Reflections on a Writing Conference

I spent last weekend at the annual Scottish Association of Writers (SAW) Conference, and, as always it was an enjoyable couple of days.

It was held, as it has been for the last few years, in the lovely Westerwood Hotel in Cumbernauld near Glasgow. And the hotel staff along with the amazingly hard-working, volunteer members of the SAW council ensured the whole thing ran very smoothly.

There were a variety of workshops to choose from and I went to three:

SELF-PUBLISHED FROM MANUSCRIPT TO MARKET – this was led by the director of an assisted and highly reputable publishing company. It was a good overview of the process of self-publishing but understandably he took the view that an author going completely alone couldn’t do as good a job as would be done by a company like his. But although I didn’t agree with everything he said, I did find the part on marketing useful.

HOW TO WRITE A CRIME NOVEL – this workshop was led by novelist Simon Brett and was great fun. I don’t plan on writing a crime a novel but I was sure I’d learn some more general things. And I did. There were more than forty people in the workshop and with Simon leading us we collaborated on producing the outline of an entire novel in one hour. As I say, it was fun and I picked up some handy tips on plotting.

WHAT PUBLISHERS WANT – this one was led by the owner of a small independent publishing company. It was interesting and informative about the traditional publishing process. But nothing the workshop presenter said led me to believe I’d be any better off being published by her. I sell as many books using my own imprint as most of her authors, so it was worth attending the session just to learn that.

But by far, the best part of the conference for me this year was the time spent talking to fellow writers, some of whom I’ve known for many years, and others who I met for the first time. Writing can be a rather lonely activity so it’s always good to spend time with colleagues and to share experiences. I was able to pass on tips to others and also to pick up new and useful information myself.

And so that’s it for another year. Thanks again to all who organised the conference for a very reasonably priced, well run conference in a perfect setting.

Question for writers: Have you attended any conferences aimed specifically at writers? If so what did you enjoy the most?

 

No Resolutions but Good Intentions: Writing, Reading and Reflecting in 2018

In spite of the time of year this is not a post about resolutions. I think the other 3Rs that this blog is based on ­- Writing, Reading and Reflecting are quite sufficient.

However, I do want to share with you some of my ongoing plans and intentions for the blog and my writing in general during 2018.

Writing:

The manuscript of my new novel Settlement is almost ready to go off to the editor and is planned for release in the first half of the year.

Settlement is the sequel to Displacement and, as I’ve never written a sequel before, I’ve enjoyed the challenge. It’s been quite a balancing act judging just how much of the back story to include from the original book. I don’t want the new book to seem repetitive to those who’ve read the first one, but neither do I want it to be necessary to have read the first one in order to enjoy the second.

And, as far as writing about my writing here on the blog goes, I plan to continue doing occasional posts on the process of writing, on my works-in-progress, and on my wider writing life.

 

Reading:

I certainly intend to keep reading throughout 2018. I believe it’s vital for writers to be readers too, but even if I gave up writing tomorrow – can’t imagine that happening – I’ll still be reading on my deathbed.

I will also continue to post reviews of books I’ve particularly enjoyed as, apart from wanting to share the love of good books, I also like to do my bit to help my writing colleagues get their work in front of readers. And I find that putting together a review – figuring out what worked in a book and why – helps me improve my own writing skills.

 

Reflecting:

And finally, I also intend to continue to do the occasional reflective post on topics I find myself thinking about and want to explore with readers of the blog. These topics may or may not be directly related to books – but will of course involve writing.

 

Question Time:

I also plan in 2018 to do a bit of a content/function audit of this blog and of my two author websites. As part of that I’d like to seek your much valued and appreciated opinions on various writing/blog related things.

And, as there’s no time like the present I’ll get started on that right away –

Question: I’d be interested to know your opinion on author newsletters. Do you sign up to them and if you do, do you read them? Are you prompted to buy an author’s latest book when you read about it in their newsletter or to respond to offers – such as free short story?

And finally I’d like to wish all readers a happy and healthy 2018.

Book Review: Maria in the Moon by Louise Beech @LouiseWriter @OrendaBooks #bookreview #MondayBlogs

A midwinter tale where light battles to overcome the dark, exquisite storytelling…

This is a wonderful and moving novel. The main character, Catherine, is a damaged, vulnerable but endearing character. Forced out of her home after a devastating flood hits her town, she is left adrift in a literal and metaphorical limbo.

Catherine hopes that by helping others also affected by the flood she will somehow be able to help herself.

The other characters, her family, her colleagues at the flood crisis helpline, and her friends – Fern and Christopher – are all convincingly portrayed. They too are flawed, some likeable, some not. But even the most unlikeable are presented in a humane and non-caricatured way.

Maria in the Moon is raw, it’s shocking, but it’s also full of hope, humour and delight.

It’s exquisite storytelling and I recommend it as an ideal winter read.

Back Cover Blurb:

Long ago my beloved Nanny Eve chose my name. Then one day she stopped calling me it. I try now to remember why, but I just can’t.’

Thirty-two-year-old Catherine Hope has a great memory. But she can’t remember everything. She can’t remember her ninth year. She can’t remember when her insomnia started. And she can’t remember why everyone stopped calling her Catherine-Maria.

With a promiscuous past, and licking her wounds after a painful breakup, Catherine wonders why she resists anything approaching real love. But when she loses her home to the devastating deluge of 2007 and volunteers at Flood Crisis, a devastating memory emerges… and changes everything.

Dark, poignant and deeply moving, Maria in the Moon is an examination of the nature of memory and truth, and the defenses we build to protect ourselves, when we can no longer hide…

Genre: Contemporary fiction

Maria in the Moon is published by Orenda Books and is available as a paperback, an ebook and as an audio book.

 

Clubbing for Writers: Competitions, Conferences and Connections

Photo by Simon Hattinga Verschure on Unsplash 

Listening, Linking and Learning

Writing can be a lonely job.There are times when it can feel as if your only friends are your imaginary ones.

Most of us work alone. There are no colleagues to chat to over coffee or to share lunch breaks with. There’s nobody on hand to help if you hit a problem, to discuss ideas with, or just to offer encouragement when your motivation levels are low.

Or so it can seem.

But it needn’t be this way. Writers do have colleagues – even if they don’t share a physical office space.

And one of the easiest ways to find them is to join a writing club.

Writing Clubs  

I recently attended the 70th anniversary party of the Edinburgh Writers Club. It was a very pleasant evening. There was cake, cut by Ian Rankin (I know! I came over all fangirl and couldn’t string a coherent sentence together when he said hallo), there were glasses of bubbly, but best of all there was the company of other writers.

I joined the Edinburgh Writers Club (EWC) back in 2000 when I lived in the city. It was at the time when I was just beginning to take my writing seriously and being a member of this most welcoming club helped me to get started. Indeed, I got so much out of my membership that even after I moved to the Isle of Skye in 2004, I kept up my membership and attended meetings whenever I could.

I’m still a member today – even after my recent move to the Scottish Borders. And, yes, I’ve joined a local writing group too. So I’m a new member of the Borders Writing Forum (BWF) – another club where I’ve been made very welcome and with lots of new writing opportunities to explore.

The members at both the EWC and the BWF, range from those taking their first tentative steps to those who are successful, published authors, and everything in-between. The meetings include writing activities and guest speakers. The atmosphere is positive and encouraging and I always feel I learn something useful which could help improve my writing.

Competitions

Like many clubs, EWC offers a series of annual competitions. These cover all the genres including poetry, short stories, drama, non-fiction and novels and entering them give writers invaluable opportunities to learn more about the craft and to extend their skills. They provide deadlines – always good for the procrastinating writer. They tempt participants to step out of their comfort zones and try writing genres other than their usual ones. And most valuable of all they give the writers taking part the chance to get constructive feedback from the adjudicators.

Of course there are hundreds of other competitions for writers where no membership of a club is required. They’re available online, in magazines and through large literary organisations. But the advantage of club based competitions is that (other than a modest annual membership fee) they are free to enter and the pool of competitors is relatively small. And very few of these wider competitions offer any useful feedback.

Conferences

Competitions with similar benefits to the club ones stated above are also open to those eligible to attend the annual weekend conference of the Scottish Association of Writers (SAW) held every March. Being a member of an affiliated writing club such as EWC or BWF entitles you to go to the conference. I’ve gone to several of these conferences now and I love them.

Winners (and other placed entrants) of the SAW competitions are announced during the weekend conference, usually by the adjudicator of the particular competition, and in front of all the delegates. This provides a good buzz of anticipation and a healthy rivalry between clubs. Besides the competition announcements, there is lots of other stuff going on. There is always an excellent keynote speaker. There are workshops run by established authors and by agents and publishers on a wide variety of writing related topics. There are opportunities to pitch your work to publishing professionals and there’s even a book shop where you can both sell your own books and buy those written by fellow delegates. And then there are all the networking opportunities over drinks in the bar or at mealtimes.

Connections

But by far the biggest advantage to being a club member, and going to conferences such as the SAW one, is the chance to connect with colleagues. It is wonderful to be with people who not only understand the frustrations of the writing process –  the perils of procrastination, and the periodic absences of inspiration, but who also understand the rewards –  the satisfaction of completing a piece of work, the joy of having your work appreciated by a reader, and the obsessive compulsion to write. Peer group support in any endeavour is useful, but for the solitary writer I reckon it’s priceless.

And although I’m also part of an amazing network of supportive and helpful fellow authors in the virtual, online world, I don’t think you can beat the real world connection with kindred spirits.

Over to you

I’d be interested to hear other writers’ thoughts on the usefulness, or otherwise, of clubs and conferences and the like. Do you value being part of a writing community? Do you connect with other writers, if so how? Please do leave comments below.

Procrastinating to Perfection

My name is Anne and I’m a procrastinator.

I’m also a writer and procrastination is in the job description. It’s the supreme avoidance tactic that many of us – writers or not – use when we really don’t want to tackle something. But writers seem to take the P word to professional levels.

Procrastination feeds on a writer’s fear and insecurities and I’m susceptible.

Yes, I mostly believe in my writing self. And, no, I can’t imagine my life without writing. I work hard at it, I take it seriously and do my very best. I know and accept my writing’s not perfect, but my fear is that it’s so imperfect nobody will want to read it.

And when the fear gets out of control, writer’s block can set in. It can be that I’m scared I’ve literally lost the plot and I don’t know where my story is going, or because there’s that inner voice that says I’m just an impostor – not a ‘real’ writer at all. And then when I’m stalled at the writer’s block red light, then procrastination can just jump in the car beside me and turn off the engine. (Sorry, bit of a dodgy metaphor right there – occupational hazard. Did I say I’m a writer?)

However, I do seem to have got the procrastinating thing down to manageable levels. When I’m writing my novels I follow Stephen King’s wise words: ‘Amateurs sit and wait for inspiration, the rest of us just get up and go to work’.  Writing is my job. When my job was primary school teacher, I got up and went to work whether I was in the mood or not. Similarly with writing – I don’t wait for the muse. I just go to the desk and write. Mostly…

I can’t deny that procrastination does sometimes still stalk me.  And, occasionally, it catches up with me, overtakes me and stands in my way. Then, because I’m now only answerable to myself, and not to a boss, I do sometimes give in to it, let it take me by the hand, and let it lead me down the path to where the non-urgent tasks lie.

But you know what, sometimes giving into procrastination works in my favour. Yes, it could wreck my writing life if I let it, but a little bit now and then can be quite reviving and invigorating. Think of it as like being an alcoholic versus just an occasional drinker. (And yes, there goes another metaphor)

There are actually times when I find procrastination quite helpful. By giving into it, by going for a walk, or doing some gardening, or just tidying a cupboard, I often find that whatever is blocking my writing progress disappears. It’s as if by doing something else, by getting away from the screen or notebook, my mind is freed to go off on a ramble of its own. I then return to my desk ready, maybe even inspired, to write.

I think procrastination is part of the writing process. I think it’s probably right that it’s part of the job description. It lets me step away from the manuscript, lets me take time out to mull things over, to allow fresh ideas to form and, yes, maybe to make my writing a little bit closer to perfection.

Do you sometimes succumb to procrastination? What sort of tasks cause it and how do you get round it? Do you think it serves a positive purpose? Please do feel free to comment below.

Writing the Story: It’s all about the Characters

 

The world of storytelling: it’s all about the people

Telling Imaginative Histories

I prefer to read and write character driven fiction. Don’t get me wrong both plot and setting are important to me, but they don’t excite me, either as an author or reader in the same way that characters do. Characters bring stories to life.

The novelist, Dame Hilary Mantel, gave the five lectures in this year’s run of the annual Reith lectures on BBC radio 4. Mantel, the author of best-selling, historical novels Wolf Hall and Bring up the Bodies (to name only two of her many books) spoke inspiringly on how she views writing in general and writing historical fiction in particular.

She talked about what history is, about how it can only ever be an interpretation rather than irrefutable truth. She didn’t deny there are historical facts. Certain things happened on certain dates, certain decisions were made, certain outcomes happened. And from these facts we construct a possible impression of the past.

Mantel said that she did detailed research before writing her Tudor novels and that she saw her fiction writing as bringing the past and the dead back to life, as taking the events and creating a picture of how things possibly were for the people living through them.

Although I write mainly contemporary fiction, much of what Mantel said about the writing process resonated with me.

I had to research a wide range of topics––from Scottish crofting law and the care of sheep, to the politics of the Middle East­–– while writing my novel, Displacement and this continues currently as I write its sequel Settlement. The geographical settings of the Isle of Skye and Israel-Palestine are real, certain historical, political and cultural events that give background to the plot did actually happen.

But for me the magic, the alchemy of writing the novels, comes from creating credible, interesting and engaging characters. My characters are imaginary, but they must be brought to life in the same way as any ‘real’ historical characters must. I must inhabit and get into the head of my characters––and by doing so present a credible picture for my readers of the events and the realities my characters are living through.

Similarly, when I wrote my children’s novel The Silver Locket which involves three contemporary children travelling back to the time of Bonnie Prince Charlie and the Jacobites in eighteenth century Scotland, I had to research key historical events such as the Battle of Culloden, but also what life is like for today’s eleven-year-olds. But again the real magic and thrill for me came when I breathed life into my protagonists.

My characters shape the story, their actions and reactions, their motivations, strengths and weaknesses are the story.

My fictional characters, in the same way as long-dead historical ones, come to life on the page. As an author this can seriously mess with your head. Sometimes characters surprise me. They can go off in directions I hadn’t predicted. I talk to my characters, even interview them, when I’m not sure how they feel about something or how they might react in a given situation. I live inside my character’s heads as I write–– much as I imagine an actor does when playing a role. I sometimes expect to see my characters in a real life setting such as when I’m on a real life beach, or up a real life hill that happens to feature in one of my stories.

Characters, historical or invented, have a story to tell. They are living and real for the duration of the book––and perhaps beyond.

All authors need to be imaginative historians and to let the characters bring the story to life and bring life to the story.

What do you think? Is it the characters that make a story for you?

Breaking Down the Barriers Between Science and the Arts with @SAWTrust

Just before I started to write this post, I was listening to the Andrew Marr Show on BBC Radio 4. The panel of expert guests had been invited to discuss science. Specifically, in a programme entitled From Darwin to Big Data, they were asked to consider whether scientists have failed to communicate their work to the wider public, including specifically to children. And along with that, they were also asked to consider how science is not just a set of logical and rational facts, but that it also links into ‘real’ life. One of the panellists was Richard Dawkins, and he said he’d like to see a more integrated approach to science education and education in general. He said that science should be seen as poetic, soulful and spiritual and as something that’s aesthetically pleasing.  I agree with him.

By one of life’s weird coincidences I recently had the chance to work with the SAW Trust. This amazing charitable organisation shows children, not only the wonders and practicalities of science, but also its connection with the emotional and artistic parts of life. And it does this by bringing together teams of scientists, artists and writers.

Here’s how the SAW (Scientists, Artists &Writers) Trust describes itself on itself on its website

The science, art and writing initiative breaks down traditional barriers between the arts and sciences.

Through creative use of science in the classroom, SAW inspires artistic and scientific endeavour. Children realise that science and the arts are interconnected – and they discover new and exciting ways of looking at the world.

SAW projects are accessible to all ages and abilities. They stimulate exploration, enquiry and creativity.

And they are fun!

And so it was that one day in June, I found myself back at primary school. I was there as part of team along with a scientist and an artist.

I spent the day in the primary six class (eleven-year-olds) at Canal View Primary school in Edinburgh. I was there as a writer, but as a writing tutor rather than as a novelist, and I was there because of an opportunity provided by the SAW Trust and Edinburgh University.

Before the SAW day itself, I’d already attended a training day at the university, followed by a planning meeting with the artist, scientist and class teacher I’d be working with.

The SAW way is that each team chooses a scientific topic, concept or idea on which to base the day. The scientist starts the day off by introducing the chosen topic via a set of activities that all the children in the class take part in. The artist then picks up the topic and uses it to allow the children to create topic-related artwork and finally the writer completes the day by getting the children to respond in writing to what has been experienced and learned throughout the day.

The topic our team decided on was DNA.

First, having been introduced to the concept of DNA via a short, concise and accessible video clip, the children extracted DNA from strawberries. The children were completely engaged throughout and seemed impressed by the foamy, stringy goo that is strawberry DNA. I was equally (if not more) impressed.

Then it was the artist’s turn to lead the activities. The class worked in small groups and each group produced a model of a section of DNA. The sections were then joined together in the double-helix formation of DNA and the long string was hung up across the classroom ceiling.

And finally, it was my turn. After a brief and stimulating discussion with the children about what we’d done so far and some examples from me, the children worked in pairs to produce poems – some rhyming, some not – that expressed their reflections on what they’d learned and how they’d learned it.

At the end of the day, the children applauded and thanked all three of us visiting practitioners and told us they’d ‘had the best day ever’.

I certainly shared that sentiment – also having had an exhausting, but brilliant day.

So thank you SAW Trust and Edinburgh University, and thanks too to Graham the artist, and Daniel the scientist – but most of all – thanks to Mrs M and her wonderful P6 class.

It was a wonderful opportunity and a great day.

 

Competition and Conference Success and Other Writing News

SAW Conf 2017

There’s been a lot going on in my writing life recently so I reckoned a bit of an authorly round-up was due.

As mentioned in a previous post, I’m a member of the Edinburgh Writers’ Club and as such I’m eligible to enter their annual competitions. In that previous post I reported that I came second in the General Article competition. The adjudicator of that competition was Anne Hamilton who edits the online magazine Lothian Life, and the stipulation for entries to the competition was that they should be of interest to readers of the magazine. And I’m delighted to say that my article – all about my personal reflections on some of Edinburgh’s many parks – was recently published in the magazine and you can read it here http://www.lothianlife.co.uk/2017/03/park-life/

Then last weekend I attended the annual conference of the Scottish Association of Writers (SAW). I always enjoy this event and this most recent one was no exception. It’s great to meet with other writers and authors at various stages in their writing careers and to have the chance to share experiences with them. It’s also great to have a chance to network with agents and other publishing professionals.

The keynote speaker on the Saturday night was comedian and actress Helen Lederer and she gave an entertaining, funny and engaging speech after Saturday night’s gala dinner. There was an excellent selection of writing workshops on offer throughout the weekend. I particularly enjoyed one on self-editing given by author Michael J Malone and another one on writing for older children and young adults led by author Keith Gray.

I also enjoyed further success with my entries to the SAW conference competitions. Competition entries are submitted and adjudicated prior to the event, and the announcements of the results are made at the conference. I came third in the General Short Story competition judged by author Regi Claire, and I came second in the Women’s Short Story competition judged by author Kirstin Zhang. The feedback I received from both judges was helpful and constructive and certainly boosted my confidence in my writing.

And apart from competition entries, what else have I been doing at the writing desk? The answer is not as much as I would like. The reason being the desk, along with all my other worldly goods is in storage. We’re in the process of moving house and are temporarily lodging with family. Before the move I was tantalisingly close to finishing my next novel, but there’s been little time or space to write recently. However, the end is in sight – both for the book and for this transition phase. We get the keys for our new house at the end of April and after getting moved in, I’ll be able to reinstate my full writing schedule. In the meantime though, I‘ll be finding some time and space to fire up the laptop and press on with getting Settlement finished, redrafted, and ready for my editor.

Onwards and upwards!

Resolved and Resolute

happy-new-year-2017

No new year resolutions, but three inspiring initiatives to share…

First of all I’d like to wish all the readers of the blog a Happy New Year and to thank you all for your loyalty, interest, likes and comments.

This year I haven’t made any traditional resolutions as such – no promises to myself to get slimmer, fitter or wiser. Although if any of these come to pass I’ll be delighted.

However, there are three New Year related initiatives that have caught my attention and they’re all ways of bringing a little joy into our own and other people’s lives – something much needed after the battering of 2016. So let’s hear it for the power of positivity and individual action in 2017…

#ScotSpirit of Kindness

kindness-1197351_640

Firstly, I’m quite taken by the idea of 21 days of kindness being proposed by Visit Scotland.

The idea of the 21 days came from the fact that on the 25th January Scots, and indeed many non-Scots, celebrate the birth of Scotland’s national poet and bard, Robert Burns and in 1788 Burns wrote Auld Lang Syne, a song still sung nowadays, often as part of the New Year celebrations and other celebratory occasions. The song praises the value of friendship, and one of the lines in the song is we’ll tak a cup of kindness yet- a lyric which expresses a promise to be kind.

Visit Scotland is suggesting that on each day from the 5th of January until Burns night on the 25h people commit to doing one random act of kindness per day and sharing it with the hashtag, #ScotSpirit. Suggestions include complimenting a stranger, feeding the birds in your garden or paying for the coffee or bus fare of the person behind you in the queue. Apparently it takes 21 days to change a habit or form a new one, so the hope is the kindness will persist after the challenge itself is over.

Happiness Jar

dscf1432

The second suggestion that I like the sound of is the setting up of a Happiness Jar. Again it could be a good way of defusing stress. The idea here is to write down one thing each day that has made you happy and to put the note in a jar. So you not only take a moment to focus on the positive every day, but you can also recall all these moments at the end of the year when you re-read them.

Reflective Reading Challenge

bookshelf

And the third suggestion is the 2017 Reading Challenge. There are a few of these challenges around, but I particularly liked the sound of this one as it’s ‘only’ 26 books and doesn’t necessarily require a commitment to read more. It’s more about reflecting on one book per fortnight over the 52 weeks of the year and then to ‘inspire your world’ with your reflections. The full list of suggested categories is below and it comes from Hannah Braime at hannahbraime.com So I hope to inspire you as members of my blogging world with my own reflective recollections.

The 26-book 2017 reading challenge

  • A book you read in school
  • A book from your childhood
  • A book published over 100 years ago
  • A book published in the last year
  • A non-fiction book
  • A book written by a male author
  • A book written by a female author
  • A book by someone who isn’t a writer (think Paul Kalathani or Richard Branson)
  • A book that became/is becoming a film
  • A book published in the 20th Century
  • A book set in your hometown/region
  • A book with someone’s name in the title
  • A book with a number in the title
  • A book with a character with your first name
  • A book someone else recommended to you
  • A book with over 500 pages
  • A book you can finish in a day
  • A previously banned book
  • A book with a one-word title
  • A book translated from another language
  • A book that will improve a specific area of your life
  • A memoir or journal
  • A book written by someone younger than you
  • A book set somewhere you’ll be visiting this year
  • An award-winning book
  • A self-published book

 

Have you made any resolutions for 2017 – perhaps reading, writing or reflecting related? Have you considered any of the above initiatives? Do share in the comments below.

Now I am Sixty

Happy birthday

Ageing is a privilege and having just had my sixtieth birthday has reinforced that fact for me

In Now We Are Six, the collection of poems for children by A. A. Milne the little boy, Christopher Robin, says:

‘But now I am Six, I’m as clever as clever. So I think I’ll be six now forever and ever!’

And I think as I have just turned sixty, I’d say something similar.

I’m not sure that at sixty I’m as clever as clever, but I think wanting to be the age I’m at now at forever and ever is a sign of acceptance and contentment.

Yes, being sixty can seem old, though less so to those approaching or beyond this landmark birthday, than to those not yet twenty, thirty, forty or even fifty.

But I don’t have a problem with turning sixty––for one thing it sure beats the alternative. Having survived cancer in my forties, having my sixtieth birthday was definitely something to celebrate.

To me it’s not the new 40 or 50. It is 60––and there’s nothing wrong with that, nothing to be ashamed of, it doesn’t need to be dressed up as something else.

I don’t want to be 40 or 50 again––been there, done that.

 

My lovely 60th birthday cake complete with photos from significant life stages, my book covers, my parents and round the other side my children and grandchildren. Thanks to Mr Anne and to cakemaker, Nicola.
My lovely 60th birthday cake complete with photos from significant life stages, including childhood with my four wee sisters, my graduation,  my wedding, my book covers, my parents and round the other side my children and grandchildren. Thanks to Mr Anne for commissioning and to local cake-maker, Nicola for baking and decorating.

 

For one thing, at 60, there’s retirement, I took it early after a thirty-six year career in primary school teaching, so I’m now two years in––and I can find nothing not to like about it. I miss the children, but not the endless politicking and paperwork. And I’m still working as a writer but, finally, I’m the boss of me.

And there’s my bus pass which allows me to travel anywhere in Scotland by bus free of charge––I was so excited to get that. Receiving it was the true mark of my long held ambition to officially be an old bag.

­But mainly, there is now time – time to do what matters to me – to write more books – both for children and adults – where the ages of the characters are no barrier to having adventures, hopes and dreams – to spend time with the people I love, to take care of myself – and to just stand and stare.

It’s not an end but a beginning – as with any day, it’s the beginning of the rest of my life. I’m not much wiser or less prone to worry and anxiety than I was before. But reaching sixty has helped clarify what’s important. Our numbered days are not endless and there really is no time but the present. A new day is a present––a gift not to be taken for granted at any age.

champagne-1500248_640

Yes, I have to face up to the implications of approaching old age whenever and whatever that may be. I’m sure I’ll recognise it when, and if, it comes. But every age has its challenges and requirements to plan ahead. Sixty is no different.

And apart from when I look in the mirror, I really feel no different. Of course I’ve aged physically, but my six-year-old, sixteen-year-old, twenty-six and thirty-six-year-old selves along with their forty and fifty-year-old counterparts are all still there inside, all part of the me I am today. I’m happy with that.

And what advice would I give my 16 year-old self?

  • Follow your dreams.
  • Do what you love.
  • Seek new experiences.
  • Have no regrets.
  • Be kind to yourself and everyone you meet.
  • Do your small bit to make the world a better place.

And remember these 3 things

  • You will be strong enough,
  • You will be brave enough
  • You will be good enough.

 

Here’s to getting older. How do you feel about big birthdays and about getting older?