The Genre Conundrum Part 3: Age and other issues in Romantic Fiction #amwriting

May 7, 2018February 10, 2019 writeanne4 Comments

When I was looking for a literary agent and publisher for my first novel, Change of Life, nearly ten years ago, one of the rejection reasons I was given was the age of my main characters. I was told nobody wanted to read a romance where the prospective couple were in their late forties and especially where they had to deal with awkward teenage children and cope with one of them falling seriously ill. It seemed realism was out and hearts and flowers happy-ever-after romanticism was in.

Things have moved on a bit since then. There are romantic novels, where difficult issues are included in the story. However, romance does still seem to be dominated by the ‘Cafe in the Seaside Village’ type stories with their matchstick female figures on their pastel-coloured covers. But even although the covers are clichéd, and the stories follow a formula, they can be very enjoyable in a hearts-and- flowers, young love, happy-ever-after sort of way.

But it seems to me that romantic fiction with older lead characters is still in the minority – even although the biggest part of the population in the UK is over fifty. I don’t believe it’s because people don’t want to read such novels and I think maybe the big publishers are missing a trick here.

I should also say before going any further that what follows is merely my impression and my opinion. It isn’t based on any scientific research.

And my final disclosure is one of vested interest – I am 61 and three-quarters years-old.

Oh and PS – I should also say that I’m in no way anti romantic fiction with young main characters. I’ve recently read and thoroughly enjoyed three excellent romances with protagonists in their twenties and thirties. These were June Kearns two historical romances: The Englishwoman’s Guide to the Cowboy and The 20s Girl, the Ghost and All That Jazz. And my most recent read is Kate Field’s The Magic of Ramblings which truly is magic – and poignant and beautiful.

But I also enjoy reading about older characters falling in love. I like romances where the protagonists are in their forties, fifties, sixties and beyond. And I like a bit of realism. I like to see the prospective couple facing up to the issues, complications and challenges that come with age. I like it when there are several generations of a family involved in the story. And I like to see there’s hope and fun and love to be had by us all – regardless of age.

Authors in other genres – crime for example – have created hugely successful older lead characters. There’s Detective Rebus in Ian Rankin’s Novels and there’s the wonderful Vera in the series by Ann Cleeves – to name just two.

And there are some fabulous romance writers who are nailing it in this regard. Books by Maggie Christensen, Christine Webber, Gilli Allan and Hilary Boyd spring to mind. Do check them out if you like more mature, romance-plus fiction. You’ll be in for a highly enjoyable read with any of their books.

Which brings me to the age of the readers of books – I don’t as an author aim for a particular age group. I have young and old readers. Indeed my children’s novel The Silver Locket seems to have been read by as many, if not more, adults as children.

I don’t get the impression that Crime or Sci-Fi or Fantasy are particularly appealing to one narrow age group – Harry Potter is not just read by children, and I’m guessing the Outlander books appeal across the adult age range to those who like the genre.

Why should romance be any different? Although I do get that someone in their twenties might not want to read about people the age of their parents/grandparents falling in love and you know… But it doesn’t mean it doesn’t happen and it doesn’t mean that older readers shouldn’t be able to read romances centred around people their age.

So I suppose what I’m saying is let’s have romantic fiction that’s a bit more relaxed about age, a bit more inclusive.

As a writer I enjoy writing about characters nearer my own age, facing up to life-changing challenges and dealing with all sorts of issues – as well as finding themselves falling in love. Other writers prefer writing about younger characters regardless of their own age.

As a reader I enjoy all sorts of romances and other genres too – and the characters ages are incidental – what matters to me is that it’s a good story, well told, and with a satisfying resolution.

And in conclusion – I’m no further forward with nailing this genre thing – but it’s been fun thinking and writing about it. I know my books aren’t chick-lit or ‘pure’ romance. But I don’t think ‘love-at-the-last-chance-cafe-for-the-chronologically-challenged-with-baggage’ classification is going to work.

Help!

As always please do leave your thoughts and comments below.

Good Fathers in Literature

June 20, 2016 writeanne14 Comments

As a follow up to last week’s post about my own father, I’m posting again today, the day after Father’s Day in the UK, about dads.

I was inspired to do this one after reading a post by fellow blogger, Christina Philippou, on good examples of fatherhood in literature. So thanks, Christina. You can read her post here

When I began thinking about who I’d put on my list, I was surprised how difficult it was to come up with a few. I decided not to ask for Mr Google for suggestions and to just trawl my memory – so it it would indeed be my list.

Lots of what I’ve read has had absent fathers, bad fathers or no mention of fathers. I could come up with a few good fathers from my childhood and young adult reading and two from my most recent reading, but for all the years of reading in between I was struggling to come up with any. There’s perhaps a PhD thesis in why they seem scarce.

Or perhaps this says more about what I choose to read than about whether these male characters exist or not. I’d be interested to know what readers think about that.

Anyway, without further ado here are my five best dads in literature:

From childhood and Enid Blyton’s first book in the Malory Towers series, it would be Mr Rivers, the father of main character, Darrell Rivers. She’s having a hard time settling into her new boarding school until her surgeon dad saves the life of her fellow pupil and future best friend, Sally who needs her appendix out. Not the easiest example for dad’s to follow but hey surely, if you’re kid is having trouble making friends or being picked on at school, it would surely be worth it to get yourself off to medical school.

From later childhood reading, I would nominate Mr March. He is the much loved father of the four March girls in Little Women by Louisa May Alcott. He’s absent for most of the book, but in a good way as he’s off being an army chaplain during the American Civil war. His absence is a significant presence (if you see what I mean) and is central to the story.

From my young adult reading days, best father has to be Atticus Finch in Harper Lee’s, To Kill a Mocking Bird. His integrity, honesty and respect for his fellow humans makes him just the best role model.

And coming up to date, my final two are from my current weakness for contemporary crime fiction.

Firstly, there’s Detective Superintendent William Lorimer who is the lead cop in Alex Gray’s novels. He’s not actually a father but in Keep the Midnight Out his longing to be a father is poignantly told as he and his wife come to terms with infertility.

And finally, it’s another detective, this time Jimmy Perez from the Ann Cleeves, Shetland set crime novels. He’s a flawed but loving step-dad, struggling to do the best for his step-daughter.

So, who’d be on your list?

The Stories We Tell Ourselves

May 23, 2016 writeanne3 Comments

‘Nothing can harm you as much as your own thoughts unguarded’ Gautama Buddha

Thoughts are just that: thoughts. They’re not facts or artefacts. They’re not necessarily true or correct. But, boy, are they powerful!

I believe storytelling and listening to stories is part of what makes us human and it’s something people have always done. We do it to make sense of our world and how we experience it.

As a writer, stories are my thing. I love the whole process of crafting a story from initial thought to finished novel.

As a reader, I love to be told a story, to be transported, taken out of myself by someone else’s thoughts and words.

But there’s an aspect of storytelling that’s not so positive and not so enjoyable. And that can be the uncrafted, unedited stories we tell ourselves.

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The Story Goblin

Many of us succumb to the goading and taunting of our own thoughts. I know I do. The story goblin in our heads knows all our baggage, all our triggers, all our awful ‘what if’ scenarios and it’s all too ready to jump right in there and take control. Next stop: horrible, out of control anxiety or a drastic drop in self-esteem.

However, if we’re aware of what’s happening, then we can take back a bit of control. Otherwise those powerful stories will sabotage us and may seriously affect our mental health.

While it’s true we can’t control everything that happens, we do have some say in how we react.

So if you make a mistake, or get hurt, or are presented with a stressful or unfamiliar situation, it’s healthier not to go off on one. Don’t follow that goblin down the route to ‘I’m such an idiot,’ or ‘I should have expected it and I deserve it’ or ‘this is going to end unbearably badly’.

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Edit or delete

So what can we do? How can we get a bit of control over the stories we’re telling ourselves? Well we can:

*STOP. RECOGNISE WHAT’S HAPPENING. BREATHE. PUT THAT NEGATIVE STORY AND THE GOBLIN IN LIDDED AND LOCKED BOX. LEAVE IT THERE.*

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THEN

Redraft and reshape

Show yourself some compassion. Forgive yourself. And don’t have catastrophe mode as an automatic, default setting. Be realistic.

We can’t prevent our thoughts. We all have them. We can’t function without them. But we can employ an inner editor. We can decide on what are the useful, truthful and inspiring stories. Yes we can still get stuff wrong, hurt or be hurt, find ourselves in scary situations, BUT we are also the editors of the stories we tell ourselves about our lives. We can control our reactions. We can shape our own stories.

Are you stalked by a version of the story goblin? Or have you learned ways to be the active author of the stories you tell yourself?