Virtual Book Festival: Event 22 – an interview with author Heidi Swain @Heidi_Swain #books #romanticfiction #MondayBlogs

Hello everyone and thank you for dropping in at the Virtual Book Festival. We’re now into the final week of the festival and, to round it off in style, there will be an event every day – from today until Friday.

Today it’s event number 22 and I’m happy to welcome author of contemporary romantic fiction, Heidi Swain.

Heidi: Thank you so much Anne, for inviting me to take part in your virtual book festival. It’s a pleasure to be here today.

Anne: And it’s a pleasure to have you here. Thank you for agreeing to take part. So let’s start with you telling us why and how you became a writer?

I have wanted to be a writer for as long as I could remember and even though I have had other jobs, nothing gave the same satisfaction as writing. However, it wasn’t until I was almost forty that I plucked up the courage to take my ambitions seriously and go public. The speedy passing of time was a massive motivator for me and I realised that even though I still had the crippling fear of failure, if I didn’t make a start before the big 40, then I would never see my books on the supermarket shelves.

Having written The Cherry Tree Café I joined the Romantic Novelists Association New Writers Scheme and then, once the book had been critiqued, submitted it to The Books and The City #OneDay #DigitalOriginals call for unsolicited manuscripts. They offered me a two book deal a few months later and four years on, I’ve written and had published eight books under contract to Simon and Schuster – so far.

Anne: Well done for taking the leap and wow, haven’t you been successful!

What genre do you write in and why does that hold a particular appeal for you?

I write commercial fiction, although I personally prefer to call it Feel Good Fiction with Heart. I write the sort of books I enjoy reading. I love offering escapism and strong leading characters who grasp the nettle and have the strength, courage and determination to change their lives. I also enjoy whisking my readers away to wonderful settings, whether that be town or country, tiny cottages, café’s or grand country piles. When I pick up a book, I want to be transported to a life that’s different to my own and that’s why writing commercial fiction appeals to me.

Anne: Oh, I like that ‘Feel Good Fiction with Heart’ – it perfectly describes your lovely books.

You told us you’ve had eight books published so far so tell us a bit about them and any new ones on the horizon.

Yes, eight books published and I have recently signed a new contact to write another three. Six of the books have been set in and around the fictitious Fenland town of Wynbridge, (two in the town, two in the country and two at Wynthorpe Hall). The other two are set in Norwich and based around a community garden in Nightingale Square. Each of the books features a different main character, but they all pop up in each other’s stories. It’s a very friendly and sociable affair!

Anne: Yes, I love the settings of your books and the way characters lives overlap.

Tell us about a typical writing day?

If I’m writing a first draft, I have a very strict routine. Publishing two books a year – one in the Summer and one at Christmas – means there isn’t an awful lot of wriggle room. I’ll be in front of the keyboard by 6.30 am and stay there either until I’ve hit the word count (around the 2,500 mark) or have come to a natural halt. As long as I maintain that level of output, I can produce a first draft I’m happy with in around twelve weeks and I never end a writing session without knowing how I’ll carry on the next time I sit down.

The rest of the day is generally taken up with admin, updating my blog and of course, keeping up to date with social media friends and attending events, signings and the occasional glamourous publishing party. It’s always busy!

Anne: It sounds it! I admire that level of output.

Do you plot your novels in some detail before you actually start writing?

Yes, I always plan before embarking on a new writing project. I write a synopsis for each title for my publisher and agent and I have more detailed planning to work from myself. This is mostly put together while waiting for copy edits or proof pages to come back. So even though I publish a book every six months, each book has lived with me for a much longer time than that. Plots take months, even years, to develop before I am ready to write them.

That said, I’m not so bound by my planning that I’m not prepared to make changes as I go along. When the characters begin to come to life and start making a few demands of their own and insisting they know better than I do, then I know I’m on the right track.

Anne: It sounds like you have a good balance there and yes, characters can get quite pushy, can’t they?

What comes first for you characters or plot?

More often than not it’s the setting for me. I’ll visualise somewhere in Wynbridge or Nightingale Square and then see who walks in and what they want to tell me about themselves. Three of my books have main characters who previously had a supporting role in someone else’s book and wouldn’t stop nagging until they’d had a chance to enter the spotlight! I’m afraid I can’t explain why my process works that way, it just does.

Where do you get your ideas?

It varies. Sometimes I might have an idea for another book while I’m already writing one, sometimes an overheard conversation or a news headline can create the spark. The Nightingale Square books are set around a community garden because I wanted to subtly draw my readers attention to the benefits of gardening for mental health and working together with their neighbours to create something wonderful.

I often find myself scribbling down a few words as an idea pops into my head or, if I only have my phone with me, I’ll email the idea to myself so I don’t forget it. I also have a habit of writing things down in the middle of the night!

Have you got a favourite character out of the all the ones you’ve created or is it too hard to pick just one?

It really is an impossible task, but if there is one who stands out from all the others it’s Jemma who owns The Cherry Tree Café in Wynbridge. She is the baking queen while Lizzie Dixon (who the Cherry Tree Café was about), runs the crafting and sewing classes.

Jemma has never had a book of her own and I don’t think she ever will, however, she pops up in practically everyone else’s books. She’s an ambitious business woman, firm friend and confidante. An all-round Superwoman really and having worked with her for so long, she’s also incredibly easy to write. Writing dialogue and scenes with her in them seem to flow from my fingers far more easily than for some of the other characters.

Can you share some of the feedback/reviews you’ve had from your readers?

I’ve had so many wonderful reviews – The Cherry Tree Café has over 600 on Amazon now – and the vast majority have been glowing. Every week I receive messages from readers telling me they wish they could visit the places I have created or that they’ve taken up a new skill after becoming immersed in the books – or both. It’s a huge privilege.

One of the most touching messages I received was from a lady who had been widowed a few years ago, just before Christmas. She said that she hadn’t decorated since her loss, but having read Sleigh Rides and Silver Bells, her former love of the season had been re-ignited and she had put up a tree and dressed it. It was a very moving moment.

You have a new novel coming soon – what’s it called and please, tell us a bit about it.

The next book I have coming out will be my ninth. It is my fourth Christmas title and will be hitting the shelves on what will be the busiest publishing day of the year – October 3rd. It is set in my beloved Wynbridge and is called The Christmas Wish List.

Here’s the blurb from the back cover:

After being let go from her job in a swanky hotel just weeks before Christmas, Hattie is feeling lost. Even more so when her high-flying boyfriend announces he’s landed his dream job in Abu Dhabi and asks her to move with him. Luckily, Hattie’s long-time friend Dolly is on hand to help and invites Hattie to spend one last holiday in the small, festive town of Wynbridge, determined to give her a Christmas to remember . . .

Upon Hattie’s arrival, holiday preparations are in full swing. But for Hattie, whose Christmas cheer has long since run out, it’ll take more than mince pies and mistletoe to open her heart to the season once more. Relishing the task of reigniting Hattie’s Christmas spirit, Dolly suggests they create a wish list of all the things the season can offer, and with the helpful hands of Wynbridge’s resident handyman, Beamish, Hattie finds her frosty exterior is starting to thaw.

As Wynbridge prepares for its most spectacular Christmas yet, will Hattie leave snowy England behind for life in a sunnier clime, or will she in fact realise that her heart’s desire lies much closer to home?

Heidi: It’s a full-on festive treat and I hope everyone enjoys it!

The Christmas Wish List can be bought online here

 

More about Heidi Swain:

Although passionate about writing from an early age, Heidi Swain gained a degree in Literature, flirted briefly with a newspaper career, married and had two children before she plucked up the courage to join a creative writing class and take her literary ambitions seriously.

A lover of vintage paraphernalia and the odd bottle of fizz, she now writes feel good fiction with heart for Simon and Schuster.

Her debut novel, The Chery Tree Café was published in July 2015 and since then she has had a further six books published, becoming a Sunday Times Bestseller in 2017. She is currently preparing to celebrate the release of her 2019 summer title, Poppy’s Recipe for Life while working on her next project.

Heidi is represented by Amanda Preston and lives in Norfolk with her wonderful family and a mischievous cat called Storm.

 

You can connect with Heidi online at the following links:

Website  

Twitter @Heidi_Swain:

Facebook:

Amazon page

 

 

 

Virtual Book Festival: Event 21 – an interview with book blogger Kelly Lacey @LoveBooksGroup #VirtBookFest #books #bookblogger

Today it’s event number 21 at the Virtual Book Festival and I’m so happy to have book blogger and blog tour organiser Kelly Lacey as our guest today.

So welcome, Kelly, and let’s get started:

What was it that got you into book blogging and how have things developed since you started?

I started book blogging in early 2017. My mum had suffered a few mini strokes and I was at home looking after her. It was a very lonely time with lots of hospital and doctor appointments. I have always been a reader since I was little, and my Nana Alice would buy me a book every second Tuesday from the John Menzies shop in the Scottish town of Dalkeith. I was escaping from my reality by reading a lot more when mum was poorly. I would close the last page of an exciting book and just wish I had someone to talk to about it. I was incredibly lonely during that period.

I made a very simple site blog and I pushed myself to go to a book launch in Edinburgh and it changed my whole life. 2017 was a very busy year and I went to so many lovely bookish events. I love looking back and seeing how the friendships I hold so dearly today were formed. As mum got better, I could go further a field and I started going to book festivals in Linlithgow and Stirling, in central Scotland.

I upgraded to a WordPress site and I loved it. For the past two and a bit years it has become the core of my life. I grew awareness of my blog and spent hours on social media building up the Love Books Group brand. It is my wee baby and I love it. I am proud of the journey I have been on. I look back at my first reviews and shake my head. It takes time to find your own voice as you review. I have learned just to believe in your own work and don’t try and be like anyone else. Have your voice shine through and be authentic.

I organise book blog tours now for authors and publishers on a daily basis and I love the connections I have made from doing that.

I am also very lucky to review for the theatres in Edinburgh and Musselburgh. That has been a wonderful experience. I have seen some epic shows that previously I would only have dreamed of seeing.

I am grateful for everyone who visits and shares my posts. It really does matter to me and I work very hard at offering a varied content every day.

Book blogging is the very pulse to my life, it has captured my heart.

Anne: My goodness your blogging took off in a big way and has led to other exciting things.

 

How do you find/choose what to review?

I am extremely fortunate to get sent a lot of books to review. I have a schedule for the year and then I fit in the books as they plop through my letterbox. Sometimes I have a week or two where I read purely books, I want to. However, I have discovered so many books that I would not have chosen to read.

I have some guest bloggers on the blog now too, as I was struggling to keep up and I hate letting anyone down. They really help bring a diverse range of voices to the blog too.

Anne: Yes, it would be easy to become overwhelmed by demand. But you seem to be well organised and to have got the balance right.

 

What’s the best thing about doing a book blog?

100% the friendships I have made have changed my life. I have people that I talk to every day and they are my very best friends. They say it is hard to make friends as you get older. But if you find the right people then it really isn’t.

The adventures I go on both fictious and in real life are incredible. I am really very lucky, and I treasure every minute.

Anne: How wonderful l to have found something so meaningful and to have theses great benefits.

 

What is your favourite type of read and do you stick mainly to reviewing that type of book?

I don’t have one genre that I stick to. I try to alternate genres every time I read. I love the freedom that YA books have. They are sometimes more diverse and deeper than adult fiction.

I love a gritty addictive crime fiction thriller and on the flip side I am consumed by an emotional contemporary fiction read that can capture my heart and hold on to it till the last page. If I am weeping mess by the end and in need of therapy, then the books done its job very well.

What is very important to me as a reader is that character connection. I don’t need to like them but I do need something that makes me want to read on to the end.

The question you always get asked as a book blogger is “what is your favourite read this year?” I can tell your readers, Anne, that halfway through the year, at the moment it is Disturbance by Marianne Kavannagh and A Killing Sin by K.H Irvine. I thoroughly recommend adding them to your Summer TBR.

My all-time life book is The Book Thief, I re-read it most years. It is humbling and important to revisit.

Anne: Your recommendations are duly noted. And I’m with you as regards The Book Thief. I loved that book.

 

Apart from posting book reviews on your blog, what other types of post do you like to include?

I have my interview feature that I host, along with exclusive author guest posts. My favourite feature which is new to the blog this year is “#What Book?”. It has been very popular and often emotional too for the authors answering the questions about books that have made an impression on them.

Anne: Yes it’s good to have a bit of variety in amongst all the reviews, isn’t it? And the #WhatBook is a great idea.

Well, thank you so much, Kelly, for your thoughtful answers and for taking part in the festival. It’s been lovely to have you here.

 

More About Kelly:

My name is Kelly and I am the founder of Love Books Group.  I live on the outskirts of Edinburgh with my two cats Pawkey and Poppet. My blog came to fruition in January 2017, I needed an outlet to talk about all things books. I thoroughly enjoy the world it has let me become a part of. Getting to meet new people, authors, readers and fellow bloggers have been marvellous.

It is now an everyday part of my life and I would be lost without it. I have almost hit 250K views and that really fills my heart with so much love. I love social media and connecting with others. You can find me on Instagram, Twitter, and Facebook.

My favourite book is The Book Thief by Mark Zusak, it’s a very grounding book. When life gets overwhelmed with nonsense, reading a couple of chapters of it really silences the noise and you remember what is important.

I encourage readers and authors to follow the blogs they enjoy.  I think it’s very important.  Plus, it really helps if you share, like and comment.  The more people who read and enjoy my posts makes all the effort and time I put into each post worth it.

I am a big supporter of other bloggers; we are all a unique team and we only rise and grow by lifting others. I am all about positive thinking and uplifting people. I am 100% drama free; I don’t engage with any of the naff behaviour that sometimes raises its nasty head. I believe there is room for us all.

For Authors: I also organise book blog tours for authors. I take all the hard work out of promoting your books with a range of tours to choose from. My average reach on Twitter is 2.1 million.

Don’t hesitate to use the contact form on the lovebooksgroup website (link below) if you think my blog is a good fit for you.

I live and breathe books every day.

You can connect with Kelly online at the links below:

Blog: https://lovebooksgroup.com/

Twitter: https://twitter.com/LoveBooksGroup

Facebook: https://www.facebook.com/LoveBooksGrp/

YouTube Channel: https://www.youtube.com/channel/UCCvtAmOAyzrhWVZgXF68UsQ

Instagram: https://www.instagram.com/thelovebooksgroup

Pinterest: https://www.pinterest.co.uk/Lovebooksgroup/

 

 

 

 

Virtual Book Festival: Event 20 – Historical Novelist Anne Stenhouse @anne_stenhouse #VirtBookFest #writing #historicalfiction #books

Hello and thank you for visiting the Virtual Book Festival. Today it’s my pleasure to welcome historical novelist, Anne Stenhouse. Anne is going to tell us about her route into writing novels, why she chose to write historical fiction and how this has developed.

Q. What do you write?

A. Dialogue rich Scottish Regency with a touch of humour

People will ask ‘What do you write?’ and I normally answer historical romance, although I do write contemporary stories, too. And at heart, I’m a playwright. Prose writing took me some time to master even with the assistance of the wonderful editor, Judy Roth, then at publisher MuseItUp and now freelance http://www.judy-roth.com/. What was the attraction of the historical genre in the first place?

 

QUALIFICATIONS AND INFLUENCES

Drama and the written word crafted to be spoken, remain my favourite forms of communication. I think in conversations. Any incident replays in my head with different nuances. But, and it’s a biggy, drama only exists once it is performed. Performing drama needs actors, directors, stage crew, venues…

Or, put at its bald reality, money.

After a few years of minor successes and a spell as a Playwright in Residence with Theatre Broad of Stirling, it became clear that I wasn’t going to attract the thousands of pounds needed to make a Fringe breakthrough production. So, how to use the hard-won knowledge of what makes a scene dramatic and what makes conversations sound real?

Georgette Heyer has a lot to answer for. Many historical romance writers credit Heyer with their initial interest and ongoing love of the classic Regency novel.

I’m no exception.

We do have other mentors such as Jane Austen, but Heyer’s eye for the absurd and ear for Regency cant (slang) are a potent and captivating combination. She also uses a lot of dialogue.

In addition, I began at university taking enough papers in both English and History to enable me to choose Honours in either when the time came. I opted for English and American Literature and haven’t ever regretted that choice, but it does mean I have a grounding in British and European History which is useful for the author interested in writing a historical.

So, those were my qualifications and influences. Coupled with a desire to entertain and amuse, the choice was easily made.

 

PERIOD AND THE ROMANTIC ARENA

Having settled on historicals, what would my period be and what would the focus of my romance be?

The period was an interesting conundrum as I sometimes set my work into the 1820s and, therefore, just out of the Regency period. The Western world at that time was changing rapidly in the wake of the French Revolution and the Napoleonic wars. Rapid industrialisation was fuelling discontent of the non-establishment male. Entrenched legal idiocies fuelled discontent of all females.

I’m not an issues’ writer. My job is to entertain. But, I hope I’m not an irresponsible writer. I try very, very hard to get into what must/might have been the mindset of my heroines. I do try to show my heroines dealing with their problems in the way they would most likely have had to do in their period.

Readers who haven’t read much history may be surprised by some of the restrictions that held sway in Nineteenth century times.

No, a woman could not vote, attend university classes, keep her children after a divorce, keep her property after marriage…

If I leave my readers pondering how close to all of that we remain, then I’m happy. If they go on to reflect that in many parts of today’s world women still face such restrictions, then I’m even happier.

But, as I’m not an issues’ writer,  where do I find that holy grail of writers, the CONFLICT and its resolution, the ROMANCE?

I find it in the age-old Battle of the Sexes. We start early, if we have brothers or boy cousins, and we progress through mixed school classes. In the early nineteenth century, of course, while brothers and cousins were facts of life, mixed classes were harder to come by.

This is an opportunity for the romantic novelist because there are so many, and so patently ludicrous, stereotypes to work with. From the woman who thinks all men eat most of a sheep for breakfast to the man who thinks no woman ever eats, the material is endless.

Did I mention how I like a fair dollop of humour in my work? I do write to bring out the ridiculous and help people recognise it. My first published hero, Tobias, is taken aback to discover Miss Mariah Fox would rather teach urchin children than become his Countess. However, he’s a man and he’s got her in his sights so he tricks her into a little delicious scandal and she’s in the bag. Along the way, he buys and sends her most of the cut-flowers available in London. There is a darker seam in Mariah’s Marriage, though, and through its resolution Tobias comes to realise he does love this woman.

 

THE SCOTTISH ANGLE

Bella’s Betrothal, which is featured below, opens in Dalkeith and features a lady escaping from a scandal which is life-changing rather than delicious. I was prompted to think of the Edinburgh setting when I discovered that there were Assembly Rooms in Haddington and Glasgow as well as Edinburgh. And there’s little anywhere to rival Edinburgh’s New Town. I find I like the microcosm. I enjoy the concerns of a small society which mimic those of the larger and I’m fascinated by the rise of the architect.

So, as well as Georgette Heyer, David Bryce has much to answer for. My hero in Bella’s Betrothal is of the smaller landed gentry, but he’s a rising architect in the manner of the eighteenth and nineteenth century greats like Bryce, the Adams’ family members and William Burn.

 

WHERE NEXT?

Last year I was commissioned to write an anniversary serial for People’s Friend magazine. It was set in 1869 and marked their 150th year of continuous publication. I enjoyed moving forward in time to the later years of the century and I enjoyed the wider canvas afforded by writing a story which, while it included two young married couples, was not essentially a romance. Walking around the New Town of Edinburgh, I do experience a shiver of recognition. There are many young ladies whose stories need to be told. I also had a fruitful discussion with an editor at this year’s Romantic Novelists’ Association conference and it was about a contemporary story. Writing is an ever-changing challenge.

Anne Stormont: Thank you so much Anne. That was a fascinating read – a great insight into what’s involved in producing a period novel. And all the best with the move into contemporary.

Below we have an extract from one of Anne’s novels. I’ll let her introduce it:

BELLA’S BETROTHAL was my second historical romance for  MuseItUp and it is set in Edinburgh just post Regency. I wrote this book during the only NaNoWriMo (National Novel Writing Month) event I’ve taken part in and it is full of the energy NaNo demands to produce 50,000 words in a month. Bella and Charles are among my favourites of all the characters I’ve created over a lot of writing years and their story plays out in Edinburgh which is the city of my heart.

 

From the back cover:

While she is travelling north to find sanctuary from the malicious gossip of the Ton, Lady Isabella Wormsley’s room in a Dalkeith inn is invaded by handsome Scottish Laird, Charles Lindsay. Charles has uncovered a plot to kidnap her, but Bella wonders if he isn’t a more dangerous threat, at least to her heart, than the villainous Graham Direlton he wrests her from. Bella settles into the household of her Aunt Hatty Menzies in Edinburgh’s nineteenth century George Square where Charles is a regular visitor. She has been exiled to the north by her unfeeling mama, but feels more betrayed by her papa to whom she has been close. Bella hopes the delivery of her young cousin’s baby will eventually demonstrate her own innocence in the scandal that drove her from home. Bella’s presence disrupts the lives of everyone connected to her. Direlton makes another attempt to kidnap her and in rescuing her a second time, Charles is compromised. Only a betrothal will save his business and Bella’s reputation. Mayhem, murder and long suppressed family secrets raise confusion and seemingly endless difficulties. Will the growing but unacknowledged love between Bella and her Scottish architect survive the evil Direlton engineers?

Extract:

“Lady Isabella, my name is Charles Lindsay. I am a neighbour of your uncle, Mack Menzies. Indeed he and I are distant cousins. My country property is in Strath Menzies.” He stood back from Bella’s chair and came around. She could see him in the flickering light of her candles and the few coals still burning in the grate.

He was a man of around thirty. He wore no jacket and his linen was smeared by muck from his climb across the roof. As he drew a hand over his chin, Bella watched the long fingers leave a trail of mud across the stubble there. His grey eyes, rather deep set, gleamed with intelligence and certainty. Yet how could she believe him? Hadn’t she been so sure Aubrey Daunton was genuine and hadn’t she been so very wrong?

“You doubt me, ma’am. Mrs. Menzies, the former Miss Hatty Lennox, has the same fiery mass of red curls that you…”

“Mr. Lindsay, if that is your name, these things you offer me as proof of your bona fides are all things anyone seeking to ingratiate himself with me could learn easily. If you are a friend of my uncle and aunt, then why not wait to be presented to me in their drawing room?” Bella snapped, although like him, she kept her voice low. She had no wish to be discovered with a man in her bedchamber, particularly one as personable as her visitor.

“Why not wait to be presented? Do I wish to know you, Lady Isabella? There are some who would say acquaintance with you must tarnish my name and reputation,” Lindsay said.

Bella rose up abruptly, and catching him by surprise, tipped him off balance. She grabbed the poker and swung it round hard against the back of his knee.

“You little hell-cat!” He groaned in pain, but caught Bella’s wrist with masterful ease as she drew the poker back for another swipe. “What did you think to achieve?”

“The removal of the self-satisfied affront that denies me any defence of my reputation.” Bella squirmed as his grip tightened around the fine bones of her wrist. She would have a ring of bruises showing through her pale skin on the morrow. How would she explain them to her aunt?

“In London I have been used to sticking a hat pin into the idlers and Beaus who trap me among Hatchard’s book shelves.” The memory of several unpleasant encounters nonetheless cheered her. There were one or two men who would now think again before acting on assumptions.

“But as you do not wear a hat to bed, you attack me with a poker,” Lindsay said, and she saw him suppress the smile it almost brought to his strong boned face. “I did not say I agreed with those who have condemned you, ma’am.”

“You do not have to say it, Mr. Lindsay. Your presence in my bedchamber tells me exactly what you think of me,” Bella retorted, and desolation flooded her. Would life never return to anything like the normality she had once known?

You can buy Bella’s Betrothal here

About Anne:

Anne Stenhouse has always been a story-teller. Her favourite form is the written word crafted to be spoken and Anne enjoyed the Debating Society at school. She much enjoyed writing one-act stage plays and loves the opportunity to write dialogue presented by writing prose fiction. Anne has been a civil servant, addictions’ worker, full-time wife and mum and hands on granny. She lives in Edinburgh where she is a member of the Edinburgh Writers’ Club and of Capital Writers. She is a member of the Romantic Novelists’ Association.

You can find Anne online at:

Novels Now blog https://goo.gl/h4DtKv

Facebook www.facebook.com/annestenhouseauthor

Twitter @anne_stenhouse

 

 

 

 

 

 

 

 

Virtual Book Festival: Event 19 – writing in life’s difficult times by Christine Webber @1chriswebber.com #VirtBookFest #writing #books

Welcome to event number 19 at the Virtual Book Festival.  Today I’m delighted to welcome former TV news presenter, agony aunt, psychotherapist and writer, Christine Webber, to the festival.

Christine is taking a look at how real life issues can sometimes hinder the writing process but she also acknowledges how it can help during times of great stress.

 

So, over to Christine:

 When Life Gets in the Way of Writing

We all know about displacement activities that keep us from our keyboards:

  • I need to watch this TV drama – for research purposes
  • I better do something about those windows, they’re filthy
  • Perhaps I should get dressed before switching on the laptop
  • I’ll think I’ll just rearrange my CD collection in alphabetical order…

As writers, we also know that books or articles don’t appear by magic. At some point, the distractions have to be junked and we have to put some words down – rather a lot of them – on paper or a screen. It’s hard, but we do it.

But what happens when it’s not just delaying tactics getting in the way of our masterpiece, but major life events?

I remember hearing Margaret Drabble say that when her children were small, she usually had a baby on her lap while she was writing and had to reach her arms out over the top of that infant so that she could bash away at her typewriter on the table in front of her.

Motherhood is still a big deal when it comes to writing. As is holding down a full-time job, which so many really good writers have to do in order to pay the bills.

Then there are life’s reverses – a parent has dementia, our heart is broken, a child is being bullied at school, we move house and think we’re losing our sanity… These are tough times, but one might argue that they provide some of our best material. And the strange thing is that during these periods, we may find that though we cannot concentrate well enough to read someone else’s book, we have a strange compulsion, and ability, to carry on writing our own.

My biggest challenge came when David, my husband of thirty years, became terminally ill. I wanted to continue writing as it felt like the only normal thing that was happening. But I also wanted to spend most of my time caring for him as it became apparent that he was going downhill more rapidly than any of his doctors had forecast.

During those months, I was writing my novel It’s Who We Are, which has five leading mid-life characters and three locations, including the west coast of Ireland where David and I had had so many wonderful holidays.

At the beginning of his illness, he was still managing to continue his own work as a medical columnist, so our routine was not too altered, though there were loads of hospital visits, and scans, and blood tests to fit in. But during that period, I got the bulk of my first draft written. And I found that, actually, you can be more episodic in your writing habits than usual, and still complete a manuscript.

But around late summer 2017, David had to give up his last regular writing job – a weekly column he had had for fifty years – and began to spend many more hours a day in bed.

This was when the challenges mounted up, and people who have been through this will know what I mean when I say that my brain felt overwhelmed and overloaded with arranging carers, doctors’ visits, endless medication, trying to find food that would appeal and not take too much effort to eat and – most importantly of all – spending hours just talking together and celebrating the wonderful past we had had as we jointly planned David’s remaining future and my life after that.

Somehow though, writing was a thread that held together during that time, not least because my lovely husband was as supportive as he had always been. And what I found was that when I had no capacity to produce new material, my mind was capable – and indeed really enjoyed – editing.

And of course, those of us who are indie writers have a host of other activities to tackle in order to produce a book, so when we can’t summon up our creative juices, we can perhaps sort out our marketing ideas, or start planning a blog tour, or finalise a cover.

Somehow, It’s Who We Are was finished, and it came out in mid-January 2018, by which time my husband was terribly ill. But I had dedicated it to him, as I had all my previous books, and I was able to sign his copy, and put it into his hands. It was a poignant moment.

Now, seventeen months after his death, I am writing another mid-life ensemble novel.

It will not surprise you to know that one of my three protagonists is newly widowed. And I am sure that in many ways, I’m processing my own loss by attributing it to a character. We writers are so lucky, aren’t we, to be able to do that?

 

Anne: We are indeed fortunate in that respect, Christine. Thank you so much for sharing your, at times, moving thoughts on the difficulties but also the rewards of being a writer.

And now we have and extract from Christine’s book It’s Who We Are. I’ll let Christine introduce it.

It’s Who We Are

This, without any doubt, is my absolute favourite out of all the fiction and non-fiction I’ve written over almost four decades. It’s a story about identity and change, and it reflects the turbulence so many of us experience in mid-life just when we had assumed we would feel stable and secure. The novel takes place in Norfolk, where all the main characters were born, as well as in London and the west coast of Ireland.

And the plot centres on how often the demise of parents can lead to us discovering family secrets that shock us to the core. The surprise in this book is beyond what the characters, or indeed any reader, could ever imagine. And poses the question: do you really know who you are?

This segment is from a chapter near the end of the book. Philip and Wendy didn’t know each other at the start of the novel but as it has developed, they have become very good friends and she has been a huge support to him after a bad accident. They are in a hotel after leaving a party for her, which has been hosted by the other main characters at a house in Norwich.

 The two of them are chatting in the lounge and discussing their evening, and Philip takes the opportunity to outline a new business project to her, which Wendy responds to enthusiastically.

 

His smile broadened. ‘I knew you’d understand and run with it. Is it any wonder that I really, really love you?’

‘Well, I love you too, Philip. You’re a great person and a wonderful friend.’

‘No, but I mean, I love you!’

Wendy wrinkled her nose in puzzlement.

‘Do you understand?’ He pressed her.

She continued to look bewildered for a moment, then she raised her eyebrows as she considered a new option. ‘Do you mean, like, in italics?’

His face creased into the grin that she had become so fond of. ‘Yes, exactly. Not just as in “I love this smoked salmon drizzled with lime juice”.’

‘Mmmn, but that sounds really good! So, you mean you love me more than that?’

‘I do, actually. And in a rather lustful way.’

‘Lustful! But I’m sixty in…’ she looked at her watch, ‘forty minutes. Surely not? Are you drunk?’

‘Not at all.’

‘But do you really mean what you’re saying?’

He nodded. ‘Totally.’

‘Gosh!’

‘Are you surprised?’

‘Flabbergasted. I mean, we’re the two who’re well aware we’re hopeless at sex, and even worse at relationships.’

‘Perhaps we could try to push that assumption into the past tense?’

Her eyes glinted with fun. ‘Do you mean what I think you mean?’

‘I imagine so.’

She giggled. ‘Well, I’m game to give it a go, if that doesn’t sound too impossibly romantic!’ Leaning towards him, she planted a tentative kiss on his cheek. ‘Your room or mine?’

‘You choose,’ he said.

‘OK, mine. Here’s your stick. Can you manage the stairs, or do we need the lift?’

‘Do you mind if we take the lift? Sorry, but I want to conserve my strength.’ He sighed as he rose to his feet. ‘Wendy, I’m hardly love’s young dream.’

‘I’m the one who’s about to be sixty! We’ll just do our best, shall we?’

‘I might have to experiment to find a position where my ribs or my leg don’t hurt, or my wrist doesn’t give way!’

She took his arm. ‘If you don’t shut up you’re going to talk yourself out of this, just when I’m getting keen on the idea!’

You can buy It’s Who We Are here

 

Connect with Christine online:

Christine can be found tweeting on a wide variety of subjects @1chriswebber

She is also active within various book groups on Facebook including Books for Older Readers, Book Connectors and The Alliance of Independent Authors where she is a partner member.

 About Christine: 

Christine Webber originally trained as an opera singer but had to re-think her career plans when her voice professor commented: ‘Your voice is ok, but your legs are very much better!’
Musical theatre beckoned. There was some success. But not much.
However, eventually, in 1978, she became a news presenter for Anglia TV. At last she had found something she enjoyed that other people thought she was good at. It was such a relief that she stayed for 12 very happy years.

Next, she became an agony aunt for various publications including TV Times, Best, Dare and BBC Parenting. She also wrote a column for the Scotsman and one for Woman called Sexplanations.

During her ‘problem page’ years, she trained as a psychotherapist and started a practice in Harley Street which she shared with her late husband, Dr David Delvin. That experience greatly informed much of her writing.

She has written 12 non-fiction books including How to Mend a Broken HeartGet the Happiness Habit and Too Young to Get Old, and has broadcast extensively over the decades on mental health and relationship issues.

In 2016, she embarked on a fresh career as a novelist and has now produced three titles: Who’d Have Thought It?,  It’s  Who We Are and a re-written version of her first book published in 1987, In Honour Bound.

Following the death of her husband, she’s returned to live in East Anglia because that’s where most of her good friends are. Forthcoming projects there include hosting an arts awards ceremony, judging the non-fiction section of the East Anglian Books Awards and a number of talks to women’s groups. She has also become a Trustee for a charity that provides mentors for offenders, to support them when they leave prison.

Further afield, she has become an occasional presenter and interviewer for the Royal Opera House Insights Programme and recently had the honour of interviewing Royal Ballet star Gary Avis and Britain’s best-loved baritone, Sir Bryn Terfel.

Next month, she is presenting and producing a series of video podcasts about staying as young as possible for as long as possible. And, having recorded the audio version of one of her own novels, she has now been approached to narrate a couple of others.

 

 

 

 

Virtual Book Festival: Event 18 an interview with book blogger Kate Noble @TheQuietKnitter #VirtBookFest #books #bookreviews #bookblogging

Hello, everyone and thank you for dropping in at the Virtual Book Festival today. For event number 18 it’s my pleasure to welcome book blogger Kate Noble who is going to share with us how she got into blogging about books and what it means to her.

Hello, Kate, and thank you so much for agreeing to take part in the festival. So, tell us, what got you into book blogging and how long have you been doing it?

Book blogging was something I stumbled upon one day. Having just started using Twitter after my daughter was born, I discovered a few people to follow who reviewed books that I loved and soon I was logging on daily to see if they had any new books to recommend. Friends and family would often ask me about what books I’d read recently and what I would recommend, so it seemed like an obvious step to head in the direction of book blogging as I’d had a blogging account for random ramblings before. That was almost five years ago, and I’m still here …

Anne: And it’s great that you are. You have built a first-class blog and brought many books and readers together and long may that continue.

 

How do you find/choose what to review?              

With an eclectic taste in books I find it quite fun choosing what to review. It’s no secret that I have a soft spot for indie authors and indie presses, there’s something so wonderfully unique about the books from these sources and I love being able to champion books and authors that might not appear on everyone’s radars. More often than not, it’s an eye catching cover or a blurb with that “something” special that grabs my attention and I’m hooked!
I’m also really lucky that my name is on a few publisher lists, so that means I occasionally get some books in the post or emails with book details with a review request, which is a huge honour.

Anne: I believe the honour works both ways. It’s an honour for authors and publishers to get a review from people like you who do it out of book love. And it’s great that you’re so supportive of indie writers and publishers.

 

What’s the best thing about doing a book blog?

This is a hard one, one of the nice things is the camaraderie of “meeting” fellow book lovers, who share your excitement about books being published or, for example, fantastic characters that have made you both laugh.
But it’s also really nice being able to open a world of books up to people and helping them find books they might not have previously considered. I’ve been lucky enough to have had feedback from someone who read a review on my blog, the person went on to say they’d bought the book and read it because of my review and they loved it.

Anne: I’m sure there are lots of readers who’ve bought books after reading your reviews and that’s wonderful!

 

What is your favourite type of read and do you stick mainly to reviewing that type of book?

I’m a lover of Cold War settings and things with a Baltic or Scandinavian setting too, so spy thrillers, police procedurals, noir and the likes. But I also adore historical fiction and will happily curl up with tales from Victorian and earlier periods …

However, I have to admit to being a mood reader, and a lot of my reading is influenced by the mood I am in when I pick up a book. Sometimes I just crave the atmospheric Victorian Edinburgh details or perhaps a tantalising tale of German espionage.

Anne: What a great mix of genres there. And I agree mood is an important factor when choosing what to read.

 

Apart from posting book reviews on your blog, what other types of post do you like to include?

I do feature guest posts that an author has penned or the occasional promotional post for books. But if you pop over to my blog on a Friday you will see my longstanding feature Celebrating Indie Publishing, which usually has a review of an indie book and/or an author feature where I torture lovely authors with a few questions so that readers can get to know a little more about the person behind the book. There have been occasions that an author has written something for this feature, perhaps giving an explanation about where their ideas come from or what drives them to write.

Anne: It’s a good to have a bit of variety and it’s good to let readers get a bit of an insight into authors. I doubt any author would describe being interviewed about their work by you as torture. And, as I said above, I love how you’re so supportive of indie publishers.

 

And finally, I know your blog has won awards – tell us about that

I was awarded third place in the Hidden Gem category of the 2017 Bloggers Bash Awards, and I won the Hidden Gem category of the 2018 Bloggers Bash Awards.

Anne: Well-deserved awards! And thank you so much, Kate, for taking part in the festival and for sharing your book blogging story here.

 

About Kate:

I’m an Aberdeen quine who has always enjoyed reading, I try to read as often as I can and it’s a love that I’ve passed on to my young daughter. I’m a mum, a knitter, an average baker and cook, and I’m slowly getting used to life in the countryside, but I’ll never stop excitedly pointing out tractors to my long-suffering husband!

I’m also a proofreader over at Noble Owl Proofreading, so I have a great excuse to have my nose stuck in a book.

 

You can connect with Kate online at the links below:

Blog link is: https://thequietknitterer.wordpress.com/
Twitter is: https://twitter.com/TheQuietKnitter

 

 

 

Virtual Book Festival: Event 17 – an interview with romance author Maggie Christensen @MaggieChriste33 #VirtBookFest #books #reading #romanticfiction

Hello everyone and welcome to event number 17 in the Virtual Book Festival.  This is the third and final joint event with the Books For Older Readers (BFOR) Blog Blitz. You can find out more about BFOR at the website here.

Today it’s a pleasure to have romantic fiction writer, Maggie Christensen here to tell us about herself and her books.

 

Welcome, Maggie. Let’s begin with why and how you became a writer?

I’ve always been an avid reader and loved writing compositions in school. As an only child I enjoyed playing with and talking to my imaginary friends and this led to my making up stories about them, some of which I wrote down – I often pretended I had a twin brother and thought up stories of twins. I found the time set for writing in school very limiting – I clearly remember starting one story about a fishing boat disaster and being very frustrated as time was up just as I felt I was getting into the heart of the tale. I also recall submitting a short story about being lost in the snow to Girl magazine.

But it wasn’t till I was close to retirement that I began to write fiction seriously. I enrolled in a correspondence course on creative writing, which I gave up on, then an online course which I did finish and learned a lot from, the chief thing being the importance of writing something each day. One of the tasks was to start each day by writing for five minutes about whatever I was thinking.

My first attempts were two Mills and Boon type books – the first paragraph in one won an award in a competition at the Sydney Writers Centre.

But I soon realised these were not what I enjoyed reading, so switched to writing the mature women’s romantic fiction I love to read. I joined several writing groups before finding one whose members I could relate to, and encouraged by their success, I published my first novel, Band of Gold, in 2014.

Anne: I love that you didn’t start your writing career until you were close to retirement. It shows it’s never too late to follow your dreams.

 

What genre do you write in and why does that hold a particular appeal for you?

I write what I call mature women’s romantic fiction – the sort of books I enjoy reading – books featuring women who have lived, have some experience of life and who my readers can become attached to. I feel that too often older women are either ignored or stereotyped in literature and I like to write them as real people you might have as friends. I also like to bring back characters from my earlier books so that my readers feel they are meeting old friends.

Anne: I love this too – the idea that life is as rich and varied for those over forty as it is for younger folks –and that you reflect that in your fiction. And yes the links to previous characters that you include do work well.

 

How many books have you written? Tell us a bit about them.

I have written 12 books – 11 already published and the 12th currently with my editor. All feature women in their 40’s, 50’s and 60’s who have experienced some sort of challenge in their lives – end of a marriage, death of a child, redundancy, end of a relationship, domestic violence. Three – The Sand Dollar, The Dreamcatcher and Madeline House – are set in Florence on the Oregon Coast where my mother-in-law moved to in her 80’s – The Sand Dollar features a woman who leaves Queensland’s Sunshine Coast for Oregon; two are set on Queensland’s Sunshine Coast where I now live – A Brahminy Sunrise and Champagne for Breakfast – and tie in with my Oregon series; three – Band of Gold, Broken Threads and A Model Wife -are set in Sydney where I lived when I first came to Australia and three – The Good Sister, Isobel’s Promise and A Single Woman – are set in my native Scotland, and tie in loosely with my Sydney books – the first of these, The Good Sister, being my only historical novel so far.

Anne: Wow! 12 books is quite an achievement – and they’re all first class reads.

 

Tell us about a typical writing day?

I like to start in the morning and get the bulk of my writing done, then go back to it late afternoon. While I’m writing, I take breaks when I read or do housework – and let ideas come to me. Sadly, I don’t always keep to my schedule as I also enjoy having coffee with my husband or friends. I also belong to a book club, and I deliver library books to a housebound lady, both of which take me away from my writing.

Anne: Oh, I think you’re allowed some time away from the writing desk. And how lovely that you deliver those library books.

 

Do you plot your novels in some detail before you actually start writing?

I’m very much what’s called a pantser. I start with my main character, a situation, and a location and go from there with only a rough idea of where it will lead. I enjoy writing this way. When I’ve tried to plan, it hasn’t worked for me.

Anne: Flying by the seat of your pants. The exciting way to work!

 

What comes first for you characters or plot?

I start with a character and a situation, then usually a man appears in her life and family; the characters develop and take on a life of their own. I’m never sure what‘s going to happen when I sit down to write – my characters often surprise me.

Anne: It’s funny how characters can do that – as if they’re real, breathing people who the writer isn’t in charge of.

 

Where do you get your ideas?

I take things I hear and read, then link some of them together and think ‘what if?’.

Some examples:-

Band of Gold begins with Anna’s husband placing his wedding ring on the kitchen table on Christmas morning and saying, ‘I can’t do this anymore.’ I heard of someone this happened to and started to wonder what would happen to her afterwards.

In Champagne for Breakfast, Rosa is sitting by the river drinking champagne on her birthday – by herself. One Sunday morning my husband and I were walking along the Noosa River when we saw a woman sitting alone with an empty bottle. I started to wonder what her story was and remembered Rosa, a secondary character in The Sand Dollar, who had recently finished a disastrous relationship. That woman became Rosa drinking champagne alone by the river on her fiftieth birthday.

The Good Sister is based on my aunt’s story. As a child growing up in Scotland, I had an aunt who was fond of telling us the story of her doomed love affair. I knew I had to write it one day. Her story became old Isobel’s story in this book.

Madeline House was written as the result of a trip to Florence after my mother-in-law died. During that trip, the woman who bought my mother-in-law’s house had arrived in town with only her car and her dog. At the same time, I became aware of the business of estate sales in the area. Also, I had once worked with a woman whose husband was very controlling and who had many of the same experiences of Beth in this book. These ideas all came together to produce this third book in my Oregon Coast series.

When I get stuck with a book, I often find inspiration when I’m driving or ironing – or falling asleep!

Anne: Yes, those ideas don’t always come when a writer’s at their desk. I like your magpie way of collecting small, sparkly ideas and developing them.

 

Have you got a favourite character out of all the ones you’ve created? Tell us about them if you have or is it too hard to pick just one?

I love all my characters – my heroines all have a little bit of me in them and my heroes a little bit of my lovely husband and soul mate. I feel most akin to Jenny in my Oregon books as, like me, she travels to Oregon when facing a redundancy and meets a lovely retired university lecturer like my own dear husband. But I think perhaps I like Bel best. Like me, she emigrates from Scotland to Australia to teach in her twenties, but unlike me she returns and meets the lovely Matt choosing to set up home there with him on the banks of Loch Lomond – a spot where, if I’d remained in Scotland, I’d dearly like to have lived.

Anne: I’ve a soft spot for Bel too.

 

Can you share some of the feedback/reviews you’ve had from your readers?

I’m thrilled to have found readers who want to read my books and who enjoy reading about more mature women. Many of them mention this in their emails and reviews. They also mention that I write about real people and that my books have a good sense of place.

One of my favourite comments comes from one of Mrs B’s Book Reviews in which book blogger, Amanda, calls me ‘the queen of mature age fiction’. I also love her comment that, ‘Maggie Christensen’s writing is like a nice warm cup of tea. It is warm, nourishing, comforting and embracing.’

Another favourite review is by Anne Williams of Being Anne book blog

‘The author’s story-telling is just wonderful: she introduces you to her characters, sets the scene, and the story then unfolds around you – and her characters are always real people who you can’t fail to take to your heart as you watch them making their choices and mistakes.’

Anne: I completely agree with those reviews.

 

And now I’d like to thank you very much indeed, Maggie, for agreeing to take part in the festival today and for providing us with such a fascinating interview and insight into your writing.

But before you go, we have an extract from your novel A Single Woman below.  Tell us a bit more about this particular book and why you chose it for the extract.

A Single Woman is the third book in my Scottish Collection. While it can be read as a stand-alone novel, readers of the first two will welcome to opportunity to reconnect with old friends from the earlier books.

In the words from your review in Put it in Writing, it’s ‘a second-chance, midlife romance where the last thing either protagonist is looking for is to fall in love. It’s set mainly in the Scottish city of Glasgow, and it’s the thoughtful and touching story of the developing relationship between two rather damaged people.’

From the back cover:

Isla Cameron, headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.

Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.

When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship.

As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.

Can Alasdair overcome his natural reserve, and can Isla open her heart to love again?

 

The extract from chapter 8 takes place when Isla is attending a Christmas Eve party held by an old school friend. I chose this extract as it the first time the two protagonists meet. Christmas is a sad time for both of them.

Extract:

A Single Woman

Having imagined herself alone, Isla turned quickly to see a tall, wide-shouldered, fair-haired man standing almost hidden by the branches filled with Christmas ornaments and tinsel.

‘You escaped, too?’ he asked, with a conspiratorial grimace.

Isla nodded, hoping he didn’t see her tears.

‘Look,’ he stammered, ‘I need a breather. Why don’t you join me – get away from all that…’ He gestured in the direction of the room they’d both left where the sound of carols was beginning to drown out the chatter.

Isla hesitated. What she really wanted was to go home, but she needed to sober up a bit before she could consider driving on the icy roads. Fresh air would clear her head.

Seeing her waver, the man spoke again. ‘Get your coat and we can sneak away.’

About to do as he said, Isla looked down at her heels. They were not made for walking on icy roads.

‘You’ll be fine. The pathway around the garden has been cleared.

‘Okay.’

By the time she’d put on her coat, her companion was opening the door, and the pair slipped out, closing it silently behind them.

After the centrally-heated house, the frosty air hit them like sharp needles, their breath forming clouds in the cold air.

‘By the way, I’m Alasdair,’ Isla’s companion said.

‘Isla.’ She shook his outstretched hand before returning hers to her pocket, while wondering what on earth she was doing out here with a strange man on Christmas Eve.

‘How do you know Kirsty?’ he asked, as they walked.

‘We’re old school friends, though until a school reunion a few weeks ago, we hadn’t seen each other since. You?’ Isla didn’t really want to know, but felt obliged to ask.

‘Sister-in-law, for my sins.’

Isla almost stumbled in surprise. If Alasdair was Kirsty’s brother-in-law, then it followed he was also Fiona MacLeod’s father and, if she remembered correctly, it was around this time of year his wife had died.

‘Are you okay?’ he asked.

‘Yes, thanks.’ Should she tell him? Tell him what? That she was his daughter’s headmistress? What would be the point of that? They were two strangers, grabbing some fresh air, escaping from a party it seemed neither of them wanted to be part of. That was all.

At the corner they turned, and without any further conversation, they walked back and stepped into the Reid home just as silently as they’d left.

In their absence, the gathering seemed to have become even more raucous, the loud beat of music and chorusing of old hit songs emanating from the living room. It was like being at one of the parties Isla remembered from her schooldays. She’d never been a social animal. She grimaced.

‘Not your scene either?’

‘No. I think I’ll make my thanks to Kirsty and leave.’

Still in her coat, Isla peeked into the room catching sight of Kirsty in the centre of a jolly group of choristers. She hesitated, unsure how to interrupt.

‘You’ll never manage it. Call her in the morning,’ Alasdair advised. ‘I’m going, too. Tomorrow…’

‘Is Christmas Day. Yes.’

Isla supposed he’d be involved in some sort of family celebration. She shivered. She would be alone. For her, it would be just another day, nothing special, no celebration. Another day when she’d try to keep the memories at bay.

 

Want to read more:

A Single Woman is available on all digital platforms just go to this link:  books2read.com/ASingleWoman

 

About Maggie:

After a career in education, Maggie Christensen began writing contemporary women’s fiction portraying mature women facing life-changing situations. Her travels inspire her writing, be it her frequent visits to family in Oregon, USA, her native Scotland or her home on Queensland’s beautiful Sunshine Coast. Maggie writes of mature heroines coming to terms with changes in their lives women who have learned to live and love in later life and the heroes worthy of them. Heartwarming stories of second chances. She has recently been called ‘the queen of mature age fiction’

From her native Scotland, Maggie was lured by the call ‘Come and teach in the sun’ to Australia, where she worked as a primary school teacher, university lecturer and in educational management. Now living with her husband of over thirty years on Queensland’s Sunshine Coast, she loves walking on the deserted beach in the early mornings and having coffee by the river on weekends. Her days are spent surrounded by books, either reading or writing them – her idea of heaven!

She continues her love of books as a volunteer with Noosa library where selects and delivers books to the housebound.

You can connect with Maggie online at the links below:

http://maggiechristensenauthor.com/

https://www.facebook.com/maggiechristensenauthor

https://twitter.com/MaggieChriste33

https://www.goodreads.com/author/show/8120020.Maggie_Christensen

https://www.instagram.com/maggiechriste33/?hl=en

https://www.bookbub.com/profile/maggie-christensen?list=about

 

 

Virtual Book Festival: Event 16 – a feature by book blogger Mary Picken @bethsy #VirtBookFest #books #bookreviews #bookblogs

Hello and welcome to event number 16 in the Virtual Book Festival. Today’s event is a guest post by  book blogger Mary Picken of Live and Deadly Book Blog which you can find at  liveanddeadly.net On her hugely popular blog, Mary writes insightful and intriguing reviews of (mainly) crime fiction. And she’s her to tell us more about her book blogging life.

So welcome, Mary – and over to you.

  

Book Blogging  – What is it, why do we do it and who cares?

 

Gentle reader, let me take you back 5 years to December 2014. My memory these days stretches back just about that far. I had taken six months off from my job due to clinical depression. Those days had passed in a blur of pretty much staring into nothingness. I did some reading, always my chosen leisure activity, but otherwise had done very little.

After the 6 months was up, it became clear to me that I no longer had the resilience to cope with the daily pressures and stresses of my job. My brain was working, but my heart wasn’t in it and my head wouldn’t let me get immersed in the mire again.

So I effectively took early retirement. That left me in something of a quandary. I didn’t feel able to work full time and I really did not want my little grey cells to go without a work out. So, I decided that I’d start to record my thoughts on the books I was reading.

At the time, I didn’t really know anything about blogging, far less book blogging, I just needed something that would stimulate my brain and keep it working.

Fast forward 5 years and my blog is still going. That first, tentative post, a glowing review of Sarah Hilary’s first book, Someone Else’s Skin, (if you haven’t read her Marnie Rome series please do, it is fantastic) has grown into a blog with more than 3,300 followers and a reach over continents (mainly though UK and US) that stretches to around a quarter of a million viewers. Many of my colleagues have blogs that are substantially bigger, and more power to them for it. Few of us are driven by our statistics; I’m certainly not.

I have discovered an activity that plays to my need for deadline driven activity without much of the stress that used to accompany my deadlines and I have been fortunate to have been sent books to review.

Not only that, but book blogging has given me my tribe. I have found like-minded friends online and in real life; have been to numerous book festivals at home and even one abroad and now have a life that I love.

So, all good for me, then. But what does it do for book sales and publishers?  I often find that authors have no sense of what bloggers can do for book sales, but there is no doubt at all that publishers know and understand the value.

In a crowded marketplace, word of mouth is a very important marketing tool. Creating a buzz in advance of a book’s publication is a great way to heighten anticipation and create advance sales.

Social media is now a key component of organisations’ marketing strategies and for good reason. 74% of shoppers make buying decisions based on social media, according to the social media marketing company, Sprout Social.

The term ‘social influencers’, which I hate, has been coined to represent individuals who have a significant following on social media. With a large audience seeing these blogger’s posts each day, they’re often targeted by publishers to promote books. Their content has a significant effect on purchasing decisions. Essentially, they contribute to the “bandwagon” effect.

80% of consumers, we are told, are likely to purchase a book based on a friend’s suggestion. If you were on the fence about buying a book, who would you turn to for an unbiased opinion?

This sometimes leads, wrongly, to suggestions that bloggers are the pawns of publishers, overwhelmingly positive about every book in order to feed their free book piles. Nothing could be further from the truth. Most book bloggers I know have a voracious book buying habit; some even buy several editions of the same book!

Most of us choose not to post reviews of books we have disliked on our blogs. If you are, like me, about sharing the book love, there seems little point in publishing on my blog a review of a book that just wasn’t for me. I will post those reviews on Amazon and Goodreads, with as constructive a review as I can achieve.

But I’m often critical in my reviews, pointing out my perceptions of flaws as well as good things, because otherwise how can I expect my reviews to be trusted by those who read them? If there’s no honesty, what on earth is the point of a review?

I believe that bloggers can be a real boon to smaller, independent publishers too. Those who are publishing important books but just don’t have the marketing budgets to make them stand out in a crowd. Investing in a blog tour, where the tour organiser receives a small payment for organising and bloggers remain, rightly, unpaid can achieve real results for a book that might otherwise struggle to find a place amidst the bigger publishers’ noise.

Publishers like Fahrenheit, Tramp Press, Orenda Books, Unbound and Urbane all make a decent sales impact through their use of social media and that can only be a good thing at a time when we need more than ever to broaden the diversity of ideas.

I blog for my own satisfaction and to keep my brain functioning. But I have to admit; there is no better feeling than knowing that someone has bought a book based on my review. It is, for me, the pinnacle of success. If I can help contribute to book sales in however small a way, I will feel that I have made a beneficial impact on the world. And that’s more than enough for me.

Anne: Thank you so much for that fascinating insight into what book blogging means to you – and to authors and readers too. And thank you for being part of the festival.

 

More about Mary and her blog:

Mary Picken reviews mainly crime novels on her blog, though she also enjoys contemporary and literary fiction with the occasional dose of historical and urban fantasy thrown in. She has been blogging at Live and Deadly for 5 years and loves to visit book festivals. Particular favourites include Bute Noir, Iceland Noir and, of course, Bloody Scotland and this month’s Edinburgh Book Festival.

How to connect with Mary online: 

Live and Deadly book blog is here

You can also find her on Facebook at Live and Deadly : (https://www.facebook.com/liveanddeadly/)

On Instagram as @bethsy :  (https://www.instagram.com/bethsy/)

On Twitter as @bethsy : (https://twitter.com/bethsy)

 

 

 

Virtual Book Festival: Event 15 – an interview with book blogger Anne Williams @Williams13Anne #VirtBookFest #books #reading #bookreviews

Hello everyone and welcome to event number 15 in the Virtual Book Festival. Today it’s my pleasure to welcome book blogger Anne Williams to the VBF marquee. Anne is an awesome and prolific reader and reviewer of books. She shares her reviews on her book blog Being Anne and like the other wonderful guest book bloggers at this festival she is significantly responsible for my reading list.

So, welcome, Anne. It’s lovely to have you here.

I’d like to start by asking you what it was that got you into book blogging and how long have you been doing it?

I’ve been blogging about books for over six years now: I’d been sharing my reviews on-line for as long as I’ve had a computer, and I just thought it’d be good to keep all the reviews in one place. I was flabbergasted to find that people seemed to like reading it, so when I retired the following year I decided to build it up a little and add other features. By 2016, my little blog had over 220,000 views – so I decided to move it to WordPress and give it a more professional look. I did the migration myself, and learned a whole new skill set (and swore rather a lot!), but I’m delighted with the way it now looks.

The blog now has over 9,500 followers, the post views are in the hundreds, and I’m really humbled by the fact that my posts are shared so many times on Twitter that I just can’t keep up with saying “thank you”. Life changes have meant that I don’t post daily any more, but I’m still enjoying it as much as I ever did.

Anne S: Blimey, that’s an amazing following! But well –deserved – you’ve certainly earned it. Book bloggers like you do so much for writers and for readers and all for the love of it. Brilliant!

 

How do you find/choose what to review?

I read three or four books a week – I watch very little television! – and these days books have a tendency to find me. I’ve built relationships with publishers and authors, find e-copies of forthcoming books on Netgalley, and take part in blog tours – but I do still buy far more books than I’m sent to review. I choose to read books that I know I’m likely to enjoy: I’ve now developed a bit of a sixth sense that rarely lets me down.

Anne S: Yes, it would be easy to get overwhelmed, wouldn’t it? And using your reliable radar to pinpoint what you’ll most likely enjoy – and sticking to that is the best way to go.

 

What’s the best thing about doing a book blog?

Without question, being part of this wonderful bookish world. I’ve made so many friends over the years – authors, publishers and bloggers – and the whole community is immensely supportive and lovely to be part of. Books have become a large part of my social life too: I love attending the parties and launches, the book readings and signings, the festivals and book fairs, and the more informal get togethers too (particularly since I qualified for my senior railcard!). I was particularly delighted to win the Best Pal award at the Annual Bloggers’ Bash three years running – I think it meant more to me than any award for the quality of my reviews, because for me it’s what blogging is all about.

Anne S: Well deserved awards –congratulations! I agree the book community is wonderful.

 

What is your favourite type of read and do you stick mainly to reviewing that type of book?

Although I’ve rather outgrown the chick lit I used to enjoy, most of my reading is still romance or that often misunderstood genre of “women’s fiction”. And I do particularly look for books featuring older characters and experiences I can identify with, which give me particular pleasure. But I do like to read widely, and quite often equally enjoy a good thriller or something more at the literary end of the spectrum. More than anything, I enjoy reading authors yet to make their mark (and how they’re published really doesn’t matter) and help bring them to the attention of other readers.

Anne S: Yes I’m with you there on romance and life beyond chick-lit. And, like you, I enjoy other genres too.

 

Apart from posting book reviews on your blog, what other types of post do you like to include?

These days, it’s mostly reviews: telling people about the books I’ve loved is what I enjoy the most, particularly when others tell me they’ve bought the book and added it to their reading list (as I know you often have, Anne!). I sometimes include guest posts, interviews or other features, but do make it my rule that I only include books I’d have been happy to read if only I had some space on my reading list.

Anne S: Yes, indeed as regards your responsibility for so many of the books I read! I must say I like your compromise for including books you don’t have time to read. And, thank you so much, Anne, for taking part in the festival and for doing such an interesting interview.

 

About Anne Williams:

I was born in North Wales and will always be a Welsh girl at heart, but have happily made my home in the beautiful Yorkshire market town of Wetherby for the last 20 years. Having spent my working life as a civil servant, I’m now 63 and retired, able to spend my time doing all the things I enjoy most. My first passion will always been reading – and I enjoy spending much of my time doing just that, sharing my love of books on my blog Being Anne. My second passion is travel, usually long haul, and to places where other people might not have been – although that has been more difficult recently when I became primary carer for my 93 year old mum, who has dementia. I enjoy the theatre and cinema, love to attend concerts (mainly classical), and also run a real-life book group for my local U3A.

You can connect with Anne online at the places below:

Blog:  http://beinganne.com

Facebook: https://www.facebook.com/beinganne

Twitter: https://twitter.com/Williams13Anne

Virtual Book Festival 2019: Event 14 – Book Taster with @writeanne #virtbookfest #amwriting #books #romanticfiction

Book Tasting Event

Hello and welcome to event 14 in the Virtual Book Festival line up. As with event 13 this is a joint one with the Books For Older Readers Blog Blitz. You can visit the Books for Older Readers website here.

Today I’m sharing the first chapter of one of my second-chance romance novels. As I said in event 13, I write books aimed at adult readers of any age who enjoy mature, romantic, and thought-provoking fiction.

Displacement is the first of a series of three novels all set on the Scottish island of Skye. The second book is called Settlement and is also available, and the third book, Fulfilment is due to be published later this year.

Here’s what it says on the back cover:

It’s never too late to fall in love, but the past can get in the way of a happy future.

From the Scottish Hebrides to the Middle-East, Displacement is an intense, contemporary love story where romance and realism, and the personal and the political, meet head on.

Divorce, the death of her soldier son and estrangement from her daughter, leave Hebridean crofter, Rachel Campbell, grief stricken, lonely and lost.

Forced retirement due to a heart condition leaves former Edinburgh policeman Jack Baxter needing to take stock and find a new direction for his life.

 After the two of them meet in dramatic circumstances on a wild winter’s night on the island of Skye, a tentative friendship develops between them, despite their very different personalities. Gradually, however, their feelings for each other go beyond friendship.

 But Rachel is about to go to Israel-Palestine where she plans to explore her Jewish heritage and to learn more about this contested land. And Jack is already in what is, for him, the ideal relationship – one where no commitment or fidelity is required.

 Will they be able to overcome the obstacles that lie in the way of their deepening love?

Can Rachel find a way forward and let herself love again?           

Can Jack trust himself not to hurt her?                      

 

 

 

Displacement

©Anne Stormont

 

Chapter One

 

Rachel

 

Snowmelt and recent heavy rainfall meant the normally tame burn was now a forceful and rapid river. The water was up to my waist. I was stuck, held fast by the mud, trapped in darkness. The flow pushed hard against me. I no longer had the strength to free myself.

It was January on the island of Skye and the wind-chill meant the temperature was probably below zero. I no longer shivered. I didn’t feel cold. I didn’t feel anything. The ewe had stopped struggling a while ago but I kept my arms around her neck.

I’d gone out at around seven that evening to check the sheep. Bonnie, my sheepdog, was with me. It had already been dark for hours. I’d normally have been out much earlier than this, but the last of the mourners hadn’t left until around six so I’d been delayed. There’d been a wake in the hotel immediately after the burial, but a few friends and neighbours had accepted the invitation to come back to the house afterwards.

When everyone had gone, Morag helped me clear up. She offered the services of her husband Alasdair to check the animals. But I declined the offer.

Morag shook her head as she wiped down the kitchen worktop. “It’s a pity your brother isn’t staying here tonight. You shouldn’t be on your own.”

“Jonathan offered to stay. But he’s been here every night since Mum died and this was the only chance for him and Alec to have a few beers and a catch-up before he goes back. Besides I just want a hot bath and an early night. I was happy for him to go.”

There was more head shaking from Morag. “And I suppose you’ll say no to having dinner with us as well.”

“Thanks, really.” I tried a placating smile. “But I’m not hungry, not after all that tea and sandwiches. No, you’ve been a good friend, as always, but …”

“But now you want your precious privacy back, I know.” Morag spoke kindly, but I could tell she found my need to be on my own difficult to understand. “In that case,” she continued, “I think I’ll take Alasdair up on his offer to take me to see the new Bond film. It’s on in Portree. And don’t be too long outside. You look shattered. After all it’s not just been today, you’ve been looking after your mother for a long time.”

“Yeah, I don’t know what I’ll do with myself now.”

“You could try starting to live for yourself a bit more.” Morag patted my arm. I flinched at her touch. I couldn’t help it.

She appeared not to notice my discomfort. “You’ve spent your life looking after other people and, with everything that’s happened in the last few years, you deserve a bit of happiness.” She stretched her arms out towards me. “Oh, come here. You need a damn good hug.”

I let her embrace me.

As she let me go she looked at me sadly. “The old Rachel hugged people back.”

“The old Rachel!” The force and agony of my raised voice surprised us both.

I closed my eyes, put my head in my hands, pulled at my hair and took a moment to get a grip on my temper. When I could speak again, my voice was strained but quieter. “You’ve no idea what it’s like. Nobody does. Any chance of happiness died two years ago, along with the old Rachel. She’s dead and gone to Hell.”

Morag looked distraught. I knew she hadn’t meant to hurt me. I was angry because I knew she was right.

“I’m sorry,” she said. “I just meant it’s time you did stuff for you, got on with your life.”

“Right, that’s it,” I said. “I’m not listening to this. I’m going to check the sheep. Thanks for your help today. You can see yourself out.” I hurried out through the doorway that led from the kitchen into the side porch. I shoved my feet into my wellingtons and whistled for Bonnie. My faithful old collie looked at me reproachfully, whether it was for rousing her, or for shouting at my best friend, I don’t know. She hauled herself out of her basket by the stove and came to me.

The dark was deep, and sleety rain swirled around us. A screaming northerly blew hard and the rain felt needle-sharp on my face. I didn’t hear the sheep’s distressed bleating until I approached the bottom of the croft. I swung the torch in the direction of the sound and had to grab the fence to steady myself. The bleating was coming from the burn.

It was one of the Jacob’s shearlings, a pregnant ewe. She was submerged to her shoulders in the swirling water and not even trying to climb out. At first I tried grabbing hold of the horns and pulling hard, but to no avail.

It didn’t occur to me to get help. I told Bonnie to stay and placed the torch on the ground pointing towards the ewe. Then I slid off the bank into the shockingly cold water. It felt like minutes before the shock passed and I could breathe again. Too late, I realised my mistake. Like the ewe, I was stuck in the mud.

All I could do was try to keep both our heads above the rising water. I knew it was pointless to shout. The wind would swallow the sound and, even if it had been a quiet night, I was too far away from any of my neighbours’ houses to be heard. Bonnie barked and darted in and out of the torch’s beam. For a while she alternated barking with whimpering. Then she went quiet and the light from the torch disappeared. I could only assume she’d run off, moving the torch as she did so.

In the complete darkness, as the last of the feeling left my body, I felt sleepy. My grip on the ewe loosened. The animal must have felt my hold slacken, and with one huge kick she leapt up the banking and scrabbled to safety.

The force of the kick toppled me over and freed my feet from the mud. I fell backwards and went under. I grabbed at a boulder to prevent myself from being swept away and then I heard a voice. Was it my own? ‘Let go. Stop fighting and just let go,’ it said. And I wasn’t afraid any more. It would all be over soon and I would find some peace. I loosened my grip and let myself sink. I saw a bright light coming towards me.

 

Jack

 

I almost fell over the stupid sheep. It appeared out of nowhere as I followed the barking collie to the water’s edge. The beam of my torch picked out the woman’s face and her outstretched arm. She let go of the rock and started to slip downstream. I slid down the bank and managed to grab the hood of her jacket. I was surprised by how light she was, even in her sodden clothes. She fought against me as I dragged her from the water.

I put her over my shoulder and half jogged, half stumbled back to the holiday cottage I was renting from Morag. The dog ran by my side and followed us indoors. I set the woman down in a chair at the fireside and threw some more coal into the grate. Then I went to the bathroom and grabbed a towel. I took off my sweater and put it and the towel on the floor in front of her. I told her to get out of her wet things while I made a hot drink.

When I returned with two mugs of tea and a blanket, she was standing, looking into the fire. She rubbed half-heartedly at her hair with the towel. Her wet clothes lay in a pile on the floor. My sweater came down almost to her knees. She turned to look at me. She was slightly built and could only have been about five-foot-three. Her face was pale, her eyes large. She was obviously in shock and she looked exhausted.

I laid down what I was carrying. “Here, let me.” I took the towel from her. At first she tensed up, but she allowed me to rub her hair. As it dried I saw that she was a redhead, just a bit of grey here and there. “That’ll do,” I said, putting down the towel. “Now, get this down you. It’s hot and sweet.” I handed her a mug. I also gave her the blanket. “And wrap yourself in this.”

She took the tea and sat on the sofa. The dog followed her and sat on the floor at her feet.

I remained standing by the fire. I glanced at the woman as I sipped my tea and wondered how she’d come to be in need of rescuing. I guessed she was in her late forties or early fifties, not bad looking, even in her exhausted state. As she drank her tea, she stared into the fire. She’d tucked her legs up under her and covered herself with the blanket. From time to time she ran a hand through her hair, and the more it dried the curlier it became.

She caught me looking at her. “Thanks for the tea,” she said. “But now Bonnie and me had better leave you in peace.”

I was slightly surprised to hear her voice. She hadn’t spoken a word so far.

“No, take your time, there’s no rush. Is there someone you’d like me to call? Someone who will be wondering where you are?”

She didn’t reply. I saw her jaw tense as she looked at me.

“Maybe I should take you to the hospital, get you checked over.”

“That won’t be necessary, really, I’m fine.” She pushed the blanket aside and laid the mug on the side table. As she stood up, she staggered and grabbed the sofa arm to steady herself.

I went over to her, put my hands on her shoulders, gently sat her back down. “Oh, yes, you’re clearly fine. Half drowned, exhausted and probably hypothermic, but apart from that right as rain.” I also wondered where she thought she was going, dressed only in my sweater. I sat beside her and, taking her wrist in my hand, felt for her pulse.

She pulled her hand away. “Are you a doctor?”

“No, I’m a policeman, was a policeman, retired Detective Inspector, Lothian and Borders. I was trained in first aid in the force. I’m Jack by the way, Jack Baxter.”

“Rachel Campbell.” She met my gaze, but only briefly, her smile a mere flicker.

The dog stood up, looked from Rachel to me, gave a little bark.

“That’s a good dog you’ve got there, protective and very persistent,” I said.

Rachel just nodded.

“It was lucky I’d gone out to get some coal,” I went on. “I heard her barking. She was down at Morag and Alasdair’s place. I thought she maybe belonged to them, but there was nobody home. I tried to get her to come in here, but she kept running up the track every time I got close, until I got the message and followed her. So I just grabbed my coat and a torch and she led me straight to you.”

“Yes, Bonnie’s a good dog. I owe her, and you, of course. I owe you both. I’d no strength left.” Her voice trembled and she looked away as she finished speaking.

“Look, why don’t I get us some more tea and you can tell me how you ended up in the water. And then I’ll take you home. I take it you live close by.”

“Yes, yes I do, Burnside Cottage. And thanks, more tea would be nice.”

“Good, might even throw in some toast.” As I stood to go, I took the box of tissues from the coffee table and handed it to her. “Use as many as you like,” I said.

 

Want to read more?                                                          

You can buy Displacement as a paperback or ebook online here:

It’s also available as a paperback at your local bookshop – and you can ask them to order it in if it’s not on their shelves.

Paperback ISBN: 978-09929303-3-2

 

 

 

Virtual Book Festival: Event 13 – Age Matters in Romantic Fiction #VirtBookFest #amwriting #amreading #romanticfiction

Books for Older Readers

Today’s event is a joint one. It’s a Virtual Book Festival event and it’s also part of a Blog Blitz which has been organised by author  Claire Baldry who set up and runs the popular Books for Older Readers (BFOR)  website and Facebook group.

Claire set up the group and the website as places to highlight books which had older/mature main characters and which would therefore most likely appeal to older/mature readers. In doing so she was responding to the fact that older/mature readers often seemed to be finding it difficult to find such books – even although she – and lots of other authors she knew of – wrote them.

The initiative has proved popular and successful in matching books to readers who describe themselves as no longer young and the group and website have lots of members/followers from both the reading and writing communities – including myself.

So I thought in today’s event I’d like to explore and share with you what the concept of books for older readers – both writing and reading them – means to me.

Age appropriate reading

The Publisher Definition

Publishing is an industry and like any industry it needs to make a profit to survive and so it goes where the money is and it targets its customers. Therefore authors of commercial fiction have to follow the rules and conventions of their genre. Two genres in particular are mainly defined by the age of their intended readership – and these are: children’s fiction and its age specific sub-divisions, and Young Adult fiction. But for most of the other genres it’s not age but content that defines them. It’s taken as read (pun sort of intended) that readers will be adults.

And for the most part that works. But sometimes age, and attitudes to ageing, does seem to be an issue – especially when it comes to romantic fiction – and most especially when it comes to female characters

My Author Perspective

When I first sought publication for my debut novel – Change of Life – in 2009, I got lots of nice, but encouraging, rejections. I was told there was no doubt I could write, I could tell a good story, the characters were well drawn.

BUT, they said, the fact that my two main characters were in their forties meant it wouldn’t work as romantic fiction. I was told I could possibly get away with having the male character in his forties but definitely not the female one. She would need to be under thirty-five for readers to find it realistic.

I disagreed. And I’m now the proud author of three successful, independently published (including that first one) contemporary romantic novels with main protagonists who are in their forties or fifties. It turns out there is a market for what are now sometimes classed as second-chance romances. And I should also point out my readership spans the ages – from people in their twenties to their nineties.

Having said that, I don’t want to rule out the possibility that I might in future write novels that have younger main characters, but what I am advocating is an open mind when it comes to age and main characters in romantic fiction.

My Reader Perspective

Unsurprisingly, one of the genres I most enjoy reading is contemporary romance.

And, even although I’m more of an autumn chicken than a spring one, I’m still quite happy to read books where the protagonists are young. This year alone I’ve read several superb romantic novels where the lead characters have been in their twenties and thirties. And there will be more about them and their writers later in the festival.

However, I also like to read books where the main characters are in their forties, fifties and beyond who continue to live full lives – and who are definitely not too old to fall in love, enjoy sex, and begin new long term relationships. And these can be harder to find.

And just as a wee side note, I must say it brings out the grumpy old woman in me when women – and it does mainly seem to be women – over forty are portrayed as past it, frumpy and baffled by technology.

Things Are Changing

However, things are changing. And, as is often the way in publishing nowadays, it is the indie publishers who have made a significant contribution to satisfying demand. Authors such as Maggie Christensen, Christine Webber, and the aforementioned, BFOR founder, Claire Baldry, all write successful and first-class romantic fiction with older protagonists. And the big traditional publishers are at last catching up 🙂

But I think there is still a way to go in raising the profile of books with older protagonists or ageing-related issues at their heart. And that’s where groups like BFOR come in.

I don’t believe ‘older’ readers only want to read about ‘older’ characters, just as I don’t want to restrict myself to only writing about them, but I do believe life after thirty-five can be as challenging, surprising and rewarding as it was before – if not more so. So the lives of characters in the older age groups can provide fertile ground for all sorts of fiction. And surely having the full spectrum of adulthood – especially perhaps female adulthood – represented in fiction makes sense. After all the biggest group of book buyers is women over 45.

Age is just a number and is only one factor in our personalities and interests. It shouldn’t be a barrier to inclusion or enjoyment when it comes to our reading. And I’m hopeful things will continue to change for the better in that regard.

So, I’ll get down off my soapbox now and hand over to you.

What do you think about ageism in fiction? Is it something you’ve noticed or care about? And would you read/enjoy a novel where the romance happens between older characters? And, as I said, groups like the BFOR one are good for helping readers find books they’d like to read – so, where do you find your next good book?

Please do leave your comments below.

And please do come back to the festival tomorrow when, also as part of the BFOR Blog Blitz, I’ll be sharing an extract from one of my novels.