a companion to an old lady who lives at Ramblings, a country house in Lancashire. It’s a story of friendship, of community spirit, and of starting again when all seems lost.

I went back to Ramblings in another book, The Winter That Made Us, as I couldn’t resist revisiting some favourite characters! It’s a standalone story about an unlikely couple who connect through music and the restoration of the Ramblings walled garden.

The Truth About You, Me and Us is also set in Lancashire. It’s about a community of craft people and tells the story of Helen, who made a controversial decision a few years ago and who faces a challenge when her past catches up with her.

My most recent book is The Man I Fell in Love With, and there’s more about that one below.

Anne: And all of them are such good stories.

 

 Tell us about a typical writing day?

I don’t have a typical writing day. I have a day job, so writing has to fit around that and family life. This means that I pick up my writing whenever I have chance, and write for as long as I can, without having a set plan for how many words I need to write. Some days even one paragraph is a good outcome!

Anne: Yes, I can see why you need to be flexible as regards your writing word count expectations. But every paragraph counts.

 

 Do you plot your novels in some detail before you actually start writing?

I don’t plot in detail. My sensible side tells me that I should and that it would save a lot of time, especially on those days when I reach the end of a scene and have no idea what is going to happen next. But when I try to plot ahead, it doesn’t seem to work for me. I need to write into the story and to get to know the characters and what they might do as I go along.

Having said that, I do fill out character questionnaires before I start, and spend some time thinking about the opening scene and a few other scenes or wisps of conversation that could happen along the way.

Anne: So a bit of planning but an open mind too.

 

 What comes first for you characters or plot?

You can probably guess from my answer to the last question that characters come first! I think that’s partly because I write romantic stories, and it’s essential that readers can relate to the characters and want to follow their journey over several hundred pages, even when they know that the book will finish with a happy ending. I also enjoy reading character-driven stories so it’s inevitable that I’m drawn to writing them too.

Anne: That makes perfect sense for the sort of stories you write. The characters are indeed memorable and it’s a pleasure to go with them through their story.

 

 Where do you get your ideas?

The simple answer to this is that they come at any time and from anywhere! The Magic of Ramblings was inspired by my love of Georgette Heyer books, and in particular those stories where an unassuming companion wins the heart of a dashing hero! The Winter That Made Us was inspired by an advert I saw on television featuring floating Chinese lanterns. I thought of a scene where I could use floating lanterns and the whole book was built around it. It’s still one of my favourite parts of the book. Other stories have been inspired by magazine articles, items in the news or – in the case of The Man I Fell in Love With – a piece of gossip at work!

Anne: That’s the magic of writing ( and Ramblings), isn’t it? Ideas come from all sorts of places and situations.

 

Have you got a favourite character out of the all the ones you’ve created? Tell us about them if you have – or is it too hard to pick just one?

It’s very hard to pick one, as I have favourites for different reasons. The book that’s coming out in February, A Dozen Second Chances, features a character called Phyllis, who is the heroine’s grandmother, and I loved writing her scenes. She’s funny and wise and thinks she can get away with saying and doing anything she likes because of her grand old age!

It’s tough to choose between my male leads, as I love them all, but I have a soft spot for Noah Thornton from The Winter That Made Us. He starts off as a prickly bear of a man, who rarely smiles or speaks after facing a tragic event in his past, and I loved watching him thaw as the story develops.

Anne: Ah, Noah. I’m still in love with him …

 

 Can you share some of the feedback/reviews you’ve had from your readers and/or any awards your books have received?

 The Magic of Ramblings won the Romantic Novelists’ Association Joan Hessayon Award for new writers, which was a complete surprise and a huge honour!

Anne: Congratulations!

I’m grateful to anyone who takes a time to leave a review. Here are a few:

‘This was the first time that I’ve been so engrossed in a book, that I’ve forgotten where I was. It is totally consuming and the writing is enchanting and natural. Exceptional depth to the characters and a beautiful story. Loved loved loved it. Not my usual type of book but it was my favourite read of the year by a mile.’ Amazon review, The Magic of Ramblings

‘I thought this story was utterly delightful and a perfect example of truly romantic women’s fiction.’ Linda’s Book Bag, The Truth About You, Me and Us

‘The whole book is beautifully written, with real warmth, a strong sense of place and of the people who live there. I found it quite captivating, heart-warming and so uplifting – one of those rare and lovely reads that you put down at the end with a smile, and just want to say out loud “I really enjoyed that”.’ Being Anne, The Winter That Made Us

‘Kate Field has made me believe in love again, not the teenage meet-cute kind of love, but the real, enduring, self-sacrificing love. The love that really, as adults, we all hope is truly real.’  The Glass House Girls Online Magazine, The Man I Fell in Love With

Anne: Wow!

 

There is an extract from your novel The Man I Fell in Love With below.  Tell us a bit more about this particular book and why you chose it for the extract.

This is my most recently published book, and for a long time this was my secret writing project. I loved the characters so much, especially Mary Black, that I was too scared to submit it as I knew that rejection would hurt! Mary has proved a more controversial figure than I expected. She supports her husband when he reveals that he is gay, and her reaction has divided opinion, with some readers seeing her as weak and others acknowledging her strength. I think she’s wonderful!

This is the blurb from Amazon:

Sometimes we find happiness where we least expect it…

After twenty years of contented marriage, no one is more surprised than Mary Black when her husband announces he’s leaving her… for another man.

For the sake of the children, Mary has no choice but to pick herself up and start again. She hosts family meals that include Leo and his new partner. She copes with the kids wanting to spend less time with her and more time with their ‘fun’ dads. But one thing she can’t quite ignore is Leo’s gorgeous brother, who has just come back to town…

After living a life of sliding doors and missed opportunities, can Mary finally put herself first and take a chance that could change everything?

A wonderfully uplifting novel full of wisdom, spirit and charm. This is a love story with a difference, perfect for fans of Jill Mansell and Heidi Swain

In this extract, Mary has invited Leo and his new partner to the family home for Christmas, and Leo’s brother Ethan challenges her over her behaviour:

After dinner, Ava pulled out the box of Trivial Pursuit for the traditional game of everyone trying to beat Leo. I ducked out this year, letting Clark take my place, and went to tidy the kitchen, finding simple pleasure in restoring order in the one area I could. Noise and laughter floated down the hall.

‘What are you doing?’

Ethan followed me into the kitchen and pushed the door shut.

‘Tidying up.’

‘I don’t mean in here.’I knew exactly what he meant, knew what he was going to say, and it was one of the reasons why I had spent the whole of Christmas Eve out shopping, so that there was no danger of this conversation taking place. I grabbed a pile of cutlery, and fed it into the dishwasher with as much rattling as I could manage.

Ethan touched my arm.

‘Mary.’ I ignored him. He grabbed the cutlery from me, threw it in the basket and slammed the dishwasher door closed. ‘What’s the matter with you?’

‘With me?’ That riled me. How was any of this my fault? ‘Nothing.’

‘That’s my point. Leo’s about to leave you, and you look about as bothered as if you’d run out of milk.’

‘Of course I’m bothered! I don’t want him to go. Would you prefer it if I stayed in bed and cried into my pillow? Or if I shouted abuse at him and cut up all his suits? Do you think that would help Jonas and Ava?’

‘It might help you. It might show Leo that you do actually care, and that he has something to stay for.’

‘Me being me isn’t enough to make him stay, is that what you’re saying? That I’ve driven him away? Thanks for that vote of confidence.’

‘That’s not what I meant . . .’

‘And what makes you qualified to give me advice on relationships, with your two failed marriages and string of ex-girlfriends?’

Perhaps I had gone a bit far with that one – his second wife had been unfaithful, according to Audrey – but what right did he have to stand in my kitchen, berating my indifference? I knew some people would find my reaction odd, but I thought Ethan knew me better.

‘I know exactly what you’re doing. You block out things that are difficult, pretend they’re not happening. It’s what you’ve always done.’

‘That’s not true!’

‘What is it then? Some grand sacrifice for Leo? You love him, but you’re letting him go? Listen to me, Mary. It’s not heroic or noble to do that. It’s the wrong choice. If you want something enough you should carry on fighting for it, even if you get knocked down a thousand times, and no matter the collateral damage. Don’t condemn yourself to a life of loneliness and regret.’

He gazed at me then, and it was as if he’d ripped open that confident jacket, and shown me someone entirely different underneath. I didn’t know what to say, and was spared having to say anything when Leo walked in. He looked from Ethan to me, and back to Ethan.

‘What are you saying to her?’ I had never heard Leo’s tone so sharp.

‘The truth.’ Leo’s head jerked back as if Ethan had struck him on the chin. ‘I told Mary that she needs to fight to keep you.’

‘Do you have a problem with Leo being gay?’ I asked. There had always been tension between these two, but this level of animosity was new.

‘Not in the slightest. I only have a problem with him deciding he’s gay now, years after marrying you.’

‘I haven’t made the decision. I met Clark, and I can’t ignore what I feel for him.’ Leo stared at Ethan. ‘You can’t help who you fall in love with. You should understand that.’

And Ethan, whom I had never before seen lost for words, simply shook his head at Leo and walked out.

If you want to read more you can buy the book at the link below:

eBook and paperback available here:

 

Kate: Thanks for inviting me to take part in your Virtual Book Festival, Anne!

Anne : Thank you so much for taking part.

 

About Kate:

Kate writes contemporary women’s fiction, mainly set in her favourite county of Lancashire,

where she lives with her husband, daughter and mischievous cat.

She is a member of the Romantic Novelists’ Association.

Kate’s debut novel, The Magic of Ramblings, won the RNA’s Joan Hessayon Award for new writers.

 

You can connect with Kate online at the links below:

Twitter @katehaswords

Facebook

Amazon page

Virtual Book Festival: Event 23 – an interview with author Kathryn Freeman @KathrynFreeman1 #VirtBookFest #books #romanticfiction

Hello everyone, event number 23 in the Virtual Book festival is an interview with author of Kathryn Freeman. Kathryn writes wonderful, heart-warming contemporary romantic fiction and she’s going to tell us a bit about her books and her writing life. So, welcome to the festival, Kathryn and thank you so much for taking part.

 

Can we start with why and how you became a writer?

From my early teens I’ve been an avid reader, always with a book on the go, but it was only ten years ago that I wondered if I could actually write one. Cue a New Year resolution, and to my amazement I didn’t just write the book, I loved writing it. Of course the book I thought was fabulous, wasn’t, and it was four years and three books later before I got my first publishing contract. That first book though? I never let it go, and after a total re-write, Reach for a Star will be out in September (see question 10!).

Anne: Yes, writing and getting published can require a long apprenticeship. But how lovely that your first book hasn’t gone away and we’ll get a chance to read it.

 

What genre do you write in and why does that hold a particular appeal for you?

I write contemporary romance because that’s what I love to read most. Books that touch my heart. Bring a smile to my face yet also a lump to my throat. I enjoy other genres, but a thriller or a crime novel holds little appeal to me unless there is a love story winding its way through.

Anne: Yes, I must admit I’m a bit like that too.

 

How many books have you written? Tell us a bit about your latest.

I’m shocked to find I’ve had 11 books published now. How did that happen? Crikey A Bodyguard is my most recent, published in April. It features Dr Kelly Bridge, a brilliant scientist on the verge of finding a vaccine to counteract the latest bioterrorism threat, and Ben Jacobs, the bodyguard assigned to protect her. Ben flunked spectacularly out of school, so he knows his new client Dr Kelly Bridge spells trouble for him. What he doesn’t anticipate is quite how much.

Anne: Eleven books – that’s impressive! And it’s no secret I’ve enjoyed every one of them.

 

Tell us about a typical writing day?

Typically I exercise in the morning to get the blood flowing into my brain (!) and then sit at my desk, in my office at the top of our house, and write. I’m also a medical writer, so some days I wear my romance hat, and others my scientific one. Or as I say in my biography, some days a racing heart is a medical condition, others it’s the reaction to a hunky hero J

Anne: Haha! I agree about the exercise factor. It definitely gets the imagination fired up.

 

Do you plot your novels in some detail before you actually start writing?

I plot the key turning points of the book out into a synopsis which runs over around 3-4 pages. Alongside that, I write biographies for the key characters. With that in mind, I crack on with the writing, which usually loosely follows the outline.

Anne: That’s very organised but also not too rigid either.

 

What comes first for you, characters or plot?

Usually for me it’s the characters who come first. That’s where I take my pleasure from. I don’t really mind where the book is set, what the characters do, it’s who they are and how they interact that, to me, provide the fun – and the challenge – of writing.

Anne: That way you can let the characters sort of tell their story to you.

 

Where do you get your ideas?

Ideas can come from anywhere – so beware if you ever talk to me! I’ve written about a formula one driver (Before You) because my husband bought me a life size Jenson Button cut out and he sits next to my desk! The idea for Oh Crumbs came from watching the Marvel TV series, the Green Arrow…no, my hero doesn’t wear green leather or wield a bow and arrow. It was the chemistry between the Green Arrow and his computer nerd side-kick that caught my imagination – he’s so quiet, she’s so chatty. He’s the face behind the operation but she’s the brains. I took the idea and ran with, but based it in a biscuit factory!

Anne: Oh, I love that cross-fertilisation from Green Arrow! And how cool to have Jensen by your side.

 

Have you got a favourite character out of the all the ones you’ve created? Tell us about them if you have – or is it too hard to pick just one?

In my real world I fell in love with one man, but in my book world I’ve fallen in love with every one of the men I created. If I had to name a favourite, I think it would be my formula one driver, Aiden Foster, though I suspect that’s because of the Jenson Button connection! My favourite female is Abby from Oh Crumbs – she and her sisters made me giggle when I was writing them.

Anne: Both are fab characters.

 

Can you share some of the feedback/reviews you’ve had from your readers?

I’m so grateful when someone is kind enough to leave a review – even if it’s not always what I might have hoped for! I’ve had reviews that have been eloquent, funny, straight to the point or impressively detailed.

This, for Too Charming, my first published book, was an example of straight to the point, and thankfully in the minority:

Too Boring

This, for Crikey a Bodyguard, was one that put a big fat smile on my face:

Ooooh, this is so good!! I mean seriously this is way beyond just being good, this is in a league of its own for greatness. 

Anne: So, not just boring but too boring – you excelled yourself there! But I know you have many more great reviews like the one above that made you smile – all well deserved.

 

You have a new novel coming soon and we have an extract from it below. But first – what’s it called and please, tell us a bit about it.

My new book, Reach for a Star, comes out on 24th September though it can be pre-ordered now. It features Jessie, a divorced mum to two boys, who finds herself signed up to take part in a singing competition alongside her huge celebrity crush, professional singer Michael Tennant – he of the melting chocolate voice and film star good looks. Will he live up to her dreams? Well Michael isn’t quite the confident man he appears on stage. In fact the competition is so far out of his comfort zone he figures he might as well enter The X Factor, too, and totally blow his career.

Reach for a Star

From the back cover:

What if your dreams were so close you could reach out and touch them? 

How could anyone resist Michael Tennant, with his hypnotic blue eyes and voice like molten chocolate? Jessie Simmons certainly can’t. But Jessie’s a single mum who can’t sing to save her life – there’s no way she’ll ever cross paths with the star tenor.

At least that’s what she thinks until she’s unexpectedly invited to take part in a new reality TV show. The premise? Professional singers teach hopeless amateurs how to sing. The surprise? Jessie’s partner is none other than Michael Tennant!

As she becomes better acquainted with the man behind the voice, will Jessie find out the hard way that you should never meet your idols? Or will she get more than she bargained for?

 

Extract – from the first day they meet. Michael asks her to sing something to him…

She swallowed, twisting the cup around the saucer, glancing nervously at the camera crew. ‘Now? I mean you want me to sing to you right, umm, now?’

‘Sure. You’re going to have to sing sooner or later. This is a singing competition.’

‘I know.’

Her sharp reply told him he’d upset her again. Bloody hell, was he being obtuse or was she far too sensitive? ‘Okay then, give it a go. I promise not to run away screaming.’

Once again, his joke – if he could call the lame attempt that – failed to raise a smile. Instead she stood and carried her cup over to the table, clattering it down with hands he was shocked to see were trembling.

Then she swallowed, took in a breath and started to sing.

 ‘At first I was afraid, I was petrified.’

The more she sang, the more his eardrums complained bitterly at the onslaught. With every cell in his body wincing, Michael’s fears came crashing back to the surface. They were going to be a ruddy laughing stock.

Midway through the chorus, just as she was starting to screech out ‘I will survive’, he motioned for her to stop. ‘You might survive, though I’m not sure how long the audience will.’

She clearly didn’t appreciate his brand of humour at all, because now two splashes of red blotted her cheeks.

‘It’s my understanding the purpose of the competition is to see how much I improve, rather than how well I can sing right now. By rights you should be rubbing your hands with glee. There’s clearly lots for you to work on.’

Was she challenging him? Because he might know how to sing, but he had no bloody clue how to teach it. ‘You’re not wrong there,’ he murmured, feeling the beginnings of a cold sweat. The conversation was unravelling again. And this time in front of the sodding film crew.

‘We’re supposed to be on the same side, working together.’ She looked straight at him, her anger, her bitter disappointment, vividly clear in the glare of her hazel eyes. ‘For some crazy reason, I thought this would be exciting and fun. But if all you want to do is mock, I’m afraid you need to find yourself another partner.’

Michael looked on in horror as she reached for her bag and walked towards the door, head high, shoulders straight, her body rigid with anger. Ken following her all the way with his blasted camera.

Shit.

The conversation he’d had with Robert earlier came crashing back. Damn it, the man had been wrong. He wasn’t the right person to do this show. He didn’t do warm, natural or easy. He did gruff, blundering. Defensive. And that was on a good day. ‘Jessie.’ Thank Christ he’d finally got her name right. ‘Please, wait.’

If you want to read more the purchase links for Reach for a Star (ebook) are below:

Amazon UK

Amazon US

 

About Kathryn:

A former pharmacist, I’m now a medical writer who also writes romance. Some days a racing heart is a medical condition, others it’s the reaction to a hunky hero.

With two teenage boys and a husband who asks every Valentine’s Day whether he has to buy a card (yes, he does), any romance is all in my head. Then again, his unstinting support of my career change proves love isn’t always about hearts and flowers – and heroes come in many disguises.

 

You can connect with Kathryn online at the links below:

Website

Facebook  https://www.facebook.com/kathrynfreeman

Twitter  @KathrynFreeman1

 

 

 

 

Virtual Book Festival: Event 22 – an interview with author Heidi Swain @Heidi_Swain #books #romanticfiction #MondayBlogs

Hello everyone and thank you for dropping in at the Virtual Book Festival. We’re now into the final week of the festival and, to round it off in style, there will be an event every day – from today until Friday.

Today it’s event number 22 and I’m happy to welcome author of contemporary romantic fiction, Heidi Swain.

Heidi: Thank you so much Anne, for inviting me to take part in your virtual book festival. It’s a pleasure to be here today.

Anne: And it’s a pleasure to have you here. Thank you for agreeing to take part. So let’s start with you telling us why and how you became a writer?

I have wanted to be a writer for as long as I could remember and even though I have had other jobs, nothing gave the same satisfaction as writing. However, it wasn’t until I was almost forty that I plucked up the courage to take my ambitions seriously and go public. The speedy passing of time was a massive motivator for me and I realised that even though I still had the crippling fear of failure, if I didn’t make a start before the big 40, then I would never see my books on the supermarket shelves.

Having written The Cherry Tree Café I joined the Romantic Novelists Association New Writers Scheme and then, once the book had been critiqued, submitted it to The Books and The City #OneDay #DigitalOriginals call for unsolicited manuscripts. They offered me a two book deal a few months later and four years on, I’ve written and had published eight books under contract to Simon and Schuster – so far.

Anne: Well done for taking the leap and wow, haven’t you been successful!

What genre do you write in and why does that hold a particular appeal for you?

I write commercial fiction, although I personally prefer to call it Feel Good Fiction with Heart. I write the sort of books I enjoy reading. I love offering escapism and strong leading characters who grasp the nettle and have the strength, courage and determination to change their lives. I also enjoy whisking my readers away to wonderful settings, whether that be town or country, tiny cottages, café’s or grand country piles. When I pick up a book, I want to be transported to a life that’s different to my own and that’s why writing commercial fiction appeals to me.

Anne: Oh, I like that ‘Feel Good Fiction with Heart’ – it perfectly describes your lovely books.

You told us you’ve had eight books published so far so tell us a bit about them and any new ones on the horizon.

Yes, eight books published and I have recently signed a new contact to write another three. Six of the books have been set in and around the fictitious Fenland town of Wynbridge, (two in the town, two in the country and two at Wynthorpe Hall). The other two are set in Norwich and based around a community garden in Nightingale Square. Each of the books features a different main character, but they all pop up in each other’s stories. It’s a very friendly and sociable affair!

Anne: Yes, I love the settings of your books and the way characters lives overlap.

Tell us about a typical writing day?

If I’m writing a first draft, I have a very strict routine. Publishing two books a year – one in the Summer and one at Christmas – means there isn’t an awful lot of wriggle room. I’ll be in front of the keyboard by 6.30 am and stay there either until I’ve hit the word count (around the 2,500 mark) or have come to a natural halt. As long as I maintain that level of output, I can produce a first draft I’m happy with in around twelve weeks and I never end a writing session without knowing how I’ll carry on the next time I sit down.

The rest of the day is generally taken up with admin, updating my blog and of course, keeping up to date with social media friends and attending events, signings and the occasional glamourous publishing party. It’s always busy!

Anne: It sounds it! I admire that level of output.

Do you plot your novels in some detail before you actually start writing?

Yes, I always plan before embarking on a new writing project. I write a synopsis for each title for my publisher and agent and I have more detailed planning to work from myself. This is mostly put together while waiting for copy edits or proof pages to come back. So even though I publish a book every six months, each book has lived with me for a much longer time than that. Plots take months, even years, to develop before I am ready to write them.

That said, I’m not so bound by my planning that I’m not prepared to make changes as I go along. When the characters begin to come to life and start making a few demands of their own and insisting they know better than I do, then I know I’m on the right track.

Anne: It sounds like you have a good balance there and yes, characters can get quite pushy, can’t they?

What comes first for you characters or plot?

More often than not it’s the setting for me. I’ll visualise somewhere in Wynbridge or Nightingale Square and then see who walks in and what they want to tell me about themselves. Three of my books have main characters who previously had a supporting role in someone else’s book and wouldn’t stop nagging until they’d had a chance to enter the spotlight! I’m afraid I can’t explain why my process works that way, it just does.

Where do you get your ideas?

It varies. Sometimes I might have an idea for another book while I’m already writing one, sometimes an overheard conversation or a news headline can create the spark. The Nightingale Square books are set around a community garden because I wanted to subtly draw my readers attention to the benefits of gardening for mental health and working together with their neighbours to create something wonderful.

I often find myself scribbling down a few words as an idea pops into my head or, if I only have my phone with me, I’ll email the idea to myself so I don’t forget it. I also have a habit of writing things down in the middle of the night!

Have you got a favourite character out of the all the ones you’ve created or is it too hard to pick just one?

It really is an impossible task, but if there is one who stands out from all the others it’s Jemma who owns The Cherry Tree Café in Wynbridge. She is the baking queen while Lizzie Dixon (who the Cherry Tree Café was about), runs the crafting and sewing classes.

Jemma has never had a book of her own and I don’t think she ever will, however, she pops up in practically everyone else’s books. She’s an ambitious business woman, firm friend and confidante. An all-round Superwoman really and having worked with her for so long, she’s also incredibly easy to write. Writing dialogue and scenes with her in them seem to flow from my fingers far more easily than for some of the other characters.

Can you share some of the feedback/reviews you’ve had from your readers?

I’ve had so many wonderful reviews – The Cherry Tree Café has over 600 on Amazon now – and the vast majority have been glowing. Every week I receive messages from readers telling me they wish they could visit the places I have created or that they’ve taken up a new skill after becoming immersed in the books – or both. It’s a huge privilege.

One of the most touching messages I received was from a lady who had been widowed a few years ago, just before Christmas. She said that she hadn’t decorated since her loss, but having read Sleigh Rides and Silver Bells, her former love of the season had been re-ignited and she had put up a tree and dressed it. It was a very moving moment.

You have a new novel coming soon – what’s it called and please, tell us a bit about it.

The next book I have coming out will be my ninth. It is my fourth Christmas title and will be hitting the shelves on what will be the busiest publishing day of the year – October 3rd. It is set in my beloved Wynbridge and is called The Christmas Wish List.

Here’s the blurb from the back cover:

After being let go from her job in a swanky hotel just weeks before Christmas, Hattie is feeling lost. Even more so when her high-flying boyfriend announces he’s landed his dream job in Abu Dhabi and asks her to move with him. Luckily, Hattie’s long-time friend Dolly is on hand to help and invites Hattie to spend one last holiday in the small, festive town of Wynbridge, determined to give her a Christmas to remember . . .

Upon Hattie’s arrival, holiday preparations are in full swing. But for Hattie, whose Christmas cheer has long since run out, it’ll take more than mince pies and mistletoe to open her heart to the season once more. Relishing the task of reigniting Hattie’s Christmas spirit, Dolly suggests they create a wish list of all the things the season can offer, and with the helpful hands of Wynbridge’s resident handyman, Beamish, Hattie finds her frosty exterior is starting to thaw.

As Wynbridge prepares for its most spectacular Christmas yet, will Hattie leave snowy England behind for life in a sunnier clime, or will she in fact realise that her heart’s desire lies much closer to home?

Heidi: It’s a full-on festive treat and I hope everyone enjoys it!

The Christmas Wish List can be bought online here

 

More about Heidi Swain:

Although passionate about writing from an early age, Heidi Swain gained a degree in Literature, flirted briefly with a newspaper career, married and had two children before she plucked up the courage to join a creative writing class and take her literary ambitions seriously.

A lover of vintage paraphernalia and the odd bottle of fizz, she now writes feel good fiction with heart for Simon and Schuster.

Her debut novel, The Chery Tree Café was published in July 2015 and since then she has had a further six books published, becoming a Sunday Times Bestseller in 2017. She is currently preparing to celebrate the release of her 2019 summer title, Poppy’s Recipe for Life while working on her next project.

Heidi is represented by Amanda Preston and lives in Norfolk with her wonderful family and a mischievous cat called Storm.

 

You can connect with Heidi online at the following links:

Website  

Twitter @Heidi_Swain:

Facebook:

Amazon page

 

 

 

Virtual Book Festival: Event 17 – an interview with romance author Maggie Christensen @MaggieChriste33 #VirtBookFest #books #reading #romanticfiction

Hello everyone and welcome to event number 17 in the Virtual Book Festival.  This is the third and final joint event with the Books For Older Readers (BFOR) Blog Blitz. You can find out more about BFOR at the website here.

Today it’s a pleasure to have romantic fiction writer, Maggie Christensen here to tell us about herself and her books.

 

Welcome, Maggie. Let’s begin with why and how you became a writer?

I’ve always been an avid reader and loved writing compositions in school. As an only child I enjoyed playing with and talking to my imaginary friends and this led to my making up stories about them, some of which I wrote down – I often pretended I had a twin brother and thought up stories of twins. I found the time set for writing in school very limiting – I clearly remember starting one story about a fishing boat disaster and being very frustrated as time was up just as I felt I was getting into the heart of the tale. I also recall submitting a short story about being lost in the snow to Girl magazine.

But it wasn’t till I was close to retirement that I began to write fiction seriously. I enrolled in a correspondence course on creative writing, which I gave up on, then an online course which I did finish and learned a lot from, the chief thing being the importance of writing something each day. One of the tasks was to start each day by writing for five minutes about whatever I was thinking.

My first attempts were two Mills and Boon type books – the first paragraph in one won an award in a competition at the Sydney Writers Centre.

But I soon realised these were not what I enjoyed reading, so switched to writing the mature women’s romantic fiction I love to read. I joined several writing groups before finding one whose members I could relate to, and encouraged by their success, I published my first novel, Band of Gold, in 2014.

Anne: I love that you didn’t start your writing career until you were close to retirement. It shows it’s never too late to follow your dreams.

 

What genre do you write in and why does that hold a particular appeal for you?

I write what I call mature women’s romantic fiction – the sort of books I enjoy reading – books featuring women who have lived, have some experience of life and who my readers can become attached to. I feel that too often older women are either ignored or stereotyped in literature and I like to write them as real people you might have as friends. I also like to bring back characters from my earlier books so that my readers feel they are meeting old friends.

Anne: I love this too – the idea that life is as rich and varied for those over forty as it is for younger folks –and that you reflect that in your fiction. And yes the links to previous characters that you include do work well.

 

How many books have you written? Tell us a bit about them.

I have written 12 books – 11 already published and the 12th currently with my editor. All feature women in their 40’s, 50’s and 60’s who have experienced some sort of challenge in their lives – end of a marriage, death of a child, redundancy, end of a relationship, domestic violence. Three – The Sand Dollar, The Dreamcatcher and Madeline House – are set in Florence on the Oregon Coast where my mother-in-law moved to in her 80’s – The Sand Dollar features a woman who leaves Queensland’s Sunshine Coast for Oregon; two are set on Queensland’s Sunshine Coast where I now live – A Brahminy Sunrise and Champagne for Breakfast – and tie in with my Oregon series; three – Band of Gold, Broken Threads and A Model Wife -are set in Sydney where I lived when I first came to Australia and three – The Good Sister, Isobel’s Promise and A Single Woman – are set in my native Scotland, and tie in loosely with my Sydney books – the first of these, The Good Sister, being my only historical novel so far.

Anne: Wow! 12 books is quite an achievement – and they’re all first class reads.

 

Tell us about a typical writing day?

I like to start in the morning and get the bulk of my writing done, then go back to it late afternoon. While I’m writing, I take breaks when I read or do housework – and let ideas come to me. Sadly, I don’t always keep to my schedule as I also enjoy having coffee with my husband or friends. I also belong to a book club, and I deliver library books to a housebound lady, both of which take me away from my writing.

Anne: Oh, I think you’re allowed some time away from the writing desk. And how lovely that you deliver those library books.

 

Do you plot your novels in some detail before you actually start writing?

I’m very much what’s called a pantser. I start with my main character, a situation, and a location and go from there with only a rough idea of where it will lead. I enjoy writing this way. When I’ve tried to plan, it hasn’t worked for me.

Anne: Flying by the seat of your pants. The exciting way to work!

 

What comes first for you characters or plot?

I start with a character and a situation, then usually a man appears in her life and family; the characters develop and take on a life of their own. I’m never sure what‘s going to happen when I sit down to write – my characters often surprise me.

Anne: It’s funny how characters can do that – as if they’re real, breathing people who the writer isn’t in charge of.

 

Where do you get your ideas?

I take things I hear and read, then link some of them together and think ‘what if?’.

Some examples:-

Band of Gold begins with Anna’s husband placing his wedding ring on the kitchen table on Christmas morning and saying, ‘I can’t do this anymore.’ I heard of someone this happened to and started to wonder what would happen to her afterwards.

In Champagne for Breakfast, Rosa is sitting by the river drinking champagne on her birthday – by herself. One Sunday morning my husband and I were walking along the Noosa River when we saw a woman sitting alone with an empty bottle. I started to wonder what her story was and remembered Rosa, a secondary character in The Sand Dollar, who had recently finished a disastrous relationship. That woman became Rosa drinking champagne alone by the river on her fiftieth birthday.

The Good Sister is based on my aunt’s story. As a child growing up in Scotland, I had an aunt who was fond of telling us the story of her doomed love affair. I knew I had to write it one day. Her story became old Isobel’s story in this book.

Madeline House was written as the result of a trip to Florence after my mother-in-law died. During that trip, the woman who bought my mother-in-law’s house had arrived in town with only her car and her dog. At the same time, I became aware of the business of estate sales in the area. Also, I had once worked with a woman whose husband was very controlling and who had many of the same experiences of Beth in this book. These ideas all came together to produce this third book in my Oregon Coast series.

When I get stuck with a book, I often find inspiration when I’m driving or ironing – or falling asleep!

Anne: Yes, those ideas don’t always come when a writer’s at their desk. I like your magpie way of collecting small, sparkly ideas and developing them.

 

Have you got a favourite character out of all the ones you’ve created? Tell us about them if you have or is it too hard to pick just one?

I love all my characters – my heroines all have a little bit of me in them and my heroes a little bit of my lovely husband and soul mate. I feel most akin to Jenny in my Oregon books as, like me, she travels to Oregon when facing a redundancy and meets a lovely retired university lecturer like my own dear husband. But I think perhaps I like Bel best. Like me, she emigrates from Scotland to Australia to teach in her twenties, but unlike me she returns and meets the lovely Matt choosing to set up home there with him on the banks of Loch Lomond – a spot where, if I’d remained in Scotland, I’d dearly like to have lived.

Anne: I’ve a soft spot for Bel too.

 

Can you share some of the feedback/reviews you’ve had from your readers?

I’m thrilled to have found readers who want to read my books and who enjoy reading about more mature women. Many of them mention this in their emails and reviews. They also mention that I write about real people and that my books have a good sense of place.

One of my favourite comments comes from one of Mrs B’s Book Reviews in which book blogger, Amanda, calls me ‘the queen of mature age fiction’. I also love her comment that, ‘Maggie Christensen’s writing is like a nice warm cup of tea. It is warm, nourishing, comforting and embracing.’

Another favourite review is by Anne Williams of Being Anne book blog

‘The author’s story-telling is just wonderful: she introduces you to her characters, sets the scene, and the story then unfolds around you – and her characters are always real people who you can’t fail to take to your heart as you watch them making their choices and mistakes.’

Anne: I completely agree with those reviews.

 

And now I’d like to thank you very much indeed, Maggie, for agreeing to take part in the festival today and for providing us with such a fascinating interview and insight into your writing.

But before you go, we have an extract from your novel A Single Woman below.  Tell us a bit more about this particular book and why you chose it for the extract.

A Single Woman is the third book in my Scottish Collection. While it can be read as a stand-alone novel, readers of the first two will welcome to opportunity to reconnect with old friends from the earlier books.

In the words from your review in Put it in Writing, it’s ‘a second-chance, midlife romance where the last thing either protagonist is looking for is to fall in love. It’s set mainly in the Scottish city of Glasgow, and it’s the thoughtful and touching story of the developing relationship between two rather damaged people.’

From the back cover:

Isla Cameron, headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.

Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.

When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship.

As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.

Can Alasdair overcome his natural reserve, and can Isla open her heart to love again?

 

The extract from chapter 8 takes place when Isla is attending a Christmas Eve party held by an old school friend. I chose this extract as it the first time the two protagonists meet. Christmas is a sad time for both of them.

Extract:

A Single Woman

Having imagined herself alone, Isla turned quickly to see a tall, wide-shouldered, fair-haired man standing almost hidden by the branches filled with Christmas ornaments and tinsel.

‘You escaped, too?’ he asked, with a conspiratorial grimace.

Isla nodded, hoping he didn’t see her tears.

‘Look,’ he stammered, ‘I need a breather. Why don’t you join me – get away from all that…’ He gestured in the direction of the room they’d both left where the sound of carols was beginning to drown out the chatter.

Isla hesitated. What she really wanted was to go home, but she needed to sober up a bit before she could consider driving on the icy roads. Fresh air would clear her head.

Seeing her waver, the man spoke again. ‘Get your coat and we can sneak away.’

About to do as he said, Isla looked down at her heels. They were not made for walking on icy roads.

‘You’ll be fine. The pathway around the garden has been cleared.

‘Okay.’

By the time she’d put on her coat, her companion was opening the door, and the pair slipped out, closing it silently behind them.

After the centrally-heated house, the frosty air hit them like sharp needles, their breath forming clouds in the cold air.

‘By the way, I’m Alasdair,’ Isla’s companion said.

‘Isla.’ She shook his outstretched hand before returning hers to her pocket, while wondering what on earth she was doing out here with a strange man on Christmas Eve.

‘How do you know Kirsty?’ he asked, as they walked.

‘We’re old school friends, though until a school reunion a few weeks ago, we hadn’t seen each other since. You?’ Isla didn’t really want to know, but felt obliged to ask.

‘Sister-in-law, for my sins.’

Isla almost stumbled in surprise. If Alasdair was Kirsty’s brother-in-law, then it followed he was also Fiona MacLeod’s father and, if she remembered correctly, it was around this time of year his wife had died.

‘Are you okay?’ he asked.

‘Yes, thanks.’ Should she tell him? Tell him what? That she was his daughter’s headmistress? What would be the point of that? They were two strangers, grabbing some fresh air, escaping from a party it seemed neither of them wanted to be part of. That was all.

At the corner they turned, and without any further conversation, they walked back and stepped into the Reid home just as silently as they’d left.

In their absence, the gathering seemed to have become even more raucous, the loud beat of music and chorusing of old hit songs emanating from the living room. It was like being at one of the parties Isla remembered from her schooldays. She’d never been a social animal. She grimaced.

‘Not your scene either?’

‘No. I think I’ll make my thanks to Kirsty and leave.’

Still in her coat, Isla peeked into the room catching sight of Kirsty in the centre of a jolly group of choristers. She hesitated, unsure how to interrupt.

‘You’ll never manage it. Call her in the morning,’ Alasdair advised. ‘I’m going, too. Tomorrow…’

‘Is Christmas Day. Yes.’

Isla supposed he’d be involved in some sort of family celebration. She shivered. She would be alone. For her, it would be just another day, nothing special, no celebration. Another day when she’d try to keep the memories at bay.

 

Want to read more:

A Single Woman is available on all digital platforms just go to this link:  books2read.com/ASingleWoman

 

About Maggie:

After a career in education, Maggie Christensen began writing contemporary women’s fiction portraying mature women facing life-changing situations. Her travels inspire her writing, be it her frequent visits to family in Oregon, USA, her native Scotland or her home on Queensland’s beautiful Sunshine Coast. Maggie writes of mature heroines coming to terms with changes in their lives women who have learned to live and love in later life and the heroes worthy of them. Heartwarming stories of second chances. She has recently been called ‘the queen of mature age fiction’

From her native Scotland, Maggie was lured by the call ‘Come and teach in the sun’ to Australia, where she worked as a primary school teacher, university lecturer and in educational management. Now living with her husband of over thirty years on Queensland’s Sunshine Coast, she loves walking on the deserted beach in the early mornings and having coffee by the river on weekends. Her days are spent surrounded by books, either reading or writing them – her idea of heaven!

She continues her love of books as a volunteer with Noosa library where selects and delivers books to the housebound.

You can connect with Maggie online at the links below:

http://maggiechristensenauthor.com/

https://www.facebook.com/maggiechristensenauthor

https://twitter.com/MaggieChriste33

https://www.goodreads.com/author/show/8120020.Maggie_Christensen

https://www.instagram.com/maggiechriste33/?hl=en

https://www.bookbub.com/profile/maggie-christensen?list=about

 

 

Virtual Book Festival: Event 11 – An Interview with Children’s Author Darlene Foster @supermegawoman #VirtBookFest #books #childrensbooks

Hello and welcome to event number eleven in the Virtual Book Festival. Today’s guest is author of children’s books, Darlene Foster, and she’s here to talk to us about her writing and to tell us about  the wonderful novels she writes for eight to twelve year olds.

Welcome Darlene, it’s lovely to have you here today. Let’s start with you telling us why and how  you became a writer.

No one is born a writer. But you can be born a storyteller. I come from a long line of storytellers and have been telling stories out loud or in my head for as long as I can remember. We were encouraged to tell stories as I was growing up on the farm, as we didn’t have a television until I was almost a teenager. My grade three teacher encouraged me to write my stories down and when I was twelve I had a short story published in a local paper. It was called Stretch Your Food Dollar and was about an amusing experience two young girls have while shopping in a department store. Little did I know, all these years later, I would publish books about two girls having adventures and amusing experiences in various countries.

Storytelling is easy for me, getting it down on paper is a lot harder. Even though I have had several books published, I still feel like I am a writer in training. There is always more to learn.

Anne: Indeed – the writing it down is the hard part –and I know what you mean about always learning.

 

What genre do you write in and why did that hold a particular appeal for you?

I write travel adventure books for tweens, ages 8 to 12. I chose this genre as I dreamt of travelling as a child and enjoyed reading about adventures children had like The Bobbsey Twins, Nancy Drew and Trixie Belden. I particularly enjoy writing for this, my favourite age group, as they are bright, inquisitive, eager to learn and fun. They are in the middle, no longer little children but not yet teenagers. There is still that sweet innocence but they are starting to question things and think for themselves. That sense of adventure kicks in at this age and they crave more independence, at the same time they like to feel safe in the familiar. This all changes when they become teenagers.

Anne: Yes, an ideal age group for all the reasons you say.

 

How many books have you written? Tell us a bit about them.

I have written and had published seven books in the Amanda Travels series and one bi-lingual book, Cerdito a juicio (English/Spanish)

The Amanda Travels series feature spunky Amanda Ross, a 12-year-old Canadian girl who decides that the only way out of her boring existence is to travel. In Amanda in Arabia – The Perfume Flask, she makes a wish on her birthday for travel and gets an airline ticket to the United Arab Emirates to visit her Aunt the next day. She doesn’t even know where that is and has to look it up on the internet. Once there she meets Leah, an English girl, and before she knows it they are in the middle of an adventure that involves a runaway princess, bounty hunters, camels and a sand storm. She often finds herself wishing she were back home in her boring but safe life once again.

Amanda travels to Spain to join Leah in Amanda in Spain – The Girl in The Painting, where they help a young girl, who looks like a girl in a famous painting, escape the clutches of a mean horse thief. She also visits Leah in Amanda in England – The Missing Novel, where they get lost in a maze, hide in an underground tunnel and ride the London Eye in search of a missing vintage novel. When Leah visits Amanda in Amanda in Alberta – The Writing on the Stone, they take in all the sights while trying to decipher the mysterious writing on a stone and keep it from getting into the wrong hands. No matter where Amanda travels, even in her home province, she can’t seem to stay away from danger. In Amanda on the Danube – The Sounds of Music, Amanda is given a precious violin to look after as she enjoys a cruise down the Danube with Leah. Things aren’t always what they seem and Amanda is not sure who she can trust. Even Leah is acting strange. She goes on a school trip in Amanda in New Mexico-Ghosts in the Wind where some weird things happen that make her wonder if she believes in ghosts or not. Amanda plans to do a lot more travelling.

Anne: Go Amanda! How wonderful that she and your readers get to travel to all these different places. I’d have loved these as a child and I think my granddaughter who will be eight this year would enjoy them too.

 

Tell us about a typical writing day?

I no longer have a typical writing day. When I was working full-time I would write for two hours every day, in the evening after dinner. I wrote my first four books sticking to this routine. Now that I am retired, I write when I get a chance. Often late at night but sometimes in the morning or mid-afternoon. The only rule I stick to is that I have to write every day. Which I do.

Anne: Yes, I think that’s the key – keep at it – and fit it in whenever you can.

 

Do you plot your novels in some detail before you actually start writing?

I am a true panster and create the story as I write. I tried to plot one of my books and it slowed me down and took away the spontaneity I require. I create a mind map with locations but that is about it. The mind map gets changed a lot and becomes very messy. I find this weird, as I am a fastidious planner in other parts of my life, just not in the writing part. I tend to allow my characters to take over. Then I polish the story later.

Anne: Your answer made me smile. I’m exactly the same – I plan the rest of my life assiduously – but when it comes to writing – no way.

 

What comes first for you characters or plot?

What comes first for me always is setting. However, my stories are character driven so the characters would come before plot. The plot happens as the characters react to certain things, people, places and events.

Anne: Yes, I can see why that would be the case with Amanda’s adventures. It’s the setting that kickstarts the rest.

 

Where do you get your ideas? How/when do they come to you?

I get my initial ideas when I’m travelling. I will often say to my husband or travelling companions, “I could use that in a story.” Or “Amanda would love that.” I take a lot of notes and pictures. I also get ideas listening to tweens talk. I overheard two twelve-year-olds discussing potential boyfriends and used that idea in Amanda in Holland. I love to hang around young people as they inspire me.

Anne: Again, it’s not surprising that you’re inspired by your travels.

 

Have you got a favourite character – apart from your lead one Amanda who I’m guessing comes top of the list – out of the all the ones you’ve created?

When I wrote Amanda in New Mexico I created a character called Caleb who I just fell in love with. He is a typical Alberta boy from Calgary. I grew up with three brothers (no sisters), have a son and two grandsons who I adore. Caleb is a combination of all of them. He is funny, tries to be brave, cool, smart and polite. He says things you wouldn’t expect him to say. He has a soft spot for Amanda but doesn’t really let on. He was only going to be in one book, but I have given him a big part in book number 8, Amanda in Malta – The Sleeping Lady.

Anne: Caleb sounds lovely.

 

Can you share some of the feedback/reviews you’ve had from your readers and/or any awards your books have received?

I have had some great reviews and feedback but the ones I like best are from the young readers themselves.

Here is a review of Amanda on The Danube from an articulate ten-year-old who lives in Wales.

“I think this book every bit as good as the last – if not better! I think the sense of intrepidation in this book is amazing. I read a lot myself and this was such good quality I am astounded. This is one of my favourite books of all time and that’s saying something!! My favourite scene is on page 5 because that’s where the mystery starts where they find the foot in the storage cupboard and are just about to find out more when a young cruise director called Michael spots them and asks why they are there. My favourite character is either Klaus because his personality changes so quickly from jolly and friendly to dark and sinister. Or it could be Sebastian because his personality changes quickly too. My favourite word in the book was ‘cobblestones’ because it sounds weird when I say it. All in all, this book was a great read and one of the best things about it is that children of all ages would enjoy it, because of its twists and turns and gripping narrative. I really enjoyed this book and I wish I could read more of the series.” Catrin

Here’s one from Quill & Quire

“Foster’s writing is conversational and easy to read, and young readers will likely find the pages flying by.”

And one from Alex Lyttle, author of From Ant to Eagle

“As always, I love the way these books teach kids about new places. Darlene does a great job combining history, cuisine, architecture and in this case, botany, from new countries in a way that children will enjoy. Looking forward to the next of Amanda and Leah’s adventures!”

Anne: Wow! Great feedback and especially lovely to hear from child readers too.

 

Your latest book in the Amanda series came out very recently and we have an extract from it below. But first – what’s it called and please, tell us a bit about it.

It’s called Amanda in Holland-Missing in Action and here’s what it says on the back cover:

Amanda is in Holland to see the tulips with her best friend, Leah. They travel the canals of Amsterdam, visit Anne Frank House, check out windmills, tour a wooden shoe factory, and take many pictures of the amazing flowers of Keukenhof Gardens. But many things are missing in Holland – rare tulip bulbs, a gardener, a home for an abandoned puppy and Amanda’s great-uncle who never returned from World War II. Is Amanda capable of finding these missing things without putting herself in danger? For kids and grown-up kids who enjoy a mystery and adventure set in a delightful country, Amanda’s adventures will make you want to visit Holland.

EXCERPT from Amanda in Holland – Missing in Action

They all piled into the car, Leah in the front, Amanda and Jan in the back with Joey between them.

Amanda enjoyed the scenery as they drove along the highway. “It’s so flat and very green.”

Jan explained how Holland is actually below sea level in many places and dykes were built to keep the water out. “No doubt you have heard the story of the little boy and the dyke?”

“No, I haven’t.” Amanda shook her head. “Tell us.”

“Well,” Jan began, “a long time ago a small boy was on his way to school when he noticed a leak in the dyke. He saw the sea water trickle through the opening and knew that even a small hole could eventually become bigger. If too much water flowed through, the village could be flooded. So, he poked his finger in the hole to stop the water, even though it meant he would be late for school and get into trouble. He stood there with his finger in the hole for a long time until eventually someone saw him and got help. The hole was repaired and the boy became a hero for saving his village.”

“That is such a cool story. Is it true?” asked Amanda.

“It is more like a legend. The story is told to children to show them that even a small child can prevent a disaster if they use their wits. Actually an American author, Mary Mapes Dodge, first wrote about it a hundred and fifty years ago in her book, Hans Brinker or The Silver Skates.”

“That’s so interesting, don’t you think, Leah?”

“Ya, sure.” Leah turned the page of her fashion magazine. “I heard that story when I was a little girl. What do you think of this outfit?” She turned around and held up the page.

Amanda smiled. “That’s very nice. It would look good on you.”

Everyone kept quiet as they passed more farm buildings and neatly tilled fields.

“Turn left,” said the GPS woman.

Mr. Anderson turned the corner and slammed on the brakes. A large angry goose stood in the middle of the road with its wings flapping and neck stretched forward as it honked.

Amanda laughed. “What a silly goose!”

“That’s my grandfather’s goose. He likes to think he is protecting the property,” said Jan.

“You mean he’s like a guard goose.” Amanda grinned.

Jan got out of the car and spoke to the goose in Dutch. The irate bird finally left the road and waddled into the field, his eye still on them.

Leah’s dad rolled down the window. “Thanks, mate. I wasn’t sure how we would get past him. Get back in and we’ll take you to where you need to be.”

Jan climbed back into the car. “You can drop me off over there.” He pointed to a farmyard in the distance.

As they neared the farm, Amanda noticed the rustic house with a sloping roof that looked like a face with a large slouched hat pulled over its eyes. “Is this where your grandparents live?”

“Yes, they have always lived here and so has my great-grandmother. It is her family home,” answered Jan.

The place looked inviting and cozy. Someone pulled aside a lace curtain and peered out the window. Grey eyes met Amanda’s. The curtain dropped.

Darlene: Thanks so much for organizing this virtual book fair and including my Amanda Travels stories.

Anne: It was a pleasure to have you here, Darlene. Thank you so much for taking part.

 

About Darlene Foster:

Growing up on a ranch near Medicine Hat, Alberta, Darlene Foster dreamt of writing, travelling the world, and meeting interesting people. She also believed in making her dreams come true. It’s no surprise she’s now the award-winning author of Amanda Travels, a children’s adventure series featuring a spunky twelve-year-old who loves to travel to unique places.  Readers of all ages enjoy following Amanda as she unravels one mystery after another. When not travelling herself, Darlene divides her time between the west coast of Canada and the Costa Blanca, Spain with her husband and entertaining dog, Dot.

 

You can connect with Darlene at the places below:

Facebook: https://www.facebook.com/DarleneFosterWriter/

Twitter:  https://twitter.com/supermegawoman

Instagram: https://www.instagram.com/darlene6490/

Website: http://www.darlenefoster.ca/

Blog: https://darlenefoster.wordpress.com/

Goodreads: https://www.goodreads.com/author/show/3156908.Darlene_Foster

Amazon author page: https://www.amazon.com/DarleneFoster/e/B003XGQPHA/

 

Buy links for Darlene’s books below:

 

https://www.amazon.com/Amanda-Holland-Missing-Action-Travels/dp/1771681713/

https://www.amazon.co.uk/Amanda-Holland-Missing-Action-Travels/dp/1771681713/

 

https://www.waterstones.com/author/darlene-foster/515148

https://www.chapters.indigo.ca/en-ca/books/contributor/author/darlene-foster/

https://www.bookdepository.com/author/Darlene-Foster

https://www.barnesandnoble.com/w/amanda-in-holland-darlene-foster/1130013153?ean=9781771681711

 

 

 

 

Virtual Book Festival 2019: Event 9 – an interview with novelist Linda Gillard #VirtBookFest #books #writing

Hello and welcome to event number nine of the Virtual Book Festival. Today it’s my pleasure to welcome novelist Linda Gillard who is going to tell us a bit about herself and her writing. Linda is a lovely lady who I first met at a Scottish Association of Writers conference in Glasgow in 2005 when we were amazed to discover that, at the time, we both lived on the Isle of Skye. And I owe her a huge debt as it was she who first encouraged me to have a go at writing a novel and generously shared lots of good advice with me. And I know she’s a role model for lots of other authors too.

Linda, welcome! I really am delighted to have you here at the festival. So, first, can you tell us why and how you became a writer?

I was a journalist for some years, but I started writing fiction in 1999. I was 47 and recovering from a nervous breakdown. I’d been a teacher in a very challenging school and I’d cracked up. Recuperating at home, I couldn’t find the sort of book I wanted to read. Bookshops then were full of chick lit. Women over 40 just didn’t feature unless they were somebody’s mother or somebody’s wife. So I started writing a thinking woman’s romance about a cracked-up 47-year old woman who finds love and salvation on a Hebridean island. I called the book EMOTIONAL GEOLOGY.

I had no thought of publishing it. I knew it wasn’t in the least commercial. I just wrote it for me, as therapy and entertainment, but my online writing group said, “You should try to publish this.” So I did.

I found an agent, then a publisher and EMOTIONAL GEOLOGY became my first novel. It’s the favourite of many readers.

Anne: Oh, I like that – ‘a thinking woman’s romance’. And I must say Emotional Geology is my favourite too.

 

What genre do you write in and why did that hold a particular appeal for you?

All my books are different, so I’m a marketing nightmare! Some are literary fiction, some are ghost stories, some have a large historical component and all of them have at least one love story. I’m impossible to classify. I once asked my editor what genre I wrote in and she said, “Linda Gillard genre”.

I write fiction that will appeal mainly to women and it’s thought-provoking, sometimes challenging. Definitely not a “beach read”. But at the same time, I aim to entertain. Humour plays a big part in my stories. I want to make readers laugh and cry.

Anne: Your own genre – that is so cool 🙂 And I think you definitely fulfil those writing aims.

 

Do you plot your novels in some detail before you actually start writing?

No, though I plan more now than I used to. I began most of my novels not having any idea how they would end. With HOUSE OF SILENCE, I didn’t even know which man the heroine would end up with until quite late on in the book.

I prefer to have just a rough idea of the plot and a clearer idea of the characters, then I wait and see what happens. I prefer not to plan too much because if I do, I fear I’ll just go for the obvious. There are many surprising twists in my books that weren’t planned, they just happened on the page. I think that’s why they work.  Readers don’t see them coming because I didn’t see them coming!

If you let it, your subconscious will write a much better book than your conscious mind, but it takes courage to trust the process. You have to believe your characters will somehow find their way out of the dire and complex situations you’ve put them in.

But when things are going well, I don’t feel as if I’m writing the story, I feel as if I’m taking dictation. The characters are telling me what to write – and sometimes what they tell me isn’t what I would have expected or wanted. But if you feel as if you’re hanging on to your character’s coat tails, you know your book has really taken off. It’s scary, but exhilarating.

Anne: Yes! There’s something magical about the characters taking the lead.

 

What comes first for you characters or plot?

Characters. A good plot should arise out of character. Although my plots are complex and have some big surprises, they’re all character-driven.

I probably focus on character because I was an actress in my youth and I always tell my stories using a lot of dialogue. When I’m writing, I usually have actors in mind who could play my characters. I’m really a failed screenwriter!

Anne: I like the idea of having actors in mind. I can see how that would bring the characters to life for you – and then it’s over to them.

 

Where do you get your ideas? How/when do they come to you?

People. Not people I know, but people I read about or imaginary people I think about. (UNTYING THE KNOT grew out of wondering what kind of boy grows up to be a man who works in bomb disposal.) Sometimes it’s a voice I can hear, a character who insists on “talking” to me. It can be a bit like being buttonholed by someone at a party!

The characters come first, then a sense of place. That’s important. But I don’t need a story to get started, just a situation that gets me thinking, “What if…?”

Anne: Hmm, yes these characters can be very persistent, can’t they?

 

Have you got a favourite character out of the all the ones you’ve created?

I admit I’ve fallen in love with several heroes – and one was a ghost! I also have a soft spot for a subsidiary character, Garth the Goth in STAR GAZING. I’m embarrassed to admit he actually used to make me laugh out loud when I was writing the book.  I’m very fond of scatty Hattie in HOUSE OF SILENCE – one of my many vulnerable characters, emotionally and mentally.

But the characters who continue to haunt me are two of my earliest creations (though to me they’ve always seemed like real people): the twins, Rory and Flora Dunbar, from A LIFETIME BURNING. They really got under my skin.

Anne: How wonderful that they take on this life of their own and they influence you.

 

Can you share some of the feedback/reviews you’ve had from your readers and/or any awards your books have received?

STAR GAZING and EMOTIONAL GEOLOGY have both been shortlisted for or won various awards, but I’m actually prouder of some of the reviews readers have written over the years. I’ve been known to sit at my PC, quietly weeping as I read something a kind reader has posted. Sometimes these reviews turn up on a bad day when you’ve looked at your sales figures and you’re thinking, “What is the point?” Then a reader posts a review or gets in touch and you realise this is why you do it: you want to tell stories that will move people, even change their lives.

A troubled teenager contacted me to say, since she’d read EMOTIONAL GEOLOGY, she’d managed to stop self-harming and had taken up writing poetry instead. I’ll never get a better review than that.

Anne: That’s pretty amazing that you had such a positive effect on that young person. And, yes a good review is so encouraging and uplifting.

 

Well, thank you so much Linda for agreeing to take part in this virtual book festival. It’s fascinating to get your responses to my questions and, before you go, you’ve kindly agreed to share an extract from the aforementioned Emotional Geology. Can you tell us a bit more about this particular book and why you chose it for the extract.

EMOTIONAL GEOLOGY is a book about memory, madness and mountaineering, but mostly it’s a love story in which two fragile people find a way to trust and support each other. It’s also a book about landscape: the sometimes bleak, always beautiful island of North Uist.

It was my first novel, published in 2005, but I’m excited about it again because I sold the screen rights and most of the funding is now in place to make the film. With luck they’ll start shooting next spring, on location in North Uist. I’ve read the script and was thrilled to find it was very close to my novel. Almost all the dialogue was mine.

Anne: A film! Wow! How exciting!

BOOK EXTRACT

EMOTIONAL GEOLOGY by Linda Gillard

Back cover blurb

Rose Leonard is on the run from her life.

Haunted by her turbulent past, she takes refuge in a remote Hebridean island community where she cocoons herself in work, silence and solitude in a house by the sea. Life and new love are offered by friends, her estranged daughter and most of all by Calum, a fragile younger man who has his own demons to exorcise.

But does Rose, with her tenuous hold on sanity, have the courage to say “Yes” to life and put her past behind her?

 PROLOGUE

I talk to the island. I don’t speak, but my thoughts are directed towards it. Sometimes it replies. Never in words of course.

I miss trees. You don’t notice at first that there are hardly any trees here, just that the landscape is very flat, as if God had taken away all the hills and mountains and dumped them on neighbouring Skye. But eventually you realise it’s trees that you miss.

Trees talk back.

In the hospital grounds there was a special place where I used to stand, where I went to feel safe. It was my magic circle, my fairy ring. There were three slender pine trees in a triangular formation, only a few feet apart. I used to stand within that space, sheltered, flanked by my trees, like a small child peering out at the world from behind grown-up legs.

Once, when the air was very still and a brilliant blue sky mocked my misery, I stood between my trees, head bowed, not even able to weep. I placed my palms round two of the tree trunks, grasping the rough bark. I begged for strength, support, a sign. Anything.

My trees moved in answer. Quite distinctly, I felt them move.  As my palms gripped them they shifted, as the muscles in a man’s thigh might shift before he actually moved. The movement was so slight it was almost imperceptible, as if their trunks were flexing from within.

I knew then that the doctors were right, I was indeed mad. I threw up my head and cried out. Above me a light breeze played in the treetops, a breeze I had been unaware of on the ground. It tugged at the branches with a sudden gust and I felt the trunks flex again, bending to the will of the wind.

I wasn’t mad.

At least, not then.

 

If you want to read more you can buy the book at the links below:

Buy the ebook here

Buy the paperback (Amazon UK) here

and (Amazon US) here

About Linda:

Linda Gillard lives in North Lanarkshire. She’s the author of eight novels, including STAR GAZING, short-listed in 2009 for Romantic Novel of the Year and the Robin Jenkins Literary Award. STAR GAZING was also voted Favourite Romantic Novel 1960 – 2010 by Woman’s Weekly readers.

Linda’s fourth novel, HOUSE OF SILENCE became a Kindle bestseller and was selected by Amazon as one of their Top Ten “Best of 2011” in the Indie Author category.

Follow Linda on Facebook

Linda’s website is here.

Author Interview: Christine Webber @1chriswebber #amreading #MondayBlogs

I’m delighted to welcome author Christine Webber to the blog today to talk about her new contemporary novel It’s Who We Are, and about her writing in general. I read and very much enjoyed her previous novel Who’d Have Thought It? and I reviewed it here. And I will be posting a review of the new book here very soon.

Welcome Christine!

 

I was intrigued to see that there was a thirty year gap between your first novel In Honour Bound and your second one Who’d Have Thought it? What were you doing in between?

Christine: As those of us of a certain age know all too well, thirty years can disappear in a flash! I wrote my first novel when I was working as a news presenter for Anglia TV. I always meant to carry on writing fiction, but shortly afterwards, I left the company to pursue a new career in medical and social journalism – and somehow fell into becoming an agony aunt. I wrote columns for Best magazine, TV Times, The Scotsman, BBC Parenting, Woman, Dare, Full House and several others – not all at the same time though! Then I started getting work as a ‘relationships expert’ on TV programmes such as Trisha and The Good Sex Guide… Late. While this was happening, I decided to train as a psychotherapist – and I started my own practice. Meanwhile, Hodder commissioned my husband and me to write a book about orgasms (The Big O). This did quite well and led to my staying with Hodder and writing a whole range of self-help books.  Later, I penned titles for Piatkus and Bloomsbury. I knew I longed to write more novels. It just took a while to get on with it!

 

Why was fiction writing something you wanted to come back to – especially after such a long gap?

Christine: I kept having ideas for fiction, but life was so busy, and I felt I had to focus on work that actually paid me. In some ways I regret that now. On the other hand, my years of writing about relationships, and being a therapist, gave me great insight into how our minds function – which is useful when it comes to portraying characters realistically. And the decades of juggling broadcasting, health writing, newspaper columns, and therapy did provide me with a financial cushion which has enabled me to do what I do now. I know many other indie authors, who have had long-term careers before writing, feel the same.

 

 You write what could broadly be described as contemporary romantic fiction, but it’s definitely not chick-lit. Why do you go for older protagonists who are in their fifties and sixties?

Christine: I suppose it’s all about wanting to read material that mirrors our own experiences. And – like many other writers and readers of my vintage – I feel there is a lack of good stuff about the people we really are. I first tried to change publishers’ attitudes to the over 50s in 2009, when I was planning a guide for female baby boomers. I wanted to write about finance, locations, housing, beauty, friendship, romance and health – basically everything that needs to be considered if we are to age more vibrantly than people of past generations.

I had to change agents and publishers to get this book accepted. I was told constantly, ‘no one wants to read about older people!’ Anyway, I did get Too Young to Get Old published and now I have transferred my zeal for writing about the individuals we are – as opposed to out-dated stereotypes – into fiction. But I had to venture into indie publishing in order to do it.

 

Do you detect a growing popularity for this kind of multi-generational novel where middle-aged and older characters are at the centre of the action?

Christine: I really do. And I would urge interested writers and readers in mid-life to investigate the excellent new organisation – launched recently by Claire Baldry – called Books for Older Readers. We are a growing band. One might even say that we are creating a ‘genre’!  Check out the website:  www.booksforolderreaders.co.uk. The group is also active on Facebook and Twitter.

 

Describe for us your typical writing day.

Christine: I’d love to describe something scheduled and organised. But I’d be lying if I did. Like lots of people, I have constraints on my time, for family reasons. I also think it’s absolutely vital to get exercise, so that has to be worked into every day too. And, as every indie writer knows, the marketing and social media aspect of one’s ‘operation’ also has to be managed. In practice then, I tend to do correspondence and marketing in the morning. And try to leave two or three hours to write mid-afternoon. I also have a new resolution, which is to find half an hour after lunch for reading other authors’ novels. I need an expandable day, really! The other component that forms an essential part of my writing day is that I always play music while I work. And I invariably start each day with Mozart, who feeds my soul and sanity. There’s nothing like tapping into creative genius for getting your own grey cells into shape!

 

And finally, please do tell us a bit about your new book, It’s Who We Are.

Christine: It’s Who We Are is a contemporary novel. It’s very different from Who’d Have Thought It? which is essentially a romantic comedy. People do fall in love in the new book, and there are plenty of comedic moments too, but it’s a far more serious work than the last one. But then life is more serious than it was just a few years ago. Think back to the London Olympics – we don’t feel like the same country now, do we? And writing contemporary fiction seems to me to have to reflect that.

I have five main characters in this book, and they are all facing tremendous upheaval in mid-life. One of the women has decided to divorce her perpetually unfaithful husband. Another is coming to terms with widowhood and contemplating a change of career. Then there are three men – a rich business man who hates running the family firm and is trapped in a loveless marriage, a priest who is so intensely lonely that he feels people must be able to ‘smell it’ on him, and a larger than life freelance singer who’s in a panic about his ageing voice and the fact that he has no savings whatsoever.

Like many of us in our fifties, these individuals are amazed at how unsettled they feel just at a time when they had expected to be living a calm and stable existence. Thrown into the mix there are family secrets, which become uncovered as elderly parents die or become ill – and these cause all five characters to question who they really are.

Thank you, Christine. An interesting and thought-provoking interview. And I agree that, as in your books, life goes on in all its richness and complexity for all of us –  regardless of age.

 

It’s Who We Are is published on January 16th and will be available in bookshops throughout the country and on Amazon 

You can follow Christine on Twitter at @1chriswebber

Her website is www.christinewebber.com

 

And, as always, it’s over to you, the readers of this blog: Do you like reading multi-generation fiction and/or fiction where the main characters are middle-aged or older?

In The Chair 42

Source: In The Chair 42

I’m interviewed over at Jan Ruth’s blog today. It was fun to do and I hope you enjoy reading it. You can, amongst other things, find out which character I fell in love with whilst writing him and can you guess my favourite word?

Thanks Jan for having me.