Virtual Book Festival: Event 17 – an interview with romance author Maggie Christensen @MaggieChriste33 #VirtBookFest #books #reading #romanticfiction

Hello everyone and welcome to event number 17 in the Virtual Book Festival.  This is the third and final joint event with the Books For Older Readers (BFOR) Blog Blitz. You can find out more about BFOR at the website here.

Today it’s a pleasure to have romantic fiction writer, Maggie Christensen here to tell us about herself and her books.

 

Welcome, Maggie. Let’s begin with why and how you became a writer?

I’ve always been an avid reader and loved writing compositions in school. As an only child I enjoyed playing with and talking to my imaginary friends and this led to my making up stories about them, some of which I wrote down – I often pretended I had a twin brother and thought up stories of twins. I found the time set for writing in school very limiting – I clearly remember starting one story about a fishing boat disaster and being very frustrated as time was up just as I felt I was getting into the heart of the tale. I also recall submitting a short story about being lost in the snow to Girl magazine.

But it wasn’t till I was close to retirement that I began to write fiction seriously. I enrolled in a correspondence course on creative writing, which I gave up on, then an online course which I did finish and learned a lot from, the chief thing being the importance of writing something each day. One of the tasks was to start each day by writing for five minutes about whatever I was thinking.

My first attempts were two Mills and Boon type books – the first paragraph in one won an award in a competition at the Sydney Writers Centre.

But I soon realised these were not what I enjoyed reading, so switched to writing the mature women’s romantic fiction I love to read. I joined several writing groups before finding one whose members I could relate to, and encouraged by their success, I published my first novel, Band of Gold, in 2014.

Anne: I love that you didn’t start your writing career until you were close to retirement. It shows it’s never too late to follow your dreams.

 

What genre do you write in and why does that hold a particular appeal for you?

I write what I call mature women’s romantic fiction – the sort of books I enjoy reading – books featuring women who have lived, have some experience of life and who my readers can become attached to. I feel that too often older women are either ignored or stereotyped in literature and I like to write them as real people you might have as friends. I also like to bring back characters from my earlier books so that my readers feel they are meeting old friends.

Anne: I love this too – the idea that life is as rich and varied for those over forty as it is for younger folks –and that you reflect that in your fiction. And yes the links to previous characters that you include do work well.

 

How many books have you written? Tell us a bit about them.

I have written 12 books – 11 already published and the 12th currently with my editor. All feature women in their 40’s, 50’s and 60’s who have experienced some sort of challenge in their lives – end of a marriage, death of a child, redundancy, end of a relationship, domestic violence. Three – The Sand Dollar, The Dreamcatcher and Madeline House – are set in Florence on the Oregon Coast where my mother-in-law moved to in her 80’s – The Sand Dollar features a woman who leaves Queensland’s Sunshine Coast for Oregon; two are set on Queensland’s Sunshine Coast where I now live – A Brahminy Sunrise and Champagne for Breakfast – and tie in with my Oregon series; three – Band of Gold, Broken Threads and A Model Wife -are set in Sydney where I lived when I first came to Australia and three – The Good Sister, Isobel’s Promise and A Single Woman – are set in my native Scotland, and tie in loosely with my Sydney books – the first of these, The Good Sister, being my only historical novel so far.

Anne: Wow! 12 books is quite an achievement – and they’re all first class reads.

 

Tell us about a typical writing day?

I like to start in the morning and get the bulk of my writing done, then go back to it late afternoon. While I’m writing, I take breaks when I read or do housework – and let ideas come to me. Sadly, I don’t always keep to my schedule as I also enjoy having coffee with my husband or friends. I also belong to a book club, and I deliver library books to a housebound lady, both of which take me away from my writing.

Anne: Oh, I think you’re allowed some time away from the writing desk. And how lovely that you deliver those library books.

 

Do you plot your novels in some detail before you actually start writing?

I’m very much what’s called a pantser. I start with my main character, a situation, and a location and go from there with only a rough idea of where it will lead. I enjoy writing this way. When I’ve tried to plan, it hasn’t worked for me.

Anne: Flying by the seat of your pants. The exciting way to work!

 

What comes first for you characters or plot?

I start with a character and a situation, then usually a man appears in her life and family; the characters develop and take on a life of their own. I’m never sure what‘s going to happen when I sit down to write – my characters often surprise me.

Anne: It’s funny how characters can do that – as if they’re real, breathing people who the writer isn’t in charge of.

 

Where do you get your ideas?

I take things I hear and read, then link some of them together and think ‘what if?’.

Some examples:-

Band of Gold begins with Anna’s husband placing his wedding ring on the kitchen table on Christmas morning and saying, ‘I can’t do this anymore.’ I heard of someone this happened to and started to wonder what would happen to her afterwards.

In Champagne for Breakfast, Rosa is sitting by the river drinking champagne on her birthday – by herself. One Sunday morning my husband and I were walking along the Noosa River when we saw a woman sitting alone with an empty bottle. I started to wonder what her story was and remembered Rosa, a secondary character in The Sand Dollar, who had recently finished a disastrous relationship. That woman became Rosa drinking champagne alone by the river on her fiftieth birthday.

The Good Sister is based on my aunt’s story. As a child growing up in Scotland, I had an aunt who was fond of telling us the story of her doomed love affair. I knew I had to write it one day. Her story became old Isobel’s story in this book.

Madeline House was written as the result of a trip to Florence after my mother-in-law died. During that trip, the woman who bought my mother-in-law’s house had arrived in town with only her car and her dog. At the same time, I became aware of the business of estate sales in the area. Also, I had once worked with a woman whose husband was very controlling and who had many of the same experiences of Beth in this book. These ideas all came together to produce this third book in my Oregon Coast series.

When I get stuck with a book, I often find inspiration when I’m driving or ironing – or falling asleep!

Anne: Yes, those ideas don’t always come when a writer’s at their desk. I like your magpie way of collecting small, sparkly ideas and developing them.

 

Have you got a favourite character out of all the ones you’ve created? Tell us about them if you have or is it too hard to pick just one?

I love all my characters – my heroines all have a little bit of me in them and my heroes a little bit of my lovely husband and soul mate. I feel most akin to Jenny in my Oregon books as, like me, she travels to Oregon when facing a redundancy and meets a lovely retired university lecturer like my own dear husband. But I think perhaps I like Bel best. Like me, she emigrates from Scotland to Australia to teach in her twenties, but unlike me she returns and meets the lovely Matt choosing to set up home there with him on the banks of Loch Lomond – a spot where, if I’d remained in Scotland, I’d dearly like to have lived.

Anne: I’ve a soft spot for Bel too.

 

Can you share some of the feedback/reviews you’ve had from your readers?

I’m thrilled to have found readers who want to read my books and who enjoy reading about more mature women. Many of them mention this in their emails and reviews. They also mention that I write about real people and that my books have a good sense of place.

One of my favourite comments comes from one of Mrs B’s Book Reviews in which book blogger, Amanda, calls me ‘the queen of mature age fiction’. I also love her comment that, ‘Maggie Christensen’s writing is like a nice warm cup of tea. It is warm, nourishing, comforting and embracing.’

Another favourite review is by Anne Williams of Being Anne book blog

‘The author’s story-telling is just wonderful: she introduces you to her characters, sets the scene, and the story then unfolds around you – and her characters are always real people who you can’t fail to take to your heart as you watch them making their choices and mistakes.’

Anne: I completely agree with those reviews.

 

And now I’d like to thank you very much indeed, Maggie, for agreeing to take part in the festival today and for providing us with such a fascinating interview and insight into your writing.

But before you go, we have an extract from your novel A Single Woman below.  Tell us a bit more about this particular book and why you chose it for the extract.

A Single Woman is the third book in my Scottish Collection. While it can be read as a stand-alone novel, readers of the first two will welcome to opportunity to reconnect with old friends from the earlier books.

In the words from your review in Put it in Writing, it’s ‘a second-chance, midlife romance where the last thing either protagonist is looking for is to fall in love. It’s set mainly in the Scottish city of Glasgow, and it’s the thoughtful and touching story of the developing relationship between two rather damaged people.’

From the back cover:

Isla Cameron, headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.

Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.

When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship.

As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.

Can Alasdair overcome his natural reserve, and can Isla open her heart to love again?

 

The extract from chapter 8 takes place when Isla is attending a Christmas Eve party held by an old school friend. I chose this extract as it the first time the two protagonists meet. Christmas is a sad time for both of them.

Extract:

A Single Woman

Having imagined herself alone, Isla turned quickly to see a tall, wide-shouldered, fair-haired man standing almost hidden by the branches filled with Christmas ornaments and tinsel.

‘You escaped, too?’ he asked, with a conspiratorial grimace.

Isla nodded, hoping he didn’t see her tears.

‘Look,’ he stammered, ‘I need a breather. Why don’t you join me – get away from all that…’ He gestured in the direction of the room they’d both left where the sound of carols was beginning to drown out the chatter.

Isla hesitated. What she really wanted was to go home, but she needed to sober up a bit before she could consider driving on the icy roads. Fresh air would clear her head.

Seeing her waver, the man spoke again. ‘Get your coat and we can sneak away.’

About to do as he said, Isla looked down at her heels. They were not made for walking on icy roads.

‘You’ll be fine. The pathway around the garden has been cleared.

‘Okay.’

By the time she’d put on her coat, her companion was opening the door, and the pair slipped out, closing it silently behind them.

After the centrally-heated house, the frosty air hit them like sharp needles, their breath forming clouds in the cold air.

‘By the way, I’m Alasdair,’ Isla’s companion said.

‘Isla.’ She shook his outstretched hand before returning hers to her pocket, while wondering what on earth she was doing out here with a strange man on Christmas Eve.

‘How do you know Kirsty?’ he asked, as they walked.

‘We’re old school friends, though until a school reunion a few weeks ago, we hadn’t seen each other since. You?’ Isla didn’t really want to know, but felt obliged to ask.

‘Sister-in-law, for my sins.’

Isla almost stumbled in surprise. If Alasdair was Kirsty’s brother-in-law, then it followed he was also Fiona MacLeod’s father and, if she remembered correctly, it was around this time of year his wife had died.

‘Are you okay?’ he asked.

‘Yes, thanks.’ Should she tell him? Tell him what? That she was his daughter’s headmistress? What would be the point of that? They were two strangers, grabbing some fresh air, escaping from a party it seemed neither of them wanted to be part of. That was all.

At the corner they turned, and without any further conversation, they walked back and stepped into the Reid home just as silently as they’d left.

In their absence, the gathering seemed to have become even more raucous, the loud beat of music and chorusing of old hit songs emanating from the living room. It was like being at one of the parties Isla remembered from her schooldays. She’d never been a social animal. She grimaced.

‘Not your scene either?’

‘No. I think I’ll make my thanks to Kirsty and leave.’

Still in her coat, Isla peeked into the room catching sight of Kirsty in the centre of a jolly group of choristers. She hesitated, unsure how to interrupt.

‘You’ll never manage it. Call her in the morning,’ Alasdair advised. ‘I’m going, too. Tomorrow…’

‘Is Christmas Day. Yes.’

Isla supposed he’d be involved in some sort of family celebration. She shivered. She would be alone. For her, it would be just another day, nothing special, no celebration. Another day when she’d try to keep the memories at bay.

 

Want to read more:

A Single Woman is available on all digital platforms just go to this link:  books2read.com/ASingleWoman

 

About Maggie:

After a career in education, Maggie Christensen began writing contemporary women’s fiction portraying mature women facing life-changing situations. Her travels inspire her writing, be it her frequent visits to family in Oregon, USA, her native Scotland or her home on Queensland’s beautiful Sunshine Coast. Maggie writes of mature heroines coming to terms with changes in their lives women who have learned to live and love in later life and the heroes worthy of them. Heartwarming stories of second chances. She has recently been called ‘the queen of mature age fiction’

From her native Scotland, Maggie was lured by the call ‘Come and teach in the sun’ to Australia, where she worked as a primary school teacher, university lecturer and in educational management. Now living with her husband of over thirty years on Queensland’s Sunshine Coast, she loves walking on the deserted beach in the early mornings and having coffee by the river on weekends. Her days are spent surrounded by books, either reading or writing them – her idea of heaven!

She continues her love of books as a volunteer with Noosa library where selects and delivers books to the housebound.

You can connect with Maggie online at the links below:

http://maggiechristensenauthor.com/

https://www.facebook.com/maggiechristensenauthor

https://twitter.com/MaggieChriste33

https://www.goodreads.com/author/show/8120020.Maggie_Christensen

https://www.instagram.com/maggiechriste33/?hl=en

https://www.bookbub.com/profile/maggie-christensen?list=about

 

 

Virtual Book Festival: Event 11 – An Interview with Children’s Author Darlene Foster @supermegawoman #VirtBookFest #books #childrensbooks

Hello and welcome to event number eleven in the Virtual Book Festival. Today’s guest is author of children’s books, Darlene Foster, and she’s here to talk to us about her writing and to tell us about  the wonderful novels she writes for eight to twelve year olds.

Welcome Darlene, it’s lovely to have you here today. Let’s start with you telling us why and how  you became a writer.

No one is born a writer. But you can be born a storyteller. I come from a long line of storytellers and have been telling stories out loud or in my head for as long as I can remember. We were encouraged to tell stories as I was growing up on the farm, as we didn’t have a television until I was almost a teenager. My grade three teacher encouraged me to write my stories down and when I was twelve I had a short story published in a local paper. It was called Stretch Your Food Dollar and was about an amusing experience two young girls have while shopping in a department store. Little did I know, all these years later, I would publish books about two girls having adventures and amusing experiences in various countries.

Storytelling is easy for me, getting it down on paper is a lot harder. Even though I have had several books published, I still feel like I am a writer in training. There is always more to learn.

Anne: Indeed – the writing it down is the hard part –and I know what you mean about always learning.

 

What genre do you write in and why did that hold a particular appeal for you?

I write travel adventure books for tweens, ages 8 to 12. I chose this genre as I dreamt of travelling as a child and enjoyed reading about adventures children had like The Bobbsey Twins, Nancy Drew and Trixie Belden. I particularly enjoy writing for this, my favourite age group, as they are bright, inquisitive, eager to learn and fun. They are in the middle, no longer little children but not yet teenagers. There is still that sweet innocence but they are starting to question things and think for themselves. That sense of adventure kicks in at this age and they crave more independence, at the same time they like to feel safe in the familiar. This all changes when they become teenagers.

Anne: Yes, an ideal age group for all the reasons you say.

 

How many books have you written? Tell us a bit about them.

I have written and had published seven books in the Amanda Travels series and one bi-lingual book, Cerdito a juicio (English/Spanish)

The Amanda Travels series feature spunky Amanda Ross, a 12-year-old Canadian girl who decides that the only way out of her boring existence is to travel. In Amanda in Arabia – The Perfume Flask, she makes a wish on her birthday for travel and gets an airline ticket to the United Arab Emirates to visit her Aunt the next day. She doesn’t even know where that is and has to look it up on the internet. Once there she meets Leah, an English girl, and before she knows it they are in the middle of an adventure that involves a runaway princess, bounty hunters, camels and a sand storm. She often finds herself wishing she were back home in her boring but safe life once again.

Amanda travels to Spain to join Leah in Amanda in Spain – The Girl in The Painting, where they help a young girl, who looks like a girl in a famous painting, escape the clutches of a mean horse thief. She also visits Leah in Amanda in England – The Missing Novel, where they get lost in a maze, hide in an underground tunnel and ride the London Eye in search of a missing vintage novel. When Leah visits Amanda in Amanda in Alberta – The Writing on the Stone, they take in all the sights while trying to decipher the mysterious writing on a stone and keep it from getting into the wrong hands. No matter where Amanda travels, even in her home province, she can’t seem to stay away from danger. In Amanda on the Danube – The Sounds of Music, Amanda is given a precious violin to look after as she enjoys a cruise down the Danube with Leah. Things aren’t always what they seem and Amanda is not sure who she can trust. Even Leah is acting strange. She goes on a school trip in Amanda in New Mexico-Ghosts in the Wind where some weird things happen that make her wonder if she believes in ghosts or not. Amanda plans to do a lot more travelling.

Anne: Go Amanda! How wonderful that she and your readers get to travel to all these different places. I’d have loved these as a child and I think my granddaughter who will be eight this year would enjoy them too.

 

Tell us about a typical writing day?

I no longer have a typical writing day. When I was working full-time I would write for two hours every day, in the evening after dinner. I wrote my first four books sticking to this routine. Now that I am retired, I write when I get a chance. Often late at night but sometimes in the morning or mid-afternoon. The only rule I stick to is that I have to write every day. Which I do.

Anne: Yes, I think that’s the key – keep at it – and fit it in whenever you can.

 

Do you plot your novels in some detail before you actually start writing?

I am a true panster and create the story as I write. I tried to plot one of my books and it slowed me down and took away the spontaneity I require. I create a mind map with locations but that is about it. The mind map gets changed a lot and becomes very messy. I find this weird, as I am a fastidious planner in other parts of my life, just not in the writing part. I tend to allow my characters to take over. Then I polish the story later.

Anne: Your answer made me smile. I’m exactly the same – I plan the rest of my life assiduously – but when it comes to writing – no way.

 

What comes first for you characters or plot?

What comes first for me always is setting. However, my stories are character driven so the characters would come before plot. The plot happens as the characters react to certain things, people, places and events.

Anne: Yes, I can see why that would be the case with Amanda’s adventures. It’s the setting that kickstarts the rest.

 

Where do you get your ideas? How/when do they come to you?

I get my initial ideas when I’m travelling. I will often say to my husband or travelling companions, “I could use that in a story.” Or “Amanda would love that.” I take a lot of notes and pictures. I also get ideas listening to tweens talk. I overheard two twelve-year-olds discussing potential boyfriends and used that idea in Amanda in Holland. I love to hang around young people as they inspire me.

Anne: Again, it’s not surprising that you’re inspired by your travels.

 

Have you got a favourite character – apart from your lead one Amanda who I’m guessing comes top of the list – out of the all the ones you’ve created?

When I wrote Amanda in New Mexico I created a character called Caleb who I just fell in love with. He is a typical Alberta boy from Calgary. I grew up with three brothers (no sisters), have a son and two grandsons who I adore. Caleb is a combination of all of them. He is funny, tries to be brave, cool, smart and polite. He says things you wouldn’t expect him to say. He has a soft spot for Amanda but doesn’t really let on. He was only going to be in one book, but I have given him a big part in book number 8, Amanda in Malta – The Sleeping Lady.

Anne: Caleb sounds lovely.

 

Can you share some of the feedback/reviews you’ve had from your readers and/or any awards your books have received?

I have had some great reviews and feedback but the ones I like best are from the young readers themselves.

Here is a review of Amanda on The Danube from an articulate ten-year-old who lives in Wales.

“I think this book every bit as good as the last – if not better! I think the sense of intrepidation in this book is amazing. I read a lot myself and this was such good quality I am astounded. This is one of my favourite books of all time and that’s saying something!! My favourite scene is on page 5 because that’s where the mystery starts where they find the foot in the storage cupboard and are just about to find out more when a young cruise director called Michael spots them and asks why they are there. My favourite character is either Klaus because his personality changes so quickly from jolly and friendly to dark and sinister. Or it could be Sebastian because his personality changes quickly too. My favourite word in the book was ‘cobblestones’ because it sounds weird when I say it. All in all, this book was a great read and one of the best things about it is that children of all ages would enjoy it, because of its twists and turns and gripping narrative. I really enjoyed this book and I wish I could read more of the series.” Catrin

Here’s one from Quill & Quire

“Foster’s writing is conversational and easy to read, and young readers will likely find the pages flying by.”

And one from Alex Lyttle, author of From Ant to Eagle

“As always, I love the way these books teach kids about new places. Darlene does a great job combining history, cuisine, architecture and in this case, botany, from new countries in a way that children will enjoy. Looking forward to the next of Amanda and Leah’s adventures!”

Anne: Wow! Great feedback and especially lovely to hear from child readers too.

 

Your latest book in the Amanda series came out very recently and we have an extract from it below. But first – what’s it called and please, tell us a bit about it.

It’s called Amanda in Holland-Missing in Action and here’s what it says on the back cover:

Amanda is in Holland to see the tulips with her best friend, Leah. They travel the canals of Amsterdam, visit Anne Frank House, check out windmills, tour a wooden shoe factory, and take many pictures of the amazing flowers of Keukenhof Gardens. But many things are missing in Holland – rare tulip bulbs, a gardener, a home for an abandoned puppy and Amanda’s great-uncle who never returned from World War II. Is Amanda capable of finding these missing things without putting herself in danger? For kids and grown-up kids who enjoy a mystery and adventure set in a delightful country, Amanda’s adventures will make you want to visit Holland.

EXCERPT from Amanda in Holland – Missing in Action

They all piled into the car, Leah in the front, Amanda and Jan in the back with Joey between them.

Amanda enjoyed the scenery as they drove along the highway. “It’s so flat and very green.”

Jan explained how Holland is actually below sea level in many places and dykes were built to keep the water out. “No doubt you have heard the story of the little boy and the dyke?”

“No, I haven’t.” Amanda shook her head. “Tell us.”

“Well,” Jan began, “a long time ago a small boy was on his way to school when he noticed a leak in the dyke. He saw the sea water trickle through the opening and knew that even a small hole could eventually become bigger. If too much water flowed through, the village could be flooded. So, he poked his finger in the hole to stop the water, even though it meant he would be late for school and get into trouble. He stood there with his finger in the hole for a long time until eventually someone saw him and got help. The hole was repaired and the boy became a hero for saving his village.”

“That is such a cool story. Is it true?” asked Amanda.

“It is more like a legend. The story is told to children to show them that even a small child can prevent a disaster if they use their wits. Actually an American author, Mary Mapes Dodge, first wrote about it a hundred and fifty years ago in her book, Hans Brinker or The Silver Skates.”

“That’s so interesting, don’t you think, Leah?”

“Ya, sure.” Leah turned the page of her fashion magazine. “I heard that story when I was a little girl. What do you think of this outfit?” She turned around and held up the page.

Amanda smiled. “That’s very nice. It would look good on you.”

Everyone kept quiet as they passed more farm buildings and neatly tilled fields.

“Turn left,” said the GPS woman.

Mr. Anderson turned the corner and slammed on the brakes. A large angry goose stood in the middle of the road with its wings flapping and neck stretched forward as it honked.

Amanda laughed. “What a silly goose!”

“That’s my grandfather’s goose. He likes to think he is protecting the property,” said Jan.

“You mean he’s like a guard goose.” Amanda grinned.

Jan got out of the car and spoke to the goose in Dutch. The irate bird finally left the road and waddled into the field, his eye still on them.

Leah’s dad rolled down the window. “Thanks, mate. I wasn’t sure how we would get past him. Get back in and we’ll take you to where you need to be.”

Jan climbed back into the car. “You can drop me off over there.” He pointed to a farmyard in the distance.

As they neared the farm, Amanda noticed the rustic house with a sloping roof that looked like a face with a large slouched hat pulled over its eyes. “Is this where your grandparents live?”

“Yes, they have always lived here and so has my great-grandmother. It is her family home,” answered Jan.

The place looked inviting and cozy. Someone pulled aside a lace curtain and peered out the window. Grey eyes met Amanda’s. The curtain dropped.

Darlene: Thanks so much for organizing this virtual book fair and including my Amanda Travels stories.

Anne: It was a pleasure to have you here, Darlene. Thank you so much for taking part.

 

About Darlene Foster:

Growing up on a ranch near Medicine Hat, Alberta, Darlene Foster dreamt of writing, travelling the world, and meeting interesting people. She also believed in making her dreams come true. It’s no surprise she’s now the award-winning author of Amanda Travels, a children’s adventure series featuring a spunky twelve-year-old who loves to travel to unique places.  Readers of all ages enjoy following Amanda as she unravels one mystery after another. When not travelling herself, Darlene divides her time between the west coast of Canada and the Costa Blanca, Spain with her husband and entertaining dog, Dot.

 

You can connect with Darlene at the places below:

Facebook: https://www.facebook.com/DarleneFosterWriter/

Twitter:  https://twitter.com/supermegawoman

Instagram: https://www.instagram.com/darlene6490/

Website: http://www.darlenefoster.ca/

Blog: https://darlenefoster.wordpress.com/

Goodreads: https://www.goodreads.com/author/show/3156908.Darlene_Foster

Amazon author page: https://www.amazon.com/DarleneFoster/e/B003XGQPHA/

 

Buy links for Darlene’s books below:

 

https://www.amazon.com/Amanda-Holland-Missing-Action-Travels/dp/1771681713/

https://www.amazon.co.uk/Amanda-Holland-Missing-Action-Travels/dp/1771681713/

 

https://www.waterstones.com/author/darlene-foster/515148

https://www.chapters.indigo.ca/en-ca/books/contributor/author/darlene-foster/

https://www.bookdepository.com/author/Darlene-Foster

https://www.barnesandnoble.com/w/amanda-in-holland-darlene-foster/1130013153?ean=9781771681711

 

 

 

 

Virtual Book Festival 2019: Event 9 – an interview with novelist Linda Gillard #VirtBookFest #books #writing

Hello and welcome to event number nine of the Virtual Book Festival. Today it’s my pleasure to welcome novelist Linda Gillard who is going to tell us a bit about herself and her writing. Linda is a lovely lady who I first met at a Scottish Association of Writers conference in Glasgow in 2005 when we were amazed to discover that, at the time, we both lived on the Isle of Skye. And I owe her a huge debt as it was she who first encouraged me to have a go at writing a novel and generously shared lots of good advice with me. And I know she’s a role model for lots of other authors too.

Linda, welcome! I really am delighted to have you here at the festival. So, first, can you tell us why and how you became a writer?

I was a journalist for some years, but I started writing fiction in 1999. I was 47 and recovering from a nervous breakdown. I’d been a teacher in a very challenging school and I’d cracked up. Recuperating at home, I couldn’t find the sort of book I wanted to read. Bookshops then were full of chick lit. Women over 40 just didn’t feature unless they were somebody’s mother or somebody’s wife. So I started writing a thinking woman’s romance about a cracked-up 47-year old woman who finds love and salvation on a Hebridean island. I called the book EMOTIONAL GEOLOGY.

I had no thought of publishing it. I knew it wasn’t in the least commercial. I just wrote it for me, as therapy and entertainment, but my online writing group said, “You should try to publish this.” So I did.

I found an agent, then a publisher and EMOTIONAL GEOLOGY became my first novel. It’s the favourite of many readers.

Anne: Oh, I like that – ‘a thinking woman’s romance’. And I must say Emotional Geology is my favourite too.

 

What genre do you write in and why did that hold a particular appeal for you?

All my books are different, so I’m a marketing nightmare! Some are literary fiction, some are ghost stories, some have a large historical component and all of them have at least one love story. I’m impossible to classify. I once asked my editor what genre I wrote in and she said, “Linda Gillard genre”.

I write fiction that will appeal mainly to women and it’s thought-provoking, sometimes challenging. Definitely not a “beach read”. But at the same time, I aim to entertain. Humour plays a big part in my stories. I want to make readers laugh and cry.

Anne: Your own genre – that is so cool 🙂 And I think you definitely fulfil those writing aims.

 

Do you plot your novels in some detail before you actually start writing?

No, though I plan more now than I used to. I began most of my novels not having any idea how they would end. With HOUSE OF SILENCE, I didn’t even know which man the heroine would end up with until quite late on in the book.

I prefer to have just a rough idea of the plot and a clearer idea of the characters, then I wait and see what happens. I prefer not to plan too much because if I do, I fear I’ll just go for the obvious. There are many surprising twists in my books that weren’t planned, they just happened on the page. I think that’s why they work.  Readers don’t see them coming because I didn’t see them coming!

If you let it, your subconscious will write a much better book than your conscious mind, but it takes courage to trust the process. You have to believe your characters will somehow find their way out of the dire and complex situations you’ve put them in.

But when things are going well, I don’t feel as if I’m writing the story, I feel as if I’m taking dictation. The characters are telling me what to write – and sometimes what they tell me isn’t what I would have expected or wanted. But if you feel as if you’re hanging on to your character’s coat tails, you know your book has really taken off. It’s scary, but exhilarating.

Anne: Yes! There’s something magical about the characters taking the lead.

 

What comes first for you characters or plot?

Characters. A good plot should arise out of character. Although my plots are complex and have some big surprises, they’re all character-driven.

I probably focus on character because I was an actress in my youth and I always tell my stories using a lot of dialogue. When I’m writing, I usually have actors in mind who could play my characters. I’m really a failed screenwriter!

Anne: I like the idea of having actors in mind. I can see how that would bring the characters to life for you – and then it’s over to them.

 

Where do you get your ideas? How/when do they come to you?

People. Not people I know, but people I read about or imaginary people I think about. (UNTYING THE KNOT grew out of wondering what kind of boy grows up to be a man who works in bomb disposal.) Sometimes it’s a voice I can hear, a character who insists on “talking” to me. It can be a bit like being buttonholed by someone at a party!

The characters come first, then a sense of place. That’s important. But I don’t need a story to get started, just a situation that gets me thinking, “What if…?”

Anne: Hmm, yes these characters can be very persistent, can’t they?

 

Have you got a favourite character out of the all the ones you’ve created?

I admit I’ve fallen in love with several heroes – and one was a ghost! I also have a soft spot for a subsidiary character, Garth the Goth in STAR GAZING. I’m embarrassed to admit he actually used to make me laugh out loud when I was writing the book.  I’m very fond of scatty Hattie in HOUSE OF SILENCE – one of my many vulnerable characters, emotionally and mentally.

But the characters who continue to haunt me are two of my earliest creations (though to me they’ve always seemed like real people): the twins, Rory and Flora Dunbar, from A LIFETIME BURNING. They really got under my skin.

Anne: How wonderful that they take on this life of their own and they influence you.

 

Can you share some of the feedback/reviews you’ve had from your readers and/or any awards your books have received?

STAR GAZING and EMOTIONAL GEOLOGY have both been shortlisted for or won various awards, but I’m actually prouder of some of the reviews readers have written over the years. I’ve been known to sit at my PC, quietly weeping as I read something a kind reader has posted. Sometimes these reviews turn up on a bad day when you’ve looked at your sales figures and you’re thinking, “What is the point?” Then a reader posts a review or gets in touch and you realise this is why you do it: you want to tell stories that will move people, even change their lives.

A troubled teenager contacted me to say, since she’d read EMOTIONAL GEOLOGY, she’d managed to stop self-harming and had taken up writing poetry instead. I’ll never get a better review than that.

Anne: That’s pretty amazing that you had such a positive effect on that young person. And, yes a good review is so encouraging and uplifting.

 

Well, thank you so much Linda for agreeing to take part in this virtual book festival. It’s fascinating to get your responses to my questions and, before you go, you’ve kindly agreed to share an extract from the aforementioned Emotional Geology. Can you tell us a bit more about this particular book and why you chose it for the extract.

EMOTIONAL GEOLOGY is a book about memory, madness and mountaineering, but mostly it’s a love story in which two fragile people find a way to trust and support each other. It’s also a book about landscape: the sometimes bleak, always beautiful island of North Uist.

It was my first novel, published in 2005, but I’m excited about it again because I sold the screen rights and most of the funding is now in place to make the film. With luck they’ll start shooting next spring, on location in North Uist. I’ve read the script and was thrilled to find it was very close to my novel. Almost all the dialogue was mine.

Anne: A film! Wow! How exciting!

BOOK EXTRACT

EMOTIONAL GEOLOGY by Linda Gillard

Back cover blurb

Rose Leonard is on the run from her life.

Haunted by her turbulent past, she takes refuge in a remote Hebridean island community where she cocoons herself in work, silence and solitude in a house by the sea. Life and new love are offered by friends, her estranged daughter and most of all by Calum, a fragile younger man who has his own demons to exorcise.

But does Rose, with her tenuous hold on sanity, have the courage to say “Yes” to life and put her past behind her?

 PROLOGUE

I talk to the island. I don’t speak, but my thoughts are directed towards it. Sometimes it replies. Never in words of course.

I miss trees. You don’t notice at first that there are hardly any trees here, just that the landscape is very flat, as if God had taken away all the hills and mountains and dumped them on neighbouring Skye. But eventually you realise it’s trees that you miss.

Trees talk back.

In the hospital grounds there was a special place where I used to stand, where I went to feel safe. It was my magic circle, my fairy ring. There were three slender pine trees in a triangular formation, only a few feet apart. I used to stand within that space, sheltered, flanked by my trees, like a small child peering out at the world from behind grown-up legs.

Once, when the air was very still and a brilliant blue sky mocked my misery, I stood between my trees, head bowed, not even able to weep. I placed my palms round two of the tree trunks, grasping the rough bark. I begged for strength, support, a sign. Anything.

My trees moved in answer. Quite distinctly, I felt them move.  As my palms gripped them they shifted, as the muscles in a man’s thigh might shift before he actually moved. The movement was so slight it was almost imperceptible, as if their trunks were flexing from within.

I knew then that the doctors were right, I was indeed mad. I threw up my head and cried out. Above me a light breeze played in the treetops, a breeze I had been unaware of on the ground. It tugged at the branches with a sudden gust and I felt the trunks flex again, bending to the will of the wind.

I wasn’t mad.

At least, not then.

 

If you want to read more you can buy the book at the links below:

Buy the ebook here

Buy the paperback (Amazon UK) here

and (Amazon US) here

About Linda:

Linda Gillard lives in North Lanarkshire. She’s the author of eight novels, including STAR GAZING, short-listed in 2009 for Romantic Novel of the Year and the Robin Jenkins Literary Award. STAR GAZING was also voted Favourite Romantic Novel 1960 – 2010 by Woman’s Weekly readers.

Linda’s fourth novel, HOUSE OF SILENCE became a Kindle bestseller and was selected by Amazon as one of their Top Ten “Best of 2011” in the Indie Author category.

Follow Linda on Facebook

Linda’s website is here.

Author Interview: Christine Webber @1chriswebber #amreading #MondayBlogs

I’m delighted to welcome author Christine Webber to the blog today to talk about her new contemporary novel It’s Who We Are, and about her writing in general. I read and very much enjoyed her previous novel Who’d Have Thought It? and I reviewed it here. And I will be posting a review of the new book here very soon.

Welcome Christine!

 

I was intrigued to see that there was a thirty year gap between your first novel In Honour Bound and your second one Who’d Have Thought it? What were you doing in between?

Christine: As those of us of a certain age know all too well, thirty years can disappear in a flash! I wrote my first novel when I was working as a news presenter for Anglia TV. I always meant to carry on writing fiction, but shortly afterwards, I left the company to pursue a new career in medical and social journalism – and somehow fell into becoming an agony aunt. I wrote columns for Best magazine, TV Times, The Scotsman, BBC Parenting, Woman, Dare, Full House and several others – not all at the same time though! Then I started getting work as a ‘relationships expert’ on TV programmes such as Trisha and The Good Sex Guide… Late. While this was happening, I decided to train as a psychotherapist – and I started my own practice. Meanwhile, Hodder commissioned my husband and me to write a book about orgasms (The Big O). This did quite well and led to my staying with Hodder and writing a whole range of self-help books.  Later, I penned titles for Piatkus and Bloomsbury. I knew I longed to write more novels. It just took a while to get on with it!

 

Why was fiction writing something you wanted to come back to – especially after such a long gap?

Christine: I kept having ideas for fiction, but life was so busy, and I felt I had to focus on work that actually paid me. In some ways I regret that now. On the other hand, my years of writing about relationships, and being a therapist, gave me great insight into how our minds function – which is useful when it comes to portraying characters realistically. And the decades of juggling broadcasting, health writing, newspaper columns, and therapy did provide me with a financial cushion which has enabled me to do what I do now. I know many other indie authors, who have had long-term careers before writing, feel the same.

 

 You write what could broadly be described as contemporary romantic fiction, but it’s definitely not chick-lit. Why do you go for older protagonists who are in their fifties and sixties?

Christine: I suppose it’s all about wanting to read material that mirrors our own experiences. And – like many other writers and readers of my vintage – I feel there is a lack of good stuff about the people we really are. I first tried to change publishers’ attitudes to the over 50s in 2009, when I was planning a guide for female baby boomers. I wanted to write about finance, locations, housing, beauty, friendship, romance and health – basically everything that needs to be considered if we are to age more vibrantly than people of past generations.

I had to change agents and publishers to get this book accepted. I was told constantly, ‘no one wants to read about older people!’ Anyway, I did get Too Young to Get Old published and now I have transferred my zeal for writing about the individuals we are – as opposed to out-dated stereotypes – into fiction. But I had to venture into indie publishing in order to do it.

 

Do you detect a growing popularity for this kind of multi-generational novel where middle-aged and older characters are at the centre of the action?

Christine: I really do. And I would urge interested writers and readers in mid-life to investigate the excellent new organisation – launched recently by Claire Baldry – called Books for Older Readers. We are a growing band. One might even say that we are creating a ‘genre’!  Check out the website:  www.booksforolderreaders.co.uk. The group is also active on Facebook and Twitter.

 

Describe for us your typical writing day.

Christine: I’d love to describe something scheduled and organised. But I’d be lying if I did. Like lots of people, I have constraints on my time, for family reasons. I also think it’s absolutely vital to get exercise, so that has to be worked into every day too. And, as every indie writer knows, the marketing and social media aspect of one’s ‘operation’ also has to be managed. In practice then, I tend to do correspondence and marketing in the morning. And try to leave two or three hours to write mid-afternoon. I also have a new resolution, which is to find half an hour after lunch for reading other authors’ novels. I need an expandable day, really! The other component that forms an essential part of my writing day is that I always play music while I work. And I invariably start each day with Mozart, who feeds my soul and sanity. There’s nothing like tapping into creative genius for getting your own grey cells into shape!

 

And finally, please do tell us a bit about your new book, It’s Who We Are.

Christine: It’s Who We Are is a contemporary novel. It’s very different from Who’d Have Thought It? which is essentially a romantic comedy. People do fall in love in the new book, and there are plenty of comedic moments too, but it’s a far more serious work than the last one. But then life is more serious than it was just a few years ago. Think back to the London Olympics – we don’t feel like the same country now, do we? And writing contemporary fiction seems to me to have to reflect that.

I have five main characters in this book, and they are all facing tremendous upheaval in mid-life. One of the women has decided to divorce her perpetually unfaithful husband. Another is coming to terms with widowhood and contemplating a change of career. Then there are three men – a rich business man who hates running the family firm and is trapped in a loveless marriage, a priest who is so intensely lonely that he feels people must be able to ‘smell it’ on him, and a larger than life freelance singer who’s in a panic about his ageing voice and the fact that he has no savings whatsoever.

Like many of us in our fifties, these individuals are amazed at how unsettled they feel just at a time when they had expected to be living a calm and stable existence. Thrown into the mix there are family secrets, which become uncovered as elderly parents die or become ill – and these cause all five characters to question who they really are.

Thank you, Christine. An interesting and thought-provoking interview. And I agree that, as in your books, life goes on in all its richness and complexity for all of us –  regardless of age.

 

It’s Who We Are is published on January 16th and will be available in bookshops throughout the country and on Amazon 

You can follow Christine on Twitter at @1chriswebber

Her website is www.christinewebber.com

 

And, as always, it’s over to you, the readers of this blog: Do you like reading multi-generation fiction and/or fiction where the main characters are middle-aged or older?

In The Chair 42

Source: In The Chair 42

I’m interviewed over at Jan Ruth’s blog today. It was fun to do and I hope you enjoy reading it. You can, amongst other things, find out which character I fell in love with whilst writing him and can you guess my favourite word?

Thanks Jan for having me.

The writer behind the unique voice – an interview with Andy Harrod

In this post I’m interviewing writer, Andy Harrod. Andy can be found at http://decodingstatic.blogspot.com   Thanks for agreeing to be interviewed, Andy. I’m sure people who read my review of your book, ‘Living Room Stories’ will be keen to know more about you.

Anne: When did you become a writer? And what drives you to keep writing?

Andy: I started writing after I fell in love with music. I was 17, Britpop reigned, and there in the songs, I heard myself. I saw many mirrors reflecting my experiences, feelings and thoughts. My first attempts at writing were lyrics about love. Lyrics and poetry remained my mode of writing for about five years, until I started journaling when I was intensely sad and fearful (depression). Journaling felt a need, an act of self medication which I am now reaping the benefits from. My journaling provided a base for writing fiction. A lot of my writing now has an element of the therapeutic to it.

It is only in the last few years that I have felt comfortable attaching the label of writer to my sense of self. Expression of feelings and thoughts is important to my sense of self and this is what drives my writing. I write because if I don’t, my head resounds with noise; I disconnect from the world. To write frees me.

Anne: Tell us about your blog. What sort of things do you post?

Andy: I refer to my blog, Decoding Static, in my email signature as home and it is that, it is a place for my expression. I began my blog when I started writing Deception, perhaps if I hadn’t it would be finished! But if it wasn’t for the blog I wouldn’t have met so many other writers and my blog and life would be a lot emptier. My blog has grown in many directions and encompasses my own work and others. I write music and book reviews and interview authors and bands; I enjoy sharing the music and books that speak to me. The writing I post is mainly snapshots of my fiction and posts about mental wellbeing. I also post art and photography, sometimes as a set of landscapes, but more often than not it accompanies my writing.   

Anne: So, as you say, your writing is often accompanied by photography or other artwork.  But why is that? Do the pictures come first?

Andy: The writing always precedes the art or photography, they are an extension of my writing. As I’ve said I got into writing via music and in an ideal world I would be in a band singing my lyrics and playing guitar. As it is my guitar collects dust, a mixture of time and low self belief. When I realised a band wouldn’t happen anytime soon, I started placing art or photography (my music) with my writing to enhance and extend the words. Much like how music and lyrics work together to speak to us and pull at our emotions.

Anne: How did ‘Living Room Stories’ come about?

Andy: The preceding summer had been a limbo for me, I had great plans for my writing especially tearing at thoughts and Deception, but found no flow, I just staggered and stalled.  So on feeling this impulse to write, I ran with it and took a chance on myself. Living Room Stories is the essence of that limbo.

At the heart of Living Room Stories is music. Ólafur Arnalds’ released Living Room Songs, a song a day for seven days. For me Ólafur’s music is very emotive; there is a beautiful simplicity to it. His songs connect to my heart and on this occasion I decided to dive in, listening to each song for a few hours. As Fyrsta repeated, I pictured a couple. On watching the video Ólafur released alongside the song, I found my beginning, it was dark out, a yellow lamp reflected in the window, a window which dripped with rain and there she was, standing alone. I plugged into the sparse piano and sketched a moment of waiting. I re-read beginnings and felt my common themes of loneliness, troubled pasts and hurtful behaviour, but I also saw hope, for I saw her as part of that couple. Love is key to these stories. As such I wanted my next story (light) to be happy, however it depended on Ólafur’s music and luckily for me it worked out that way.  On his next song (Near Light) his sister and mother played some synths, which I heard as applause; I proceeded to pour my hopes onto the paper and from then on I danced with the music and a life in seven moments was formed.

Anne:  Music is clearly important to you – in your real life and in your writing life – are there any musicians who particularly inspire you to write – not necessarily in as direct a way as ‘Living Room Songs’?

Andy: Before Living Room Stories I had previously thought about writing to instrumental music, but Ólafur’s music was the first time I created the space to listen to an individual song on repeat for hours at a time, it also coincided with the need to release myself from my limbo of a summer. 

Music is nearly always on in our home, it is a constant background to my writing and as such I don’t have particular musicians who inspire, but instead I use music to draw me into certain moods. With Deception I have found Wilco’s Spiders (kidsmoke) and Joy Division, especially She’s Lost Control, 24hours and Transmission to be especially good at plucking at my emotions and getting into particular characters’ frame of reference.

Anne: I said in the review of ‘Living Room Stories’ that you write with incredible brevity but also with amazing depth. How on earth do you do that?

Andy: First of all thank you. I have never stopped to think that is something I do – which is down to my saboteur, an internal critic, which keeps my self belief down, though it is losing a lot more battles of late.  Thinking about it, it probably stems from writing lyrics and poetry and then developing a taste for fiction. When I wrote lyrics my words would tumble out in an abstract fashion; they created images that required interpretation. As such I spent time editing them as often the first words weren’t what I was looking forward but a way into the next layer which was what I was aiming for.  My fiction now works in much the same way, though the more I write, the less intense the editing, as I am finding I am reaching the layers I aim for first time.

Anne: The concept of the handmade book, and the way you present the Living Room collection, is unusual. Why was it important to you to publish in this format?

Andy: I decided to publish Living Room Stories because I had a need to finish a project. It felt very important to do that. I looked into publishing it as a book via lulu, but it didn’t feel right. Then I found myself looking at my record collection and saw my 7inch singles and it fell into place. 7inch squares housed in a record sleeve. An ep in words.

I also like the idea that the cover art of a book or a record can be an extension of the words and music and then the book or record becomes more than it is.  With Living Room Stories, each story is a memory, the individual sleeves encourage interaction with these memories, there is no set order, there was the blog order, and the handmade edition order, and there is the choice for the reader to develop their own order.

Anne: You’re working on a novel, ‘Deception’ – tell us a bit about it. Do you intend to publish it? If so when?

Andy: My start, stop novel! Deception is a novel about the struggle for the survival of the self. It centres around two main characters, 7892 and C6401, both of who represent aspects of me. Their respective endings reveal much of what I value and believe in and the importance of love to me. Deception is set in an unknown future, where the people live in Biomes, which hints at a certain level of damage to the earth, but also provides control for the Educators. The Educators are a group of people with set ideas and ways of living. They have created a two tier system comprising of their selves and the Workers, who have numbers for names; this is linked to ideas of the individual and a sense of self.  Opposing the Educators is the Collective, a mix of Educators and Workers who vehemently dislike the Educators programmes and policy and wants change.

Deception begins in Biome 4, where 7892 slugs back another beer, while C6401 watches his reflection retreat. Alone in a society anaesthetised by work, possessions and a diet of chemicals they fizz with anger at the Educators and their programmes. Recruited by the Collective they release their desires for revenge and change. Tunnelling into the human psyche we learn that freedom comes at a cost, responsibility, and the frightening prospects if we shrug that individual responsibility.

I am planning to start Deception up again in early 2012, due to wanting to put together and release a collection of 9 years of writing, photography and art. I am hoping this will clear my head and free my mind to concentrate on Deception.

Anne: ‘Living Room Stories’ is available from your website for £5 as a limited handmade edition. Any plans to make it available in a more easily /widely distributed form?

Andy: Yes if there is interest and if any publishers are interested please get in touch! Seriously, if there is the interest I will consider a second run, though with a different cover, so to keep the first 25 copies as a limited edition, of which there are copies available!

Regarding a more widely distributed form, say via a publisher, I would still want Living Room Stories, to be released as it currently is. I think I could be a publisher’s nightmare in terms of how I would want my work presented. This is due to the presentation being very much part of the work and an idealistic streak in me where art is worth more than money. This reminds me of Spiritualized and the tale that when they released Ladies and Gentleman we are Floating in Space, for the limited edition version, all 12 songs came on individual 3inch cds in a blister pack. The cost of this meant they had to forfeit their advance.

Anne: Finally, what are your future writing plans?

Andy: tearing at thoughts, my collection of writing, art and photography from the last 9 years is my next planned released. It will contain work not previously shown on my blog or elsewhere and also essays on the writing. The writing will be grouped into themes, e.g., lost thoughts, black blues ep, a numb nothingness surrounds. It will be A5 in size, possibly landscape and bounded together with metal. Though I may have 2 editions, a limited hand made edition and then a paperback version. The version(s) will depend on the outcome of a battle between ideals and time!

Anne: I wish you well with it. It sounds like another innovative and original work of art is on its way. Good luck with it and all the best for the novel and Living Room Stories. Thanks again, Andy, for agreeing to do this interview.

And thank you Anne for the questions and the space to speak about my writing. It has been enjoyable and beneficial.

 

To find out more and to purchase Living Room Stories, handmade edition, go to http://decodingstatic.blogspot.com/2011/11/living-room-stories-hand-made-edition.html

 

And there is also a competition to win a copy of the cover art for Living Room Stories at  http://www.decodingstatic.blogspot.com/2011/11/living-room-stories-competition.html